Showing posts with label Bonnie Raitt. Show all posts
Showing posts with label Bonnie Raitt. Show all posts
Sunday, September 13, 2026
Friday, January 10, 2025
Friday, December 27, 2024
Friday, February 25, 2022
Hear It Here - New Music From Bonnie Raitt - "Made Up Mind"
"Made Up Mind" (David Landreth/Joseph Sydney Landreth/Jonathan Singleton) by Bonnie Raitt from her new album, Just Like That...
Street date 4/22/22
Wednesday, October 28, 2020
New Music Video From Sheryl Crow with Chris Stapleton, Jason Isbell, Joe Walsh, Bonnie Raitt, Emmylou Harris & More (CMT Crossroads)
In this latest episode of CMT Crossroads, Sheryl Crow collaborates with fellow musicians to perform songs from her criminally underrated and terrific album, Threads. The performance includes duet performances with Chris Stapleton, Jason Isbell, Joe Walsh, Bonnie Raitt, Emmylou Harris and Lucius.
Sunday, May 26, 2019
Friday, May 10, 2019
Saturday, September 30, 2017
New Music Video From James Taylor & Bonnie Raitt - "You Can Close Your Eyes"
Check out James Taylor and the amazing Bonnie Raitt performing "You Can Close Your Eyes" at the Harvey Can't Mess with Texas benefit last Friday night below. To watch the entire concert and to find out how you can help, visit http://bit.ly/2ymxka7.
Friday, June 10, 2016
New Vintage 1990 Bruce Springsteen Live Album Features Jackson Browne and Bonnie Raitt
Artist: Bruce Springsteen
Album: The Christic Shows: November 16 and 17, 1990
Label: live.brucespringsteen.net
Release date: June 2016
Bruce Springsteen is making live performances- current and vintage- available for download through his live.brucespringsteen.net website and the latest in those great releases is the legendary 1990 solo acoustic performances in support of The Christic Institute. The 2 night stand featured premieres of 6 new songs, stunning rearrangements of classics and guest appearances by Bonnie Raitt and Jackson Browne covering Bob Dylan in the encore.
The first night of the Shrine concerts, November 16th, featured the live debuts of Human Touch's "Real World" and "57 Channels (and Nothin' On)" plus "Red Headed Woman" and "When the Lights Go Out," while the November 17th gig featured the premiere of "Soul Driver" and Human Touch's "The Wish."
Both shows are available to download together as one release ranging from MP3 to 24 Bit HD and Audiophile DSD versions. The 3 CD set of both concerts is shipping now.
Album: The Christic Shows: November 16 and 17, 1990
Label: live.brucespringsteen.net
Release date: June 2016
Bruce Springsteen is making live performances- current and vintage- available for download through his live.brucespringsteen.net website and the latest in those great releases is the legendary 1990 solo acoustic performances in support of The Christic Institute. The 2 night stand featured premieres of 6 new songs, stunning rearrangements of classics and guest appearances by Bonnie Raitt and Jackson Browne covering Bob Dylan in the encore.
The first night of the Shrine concerts, November 16th, featured the live debuts of Human Touch's "Real World" and "57 Channels (and Nothin' On)" plus "Red Headed Woman" and "When the Lights Go Out," while the November 17th gig featured the premiere of "Soul Driver" and Human Touch's "The Wish."
Both shows are available to download together as one release ranging from MP3 to 24 Bit HD and Audiophile DSD versions. The 3 CD set of both concerts is shipping now.
Tuesday, February 16, 2016
Saturday, November 28, 2015
Edge of Country Releases: Upcoming Live Albums From Bonnie Raitt, Tom Petty, John Prine, Lynyrd Skynyrd, Stevie Ray Vaughn, Joni Mitchell & Bob Dylan in 2016
While they don't fall directly under the country music umbrella, several of these rock or folk-leaning artists easily fall into the roots-oriented music category. Several big names have upcoming live performance releases in early 2016 to look forward to if you're a fan of any of them.
Artist: Bonnie Raitt
Album: Same Old Love: The Minneapolis Broadcast 1979
Label: Sutra
Release date: Jan. 15, 2016
In 1979 and with her big commercial breakthrough still being more than a decade away, Bonnie Raitt was well on her way to blending raw blues, R&B and rock into a decidedly more adult contemporary style. Typically for the time, when this show was broadcast in 1979, Raitt was on the road promoting her then new Warner Brothers album, The Glow. Since her first Warners LP, Give It Up in 1972, Raitt had expanded her live line-up from an acoustic duo consisting of herself and bassist Freebo, to a full-fledged electric band playing a much more hybrid style of blues, rock, R&B and folk, than she had in her early years. This show marked the end of nine weeks on the road, and the band is as tight as any Bonnie has ever worked with. She opens with "Baby I Love You" and moves straight into Sam & Dave's classic "I Thank You." The gig moves from one highlight to the next. Raitt's take on Mable John's "You're Good Thing Is About to End" is a particular standout, as is "Angel from Montgomery." The show also features a one-two punch of "Runaway" (Raitt had achieved a hit in 1977 with a rocked-up version of the 1961 Del Shannon number) and raucous replay of Robert Palmer's "You're Gonna Get What's Coming." The show closes with a powerhouse version of "Under the Falling Sky" featuring Pat Hayes' smoking harmonica work. When Raitt performed this show at the Orpheum in Minneapolis, she and her band were only a few months away from the historic No Nukes rally held in the fall of 1979 in Battery Park, New York City. That event, organized by Bonnie, would forever place her on the top-table of activist artists, and she has consistently supported multiple causes to this day.
Artist: Tom Petty
Album: In the Coliseum: Live Radio Broadcast, Jacksonville, Florida, 1989
Label: Goldfish Records
Release date: Feb. 12, 2016
From a gig at the Florida Coliseum in Jacksonville during summer of 1987, this show finds Tom and the Heartbreakers (Mike Campbell on lead guitar, Benmont Tench on keyboards, Howie Epstein on bass and mandolin, and Stan Lynch on drums) on tour to promote the April '87 release Let Me Up ( I've Had Enough). This particular show however featured only one cut from the album, Runaway Trains, notably omitting the record's hit single "Jammin' Me," a song composed by Petty and Campbell with Bob Dylan. The band were in playful mood however and performed a total of five rousing cover versions and a number of old favorites to compliment the one new song. Petty would neither tour nor record with the Heartbreakers again for another four years, in the meantime he became a founding member of the super-group The Travelling Wilburys following which he recorded and released his first solo album before reuniting with the group in 1991.
Artist: John Prine
Album: Bottom Line: 1978 New York Broadcast
Label: All Access
Release date: Jan. 15, 2016
This live performance from John Prine was broadcast live by King Biscuit on July 11th 1978 from the Bottom Line Club in New York's Greenwich Village, several years into the man's career. His debut album had been released to huge critical acclaim, albeit somewhat modest sales (reaching only 153 on Billboard), in 1971 on the Atlantic label. Featuring such legendary numbers as 'Hello in There' and 'Angel from Montgomery' (versions of both are featured) it was voted into Rolling Stone's All Time Greatest 500 Albums list in 2003. The tour, of which this gig was part, was performed in support of Bruised Orange (1978), Prine's 5th studio album, and the lengthy 30-song set list features no fewer than 6 of the album's 10 cuts, although strangely John omits to perform the marvelous title track. The remainder of the songs played are a mix from 3 out of 4 previous albums (he doesn't play anything from his sophomore record, 1972's Diamonds In The Rough) plus a smattering of cuts yet to be released at show-time, but made available on 1979's Pink Cadillac and post-1980 releases. A few well-chosen covers are additionally played, including a rollicking versions of 'Treat Me Nice' (from the pens of Messrs. Leiber and Stoller of course) and a nice 'Ballad of a Teenage Queen' - made famous by Johnny Cash but composed by Prine's friend Jack Clement.
Artist: Lynyrd Skynyrd
Album: Back for More in '94: FM Radio Broadcast from Atlanta, Georgia 1994
Label: Goldfish
Release date: Feb. 12, 2016
The horrific 1977 plane crash that wiped out members of Lynyrd Skynyrd and their entourage, including the man who had led the group across the best part of a decade, the inimitable Ronnie Van Zandt, was at the time seen as the end of the group. Those surviving members reunited only once to perform an instrumental 'Free Bird' at Charlie Daniels' charity event Volunteer Jam V in 1979, otherwise the group went on hiatus for the next 10 years, with four ex-members performing and recording as the Rossington-Collins band between 1980 and 1983, choosing a female lead vocalist to avoid claims that they were merely a rebooted Skynyrd. through this period. In 1987 however, Lynyrd Skynyrd reunited for a full-scale tour with five major members of the pre-crash band; survivors Gary Rossington, Billy Powell, Leon Wilkeson and Artimus Pyle, along with guitarist Ed King - who had left the band two years before the crash - and with Ronnie Van Zant's younger brother, Johnny, taking over on lead vocals and as primary songwriter. The show presented on this CD was performed at The Lakewood in Atlanta, Georgia, on August 24th, when the band performed a dynamic set featuring many LS classics alongside a superb new composition in 'Devil In The Bottle,' which has gone on to become a live favorite.
Artist: Stevie Ray Vaughn
Album: Happy New Years Blues: Live FM Broadcast from Atlanta, GA, December 1986
Label: Hobo
Release date: Jan. 15, 2016
By late 1986, Stevie Ray Vaughan had been through rehab in London and, according to all reports, was feeling like a new man. His dependency problems, which had haunted him right through his career, were, he felt, now behind him and he was intent on two things; getting back to playing the blues and helping others overcome their own, similar problems. He achieved the former with ease and passion - this was, after all, what the master guitarist existed to do. The latter did not come so naturally, but SRV made commendable effort in his oft-witnessed stage announcements, advising and guiding his audience members, sharing the wisdom he had garnered in going through the hell he had suffered. The concert featured on this CD is taken from an FM radio broadcast, transmitted live from the Fox Theatre in Atlanta, Georgia, on New Year's Eve '86, was clearly a dynamic event. Stevie and Double Trouble perform with gusto and flare, whilst the audience are wild with ecstasy. Joining Vaughan on stage after the new year kicks in is none other than guitar legend Lonnie Mack, and the two bluesmen bounce off each other beautifully for a magical rendition of Mack's 'Oreo Cookie Blues,' which ends this extraordinary performance and readies Stevie Ray to enter what, tragically, would become the final, albeit majestic, era of his career - and sadly his life.
Artist: Joni Mitchell
Album: Bread and Roses Festival 1978
Label: Iconography
Release date: Feb. 12, 2016
The second annual Bread and Roses Festival of Music, held at the Greek Theatre in Berkeley over Labor Day weekend 1978, 2nd - 4th September, proved to be one of the most exciting musical events of the year. The three-day concert series was sponsored by singer Mimi Farina's Bread and Roses organization, which supported free live entertainment in Marin County hospitals, nursing homes and rehabilitation clinics. The highlight of the '78 festival was the appearance on the evening of Saturday 2nd by Joni Mitchell and Herbie Hancock. Joni had not performed in public since The Band's Last Waltz in November of '76, and this show marked the first time she had teamed up with Hancock. Herbie joined Joni onstage after a couple of solo numbers, and together they performed two songs from Joni's upcoming album featuring her words and jazz great Charlie Mingus' music. The tunes were challenging to say the least - 'A Chair In The Sky' painted a stunning visual portrait of the aging, ailing Mingus alone in New York and featured moments of dissonance and moments that swung. On the Sunday afternoon Joni and Herbie played a couple more numbers to help boost poor ticket sales, and with another rendition of 'The Dry Cleaner From Des Moines' notably different to Saturday's version plus a charming 'The Circle Game', with The Persuasions, Tim Hardin, Tom Paxton and Odetta - all of whom had played that afternoon - helping out on vocals, it was magical indeed. This CD also boasts a couple of dynamic bonus cuts, recorded a decade later but again featuring Joni and Herbie Hancock, but now alongside a plethora of further jazz masters; Wayne Shorter, David Sanborn, Bobby McFerrin and Larry Klein. The occasion was an episode of the Showtime Coast To Coast TV show - a program dedicated to live performance, regularly presented by Hancock who would play alongside the studio guests.
Artist: Bob Dylan
Album: Minneapolis Hotel Tape & The Gaslight Café: September & December 1961
Label: BDA
Release date: Jan. 15, 2016
Further to BDA's previous collections (Carnegie Hall & The Minnesota Party Tape) comes the third album in the 1961 series of rare and previously unreleased Dylan material, this time showcasing an early stint at the infamous Gaslight Cafe in NYC's Greenwich Village, and the December recordings made at his friend Bonnie Beecher's apartment back in Minnesota - the same venue that witnessed the 'Party Tape' in May of the same year. Dylan played the Gaslight a number of times but this particular performance is one of only two for which any recordings exist - it is believed to be the set he played there on 6th September '61. Bonnie Beecher's apartment (aka the Minneapolis Hotel) was a regular stopping off point for Bob on his way home to visit his parents in Hibbing, and while there he would often play in front of old college friends. This recording was made a few days before Christmas - on 22nd December 1961- en route to spending the festivities with his folks. The recording here features all the known songs that were recorded, except those the 5 that have previously been released by Sony on various of the Official Bootleg Series or on the Highway 61 cd-rom. Both recordings here feature the very best sound recordings known to exist making this CD both a hugely important historical document and a delightful collection of Bob Dylan's earliest work.
Artist: Bonnie Raitt
Album: Same Old Love: The Minneapolis Broadcast 1979
Label: Sutra
Release date: Jan. 15, 2016
In 1979 and with her big commercial breakthrough still being more than a decade away, Bonnie Raitt was well on her way to blending raw blues, R&B and rock into a decidedly more adult contemporary style. Typically for the time, when this show was broadcast in 1979, Raitt was on the road promoting her then new Warner Brothers album, The Glow. Since her first Warners LP, Give It Up in 1972, Raitt had expanded her live line-up from an acoustic duo consisting of herself and bassist Freebo, to a full-fledged electric band playing a much more hybrid style of blues, rock, R&B and folk, than she had in her early years. This show marked the end of nine weeks on the road, and the band is as tight as any Bonnie has ever worked with. She opens with "Baby I Love You" and moves straight into Sam & Dave's classic "I Thank You." The gig moves from one highlight to the next. Raitt's take on Mable John's "You're Good Thing Is About to End" is a particular standout, as is "Angel from Montgomery." The show also features a one-two punch of "Runaway" (Raitt had achieved a hit in 1977 with a rocked-up version of the 1961 Del Shannon number) and raucous replay of Robert Palmer's "You're Gonna Get What's Coming." The show closes with a powerhouse version of "Under the Falling Sky" featuring Pat Hayes' smoking harmonica work. When Raitt performed this show at the Orpheum in Minneapolis, she and her band were only a few months away from the historic No Nukes rally held in the fall of 1979 in Battery Park, New York City. That event, organized by Bonnie, would forever place her on the top-table of activist artists, and she has consistently supported multiple causes to this day.
Artist: Tom Petty
Album: In the Coliseum: Live Radio Broadcast, Jacksonville, Florida, 1989
Label: Goldfish Records
Release date: Feb. 12, 2016
From a gig at the Florida Coliseum in Jacksonville during summer of 1987, this show finds Tom and the Heartbreakers (Mike Campbell on lead guitar, Benmont Tench on keyboards, Howie Epstein on bass and mandolin, and Stan Lynch on drums) on tour to promote the April '87 release Let Me Up ( I've Had Enough). This particular show however featured only one cut from the album, Runaway Trains, notably omitting the record's hit single "Jammin' Me," a song composed by Petty and Campbell with Bob Dylan. The band were in playful mood however and performed a total of five rousing cover versions and a number of old favorites to compliment the one new song. Petty would neither tour nor record with the Heartbreakers again for another four years, in the meantime he became a founding member of the super-group The Travelling Wilburys following which he recorded and released his first solo album before reuniting with the group in 1991.
Artist: John Prine
Album: Bottom Line: 1978 New York Broadcast
Label: All Access
Release date: Jan. 15, 2016
This live performance from John Prine was broadcast live by King Biscuit on July 11th 1978 from the Bottom Line Club in New York's Greenwich Village, several years into the man's career. His debut album had been released to huge critical acclaim, albeit somewhat modest sales (reaching only 153 on Billboard), in 1971 on the Atlantic label. Featuring such legendary numbers as 'Hello in There' and 'Angel from Montgomery' (versions of both are featured) it was voted into Rolling Stone's All Time Greatest 500 Albums list in 2003. The tour, of which this gig was part, was performed in support of Bruised Orange (1978), Prine's 5th studio album, and the lengthy 30-song set list features no fewer than 6 of the album's 10 cuts, although strangely John omits to perform the marvelous title track. The remainder of the songs played are a mix from 3 out of 4 previous albums (he doesn't play anything from his sophomore record, 1972's Diamonds In The Rough) plus a smattering of cuts yet to be released at show-time, but made available on 1979's Pink Cadillac and post-1980 releases. A few well-chosen covers are additionally played, including a rollicking versions of 'Treat Me Nice' (from the pens of Messrs. Leiber and Stoller of course) and a nice 'Ballad of a Teenage Queen' - made famous by Johnny Cash but composed by Prine's friend Jack Clement.
Artist: Lynyrd Skynyrd
Album: Back for More in '94: FM Radio Broadcast from Atlanta, Georgia 1994
Label: Goldfish
Release date: Feb. 12, 2016
The horrific 1977 plane crash that wiped out members of Lynyrd Skynyrd and their entourage, including the man who had led the group across the best part of a decade, the inimitable Ronnie Van Zandt, was at the time seen as the end of the group. Those surviving members reunited only once to perform an instrumental 'Free Bird' at Charlie Daniels' charity event Volunteer Jam V in 1979, otherwise the group went on hiatus for the next 10 years, with four ex-members performing and recording as the Rossington-Collins band between 1980 and 1983, choosing a female lead vocalist to avoid claims that they were merely a rebooted Skynyrd. through this period. In 1987 however, Lynyrd Skynyrd reunited for a full-scale tour with five major members of the pre-crash band; survivors Gary Rossington, Billy Powell, Leon Wilkeson and Artimus Pyle, along with guitarist Ed King - who had left the band two years before the crash - and with Ronnie Van Zant's younger brother, Johnny, taking over on lead vocals and as primary songwriter. The show presented on this CD was performed at The Lakewood in Atlanta, Georgia, on August 24th, when the band performed a dynamic set featuring many LS classics alongside a superb new composition in 'Devil In The Bottle,' which has gone on to become a live favorite.
Artist: Stevie Ray Vaughn
Album: Happy New Years Blues: Live FM Broadcast from Atlanta, GA, December 1986
Label: Hobo
Release date: Jan. 15, 2016
By late 1986, Stevie Ray Vaughan had been through rehab in London and, according to all reports, was feeling like a new man. His dependency problems, which had haunted him right through his career, were, he felt, now behind him and he was intent on two things; getting back to playing the blues and helping others overcome their own, similar problems. He achieved the former with ease and passion - this was, after all, what the master guitarist existed to do. The latter did not come so naturally, but SRV made commendable effort in his oft-witnessed stage announcements, advising and guiding his audience members, sharing the wisdom he had garnered in going through the hell he had suffered. The concert featured on this CD is taken from an FM radio broadcast, transmitted live from the Fox Theatre in Atlanta, Georgia, on New Year's Eve '86, was clearly a dynamic event. Stevie and Double Trouble perform with gusto and flare, whilst the audience are wild with ecstasy. Joining Vaughan on stage after the new year kicks in is none other than guitar legend Lonnie Mack, and the two bluesmen bounce off each other beautifully for a magical rendition of Mack's 'Oreo Cookie Blues,' which ends this extraordinary performance and readies Stevie Ray to enter what, tragically, would become the final, albeit majestic, era of his career - and sadly his life.
Artist: Joni Mitchell
Album: Bread and Roses Festival 1978
Label: Iconography
Release date: Feb. 12, 2016
The second annual Bread and Roses Festival of Music, held at the Greek Theatre in Berkeley over Labor Day weekend 1978, 2nd - 4th September, proved to be one of the most exciting musical events of the year. The three-day concert series was sponsored by singer Mimi Farina's Bread and Roses organization, which supported free live entertainment in Marin County hospitals, nursing homes and rehabilitation clinics. The highlight of the '78 festival was the appearance on the evening of Saturday 2nd by Joni Mitchell and Herbie Hancock. Joni had not performed in public since The Band's Last Waltz in November of '76, and this show marked the first time she had teamed up with Hancock. Herbie joined Joni onstage after a couple of solo numbers, and together they performed two songs from Joni's upcoming album featuring her words and jazz great Charlie Mingus' music. The tunes were challenging to say the least - 'A Chair In The Sky' painted a stunning visual portrait of the aging, ailing Mingus alone in New York and featured moments of dissonance and moments that swung. On the Sunday afternoon Joni and Herbie played a couple more numbers to help boost poor ticket sales, and with another rendition of 'The Dry Cleaner From Des Moines' notably different to Saturday's version plus a charming 'The Circle Game', with The Persuasions, Tim Hardin, Tom Paxton and Odetta - all of whom had played that afternoon - helping out on vocals, it was magical indeed. This CD also boasts a couple of dynamic bonus cuts, recorded a decade later but again featuring Joni and Herbie Hancock, but now alongside a plethora of further jazz masters; Wayne Shorter, David Sanborn, Bobby McFerrin and Larry Klein. The occasion was an episode of the Showtime Coast To Coast TV show - a program dedicated to live performance, regularly presented by Hancock who would play alongside the studio guests.
Artist: Bob Dylan
Album: Minneapolis Hotel Tape & The Gaslight Café: September & December 1961
Label: BDA
Release date: Jan. 15, 2016
Further to BDA's previous collections (Carnegie Hall & The Minnesota Party Tape) comes the third album in the 1961 series of rare and previously unreleased Dylan material, this time showcasing an early stint at the infamous Gaslight Cafe in NYC's Greenwich Village, and the December recordings made at his friend Bonnie Beecher's apartment back in Minnesota - the same venue that witnessed the 'Party Tape' in May of the same year. Dylan played the Gaslight a number of times but this particular performance is one of only two for which any recordings exist - it is believed to be the set he played there on 6th September '61. Bonnie Beecher's apartment (aka the Minneapolis Hotel) was a regular stopping off point for Bob on his way home to visit his parents in Hibbing, and while there he would often play in front of old college friends. This recording was made a few days before Christmas - on 22nd December 1961- en route to spending the festivities with his folks. The recording here features all the known songs that were recorded, except those the 5 that have previously been released by Sony on various of the Official Bootleg Series or on the Highway 61 cd-rom. Both recordings here feature the very best sound recordings known to exist making this CD both a hugely important historical document and a delightful collection of Bob Dylan's earliest work.
Monday, November 2, 2015
Bonnie Raitt To Release Dig In Deep In Feb 2016
Artist: Bonnie Raitt
Album: Dig In Deep
Label: Redwing Records
Release date: Feb. 26, 2016
Bonnie Raitt will release Dig In Deep, her twentieth album, on Redwing Records, her own, independent label. The record follows Bonnie's hugely successful 2012 release 'Slipstream', which was one of the best-selling independent albums of 2012 and earned Bonnie a GRAMMY for Best Americana Album — her tenth career GRAMMY win.
“The response to Slipstream was such a refreshing and unexpected boost,” Raitt says of her 2012 project, which garnered the singer-songwriter her 10th Grammy. “So, going into this album, I had renewed energy.”
The 65-year-old wrote five of the tracks on her new project — the most since her 1998 album, Fundamental — after spending two years on the road, performing for her loyal fans.
“I was really inspired to come up with some songs that went with grooves that I missed playing in my live show and to dig deeper into some topics I hadn’t yet mined,” Raitt explains. “I don’t write easily and can get distracted, but remembering how satisfying it was to come up with something new of my own, and writing with guys I love — like my longtime bandmates George Marinelli and Jon Cleary — I found that once the wheels started turning, the music came pouring out.
“I’m feeling pretty charged, and the band and I are at the top of our game,” she adds. “I think all these years together pay off, and the best part is that we know how lucky we are to still get to make our livings doing something we love this much.”
Album: Dig In Deep
Label: Redwing Records
Release date: Feb. 26, 2016
Bonnie Raitt will release Dig In Deep, her twentieth album, on Redwing Records, her own, independent label. The record follows Bonnie's hugely successful 2012 release 'Slipstream', which was one of the best-selling independent albums of 2012 and earned Bonnie a GRAMMY for Best Americana Album — her tenth career GRAMMY win.
“The response to Slipstream was such a refreshing and unexpected boost,” Raitt says of her 2012 project, which garnered the singer-songwriter her 10th Grammy. “So, going into this album, I had renewed energy.”
The 65-year-old wrote five of the tracks on her new project — the most since her 1998 album, Fundamental — after spending two years on the road, performing for her loyal fans.
“I was really inspired to come up with some songs that went with grooves that I missed playing in my live show and to dig deeper into some topics I hadn’t yet mined,” Raitt explains. “I don’t write easily and can get distracted, but remembering how satisfying it was to come up with something new of my own, and writing with guys I love — like my longtime bandmates George Marinelli and Jon Cleary — I found that once the wheels started turning, the music came pouring out.
“I’m feeling pretty charged, and the band and I are at the top of our game,” she adds. “I think all these years together pay off, and the best part is that we know how lucky we are to still get to make our livings doing something we love this much.”
Saturday, August 15, 2015
Clare Dunn Schedules Self-Titled EP For 9/18 Release
Artist: Clare Dunn
Album: Clare Dunn
Label: MCA Nashville
Release date: Sept 18, 2015
Clare Dunn announced her forthcoming five-song EP due out September 18 on MCA Nashville. Included on the EP is Clare’s major label radio debut, “Move On."
Clare co-wrote and co-produced all five songs on her EP. NPR asserts the “Colorado-raised country newcomer is a little bit Florence, a little bit Bonnie and a whole lot rock and roll.” Dunn plays lead guitar on every track both in the studio and in her impressive live show. Clare has drawn numerous comparisons to Bonnie Raitt and Keith Urban while recently out on tour with American rock icon Bob Seger. The Boston Globe commends Clare’s “big voice and serious guitar prowess,” while Rolling Stone notes, “it’s easy to see why Seger himself recruited her [Clare] to open for him on his last tour.”
Clare Dunn EP Track Listing:
1.Ferrari (Clare Dunn, Jennifer Decilveo)
2.Move On** (Clare Dunn, Jesse Frasure)
3.Tuxedo* (Clare Dunn, Ben West, Brett James)
4.Old Hat * (Clare Dunn, Tom Douglas)
5.Cowboy Side Of You*** (Clare Dunn, Terry McBride, Brandon Hood)
Album: Clare Dunn
Label: MCA Nashville
Release date: Sept 18, 2015
Clare Dunn announced her forthcoming five-song EP due out September 18 on MCA Nashville. Included on the EP is Clare’s major label radio debut, “Move On."
Clare co-wrote and co-produced all five songs on her EP. NPR asserts the “Colorado-raised country newcomer is a little bit Florence, a little bit Bonnie and a whole lot rock and roll.” Dunn plays lead guitar on every track both in the studio and in her impressive live show. Clare has drawn numerous comparisons to Bonnie Raitt and Keith Urban while recently out on tour with American rock icon Bob Seger. The Boston Globe commends Clare’s “big voice and serious guitar prowess,” while Rolling Stone notes, “it’s easy to see why Seger himself recruited her [Clare] to open for him on his last tour.”
Clare Dunn EP Track Listing:
1.Ferrari (Clare Dunn, Jennifer Decilveo)
2.Move On** (Clare Dunn, Jesse Frasure)
3.Tuxedo* (Clare Dunn, Ben West, Brett James)
4.Old Hat * (Clare Dunn, Tom Douglas)
5.Cowboy Side Of You*** (Clare Dunn, Terry McBride, Brandon Hood)
Saturday, April 12, 2014
Jesse Winchester Passes Away At The Age Of 69
“You can’t talk about the best songwriters and not include him.” – Bob Dylan
“The word that comes to mind is grace.” – Elvis Costello
Jesse Winchester, a singer’s singer and a songwriter’s songwriter, died of bladder cancer on April 11, 2014, at the age of 69. His voice, by turns ethereal, sly, earthy, and heartbreakingly direct, delivered some of the finest songs of our time over more than four decades of live performance, and twelve original albums, including the forthcoming A Reasonable Amount of Trouble. His songs have been covered by artists as different as Jimmy Buffett, Elvis Costello, Reba McEntire, Wilson Pickett, Waylon Jennings, Emmylou Harris, Bonnie Raitt and the Everly Brothers.
Jesse Winchester was born May 17, 1944 in Bossier City, Louisiana, to James Ridout Winchester and Frances (Manire) Winchester. He spent his early years in Mississippi, and moved to Memphis with his family at age 12, where his father went to work with the Winchester law firm. There, Jesse’s ears were opened to the sounds of rhythm and blues and rockabilly via radio stations such as WDIA, where B.B. King and Rufus Thomas hosted shows, and WHBQ, where the irrepressible Dewey Phillips mixed the music of black and white acts in a glorious jumble. Jesse got his first guitar shortly after arriving in Memphis, and began playing in bands around town while attending Christian Brothers High School.
Winchester left Memphis to attend Williams College, from which he graduated (after a brief period studying, and playing with a band, in Munich, Germany) in 1966. Soon thereafter he received a piece of mail that would profoundly alter the course of his life – a draft notice summoning him to serve in Vietnam. Deeply disturbed by the war and the prospect of killing in what he considered a dubious cause, Winchester abruptly left the United States for Montreal, Canada, where he was to live for the next 36 years.
In Montreal he made his living first playing with various bands, including one called Les Astronauts, whose members were required to dress in spaceman costumes. Deciding that space travel was not his forte, he began to focus on solo performance and, more importantly, songwriting. The first song he wrote, “The Brand-New Tennessee Waltz,” set a very high standard, and remained a signature tune for him. It was eventually covered by Joan Baez, Ralph Stanley, the Everly Brothers, and, in 2000, Patti Page, who had recorded the original “Tennessee Waltz” fifty years earlier.
In 1970, his self-titled first album, Jesse Winchester, was released. Produced by Robbie Robertson and engineered by Todd Rundgren, the album contained several of Jesse’s most enduring and popular songs, including “The Brand New Tennessee Waltz,” “Payday,” “Biloxi,” “Yankee Lady,” and the haunting “Quiet About It.” The record firmly established his reputation as both songwriter and performer, and a succession of albums followed as he kept up a busy touring schedule through Canada, Australia, and Europe.
In 1977, President Jimmy Carter announced an amnesty for those who had left the country to avoid being sent to Vietnam, and Jesse was finally able to visit, and perform in, the United States. He did not, however, consider moving back. “I had a Canadian wife,” he said later, “Canadian children, and a Canadian mortgage.” Based in Montreal, he continued busily touring and recording through the 1980s.
On the eve of the 1990s, tired of touring, and with his songs being recorded regularly by top country artists such as Reba McEntire and Wynonna Judd, Winchester took nearly a full decade off from traveling and performing to stay home and concentrate on songwriting. At the end of that decade, Winchester recorded Gentleman of Leisure, an album containing his pick of the songs he’d written during that time. The record, produced by Jerry Douglas, remained one of Winchester’s favorites among his own recordings.
In 2002, he met his future wife, Cindy, and the next year moved back to the United States, settling in Charlottesville, Virginia, after a brief period in his old home town of Memphis. In 2007 he was awarded ASCAP’s prestigious Lifetime Achievement Award. He maintained a comfortable touring schedule and continued to write new songs, the best of which made up his 2009 album Love Filling Station.
But a 2010 appearance on Elvis Costello’s Sundance series Spectacle introduced Jesse’s music to a new and larger audience. Alongside Costello, Neko Case, Sheryl Crow, and Ron Sexsmith, Jesse performed several songs, most notably the stunning “Sham-A-Ling-Dong-Ding,” from Love Filling Station, a tender and shockingly beautiful ode to the nonsense lyrics in the teenage love songs of the 1950s. The performance literally stopped the show, according to Costello. “I just bowed my head,” the host said, “and told the audience that they had to go home because I could not gather myself to make the next introduction, such was supernatural beauty of his voice.” That performance quickly became a word-of-mouth sensation via YouTube, and Winchester’s performing schedule went into a higher gear.
That wave of activity was brought to an abrupt halt in June 2011, when Jesse was diagnosed with cancer of the esophagus. He underwent surgery and a brief but difficult treatment, which he faced with extraordinary dignity and spirit. Amazingly, in August of that year he was pronounced cancer-free, and he resumed his performing schedule. During his illness, an all-star group of artists recorded an excellent tribute album of Jesse’s songs, entitled Quiet About It. Jimmy Buffett, one of Jesse’s biggest fans, was the driving force behind the tribute.
In February 2014, cancer was found again, and this time it was untreatable. Jesse Winchester finally succumbed to it on April 11, 2014, at home – not alone, but surrounded by the presence and love of his wife, Cindy, and his family.
He is survived by his wife, Cindy, a brother, Cassius Winchester, and a sister, Ellyn Weeks, as well as his children, James Winchester, Alice Winchester, and Marcus Lee Winchester, a stepdaughter, Jennifer Slangerup, and his grandchildren Oliver, Gus, and Luke Dungavell of Ontario, Canada, and Tave and Vann Slangerup of Charlottesville, Virginia.
– Tom Piazza, author and family friend
“The word that comes to mind is grace.” – Elvis Costello
Jesse Winchester, a singer’s singer and a songwriter’s songwriter, died of bladder cancer on April 11, 2014, at the age of 69. His voice, by turns ethereal, sly, earthy, and heartbreakingly direct, delivered some of the finest songs of our time over more than four decades of live performance, and twelve original albums, including the forthcoming A Reasonable Amount of Trouble. His songs have been covered by artists as different as Jimmy Buffett, Elvis Costello, Reba McEntire, Wilson Pickett, Waylon Jennings, Emmylou Harris, Bonnie Raitt and the Everly Brothers.
Jesse Winchester was born May 17, 1944 in Bossier City, Louisiana, to James Ridout Winchester and Frances (Manire) Winchester. He spent his early years in Mississippi, and moved to Memphis with his family at age 12, where his father went to work with the Winchester law firm. There, Jesse’s ears were opened to the sounds of rhythm and blues and rockabilly via radio stations such as WDIA, where B.B. King and Rufus Thomas hosted shows, and WHBQ, where the irrepressible Dewey Phillips mixed the music of black and white acts in a glorious jumble. Jesse got his first guitar shortly after arriving in Memphis, and began playing in bands around town while attending Christian Brothers High School.
Winchester left Memphis to attend Williams College, from which he graduated (after a brief period studying, and playing with a band, in Munich, Germany) in 1966. Soon thereafter he received a piece of mail that would profoundly alter the course of his life – a draft notice summoning him to serve in Vietnam. Deeply disturbed by the war and the prospect of killing in what he considered a dubious cause, Winchester abruptly left the United States for Montreal, Canada, where he was to live for the next 36 years.
In Montreal he made his living first playing with various bands, including one called Les Astronauts, whose members were required to dress in spaceman costumes. Deciding that space travel was not his forte, he began to focus on solo performance and, more importantly, songwriting. The first song he wrote, “The Brand-New Tennessee Waltz,” set a very high standard, and remained a signature tune for him. It was eventually covered by Joan Baez, Ralph Stanley, the Everly Brothers, and, in 2000, Patti Page, who had recorded the original “Tennessee Waltz” fifty years earlier.
In 1970, his self-titled first album, Jesse Winchester, was released. Produced by Robbie Robertson and engineered by Todd Rundgren, the album contained several of Jesse’s most enduring and popular songs, including “The Brand New Tennessee Waltz,” “Payday,” “Biloxi,” “Yankee Lady,” and the haunting “Quiet About It.” The record firmly established his reputation as both songwriter and performer, and a succession of albums followed as he kept up a busy touring schedule through Canada, Australia, and Europe.
In 1977, President Jimmy Carter announced an amnesty for those who had left the country to avoid being sent to Vietnam, and Jesse was finally able to visit, and perform in, the United States. He did not, however, consider moving back. “I had a Canadian wife,” he said later, “Canadian children, and a Canadian mortgage.” Based in Montreal, he continued busily touring and recording through the 1980s.
On the eve of the 1990s, tired of touring, and with his songs being recorded regularly by top country artists such as Reba McEntire and Wynonna Judd, Winchester took nearly a full decade off from traveling and performing to stay home and concentrate on songwriting. At the end of that decade, Winchester recorded Gentleman of Leisure, an album containing his pick of the songs he’d written during that time. The record, produced by Jerry Douglas, remained one of Winchester’s favorites among his own recordings.
In 2002, he met his future wife, Cindy, and the next year moved back to the United States, settling in Charlottesville, Virginia, after a brief period in his old home town of Memphis. In 2007 he was awarded ASCAP’s prestigious Lifetime Achievement Award. He maintained a comfortable touring schedule and continued to write new songs, the best of which made up his 2009 album Love Filling Station.
But a 2010 appearance on Elvis Costello’s Sundance series Spectacle introduced Jesse’s music to a new and larger audience. Alongside Costello, Neko Case, Sheryl Crow, and Ron Sexsmith, Jesse performed several songs, most notably the stunning “Sham-A-Ling-Dong-Ding,” from Love Filling Station, a tender and shockingly beautiful ode to the nonsense lyrics in the teenage love songs of the 1950s. The performance literally stopped the show, according to Costello. “I just bowed my head,” the host said, “and told the audience that they had to go home because I could not gather myself to make the next introduction, such was supernatural beauty of his voice.” That performance quickly became a word-of-mouth sensation via YouTube, and Winchester’s performing schedule went into a higher gear.
That wave of activity was brought to an abrupt halt in June 2011, when Jesse was diagnosed with cancer of the esophagus. He underwent surgery and a brief but difficult treatment, which he faced with extraordinary dignity and spirit. Amazingly, in August of that year he was pronounced cancer-free, and he resumed his performing schedule. During his illness, an all-star group of artists recorded an excellent tribute album of Jesse’s songs, entitled Quiet About It. Jimmy Buffett, one of Jesse’s biggest fans, was the driving force behind the tribute.
In February 2014, cancer was found again, and this time it was untreatable. Jesse Winchester finally succumbed to it on April 11, 2014, at home – not alone, but surrounded by the presence and love of his wife, Cindy, and his family.
He is survived by his wife, Cindy, a brother, Cassius Winchester, and a sister, Ellyn Weeks, as well as his children, James Winchester, Alice Winchester, and Marcus Lee Winchester, a stepdaughter, Jennifer Slangerup, and his grandchildren Oliver, Gus, and Luke Dungavell of Ontario, Canada, and Tave and Vann Slangerup of Charlottesville, Virginia.
– Tom Piazza, author and family friend
Sunday, July 21, 2013
Carlene Carter Finishes Don Was-Produced Record- First Album Release In Five Years
Carlene Carter, the daughter of famed country music royalty, June Carter (Cash) and Carl Smith, announced via Twitter that she has just finished recording her first new album in more than five years:
Carter has always straddled the line between country and rock. Long known as a Nashville "wild child," the young Carlene Carter embarked on a series of ricochet romances, musical experiments, and headline-grabbing escapades that made her one of the most colorful characters in the country-rock pantheon. A stint in London resulted in marriage to rock star Nick Lowe and to her acclaimed 1980 album Musical Shapes, forerunner of a sound Nashville would come to embrace in the 1990s.When her "party girl" era ended, Carlene returned to Nashville. In the mid-80s, she joined her mother and aunts as a member of The Carter Family. Touring with the Johnny Cash Show, Carter embraced her country roots, and the prodigal daughter began to make her own records again, this time on Music Row. In the 1990s, she sailed to the top of the country charts with such jaunty tunes as the GRAMMY nominated "I Fell in Love," as well as "Come on Back," and "Every Little Thing." Produced by Howie Epstein, the musicians included Dave Edmunds, Kiki Dee, Albert Lee, Jim Keltner, and such songs as ‘Me And Wildwood Rose’ celebrated her country music heritage.
Don Was has produced from everyone from Travis Tritt and Garth Brooks to Bonnie Raitt and Waylon Jennings. Bob Clearmountain has engineered everyone from Bruce Springsteen and Sheryl Crow to Tina Turner and the Rolling Stones.
No release date has been made public yet.
Monday, April 9, 2012
Tuesday, April 3, 2012
Hear It Here- New Music From Bonnie Raitt- "Used To Rule The World"
On April 10th, Bonnie Raitt releases her first album in seven years called "Slipstream." From the album press release:
The nine-time Grammy winner effortlessly slides from the stirring heartbreak of "Not Cause I Wanted To" to the searing social commentary of "Marriage Made in Hollywood" to a reggae-tinged version of Gerry Rafferty's "Right Down the Line." Her remarkable slide guitar work - she's only one of two women on Rolling Stone's list of the 100 greatest guitarists - buoys such tracks as the swampy "Million Miles," "Down to You" and "Ain't Gonna Let You Go."Take a listen to this preview track called "Used To Rule the World":
Wednesday, February 15, 2012
Hear It Here- Bonnie Raitt's New "Right Down the Line"
On April 10th, Bonnie Raitt will release a brand new album called Slipstream on i-Tunes and in stores everywhere. She has just released her first song off of the album called "Right Down The Line," a cover of the old Gerry Rafferty song. With the release of her nineteenth album, Bonnie Raitt is starting anew. The album marks her return to studio recording
after seven years; it's coming out as the launch of her own label, Redwing
Records; and it delivers some of the most surprising and rewarding music of her
remarkable career, thanks in part to some experimental sessions with celebrated
producer Joe Henry.
And lastly, Raitt is headed out on tour this spring with Marc Cohn, a pairing that is sure to be a fantastic night of music. Check out either artists' websites for more details.
And lastly, Raitt is headed out on tour this spring with Marc Cohn, a pairing that is sure to be a fantastic night of music. Check out either artists' websites for more details.
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