Celebrating the Best in Country and Americana: That Nashville Sound’s Top Albums of 2024

In this extraordinary era of music, the ways we discover and experience country and Americana tunes are being revolutionized. The internet, YouTube, and an array of digital platforms have become vital arenas where independent artists shine, showcasing their talents to audiences far and wide. As traditional gatekeepers like country radio maintain their hold on the airwaves, a thrilling shift is underway. Creativity and sheer talent are breaking barriers, proving that exceptional artistry will always find its way to the spotlight.

These albums stand as testaments to the evolving and ever-enriching world of country music, a genre that continues to grow and touch souls globally, thanks to the boundless opportunities provided by the digital age.

A Look Back at That Nashville Sound’s Past Winners

Before diving into this year’s exceptional picks, let’s honor the legacy of groundbreaking albums that have previously topped our list. These winners are more than collections of songs; they are narratives, experiences, and emotions that have defined the past two decades of country and Americana music.

Previous Year Winners:

2005: Gary Allan - Tough All Over (tie) & Lee Ann Womack - There’s More Where That Came From
2006: Johnny Cash - American V: A Hundred Highways
2007: Alison Krauss & Robert Plant - Raising Sand
2008: Lee Ann Womack - Call Me Crazy
2009: Eric Church - Carolina
2010: Zac Brown Band - You Get What You Give
2011: Pistol Annies - Hell on Heels
2012: Marty Stuart - Nashville Volume 1: Tear The Woodpile Down
2013: Brandy Clark - 12 Stories
2014: Don Williams - Reflections
2015: Chris Stapleton - Traveler
2016: Ryan Beaver - RX
2017: Jason Eady - Jason Eady
2018: Ashley McBryde - Girl Goin' Nowhere
2019: Erin Enderlin - Faulkner County
2020: Hailey Whitters - The Dream
2021: Mike and the Moonpies - One To Grow On
2022: Lainey Wilson - Bell Bottom Country
2023: Cody Johnson - Leather

Those That Move Us Change Us

We are profoundly grateful for the artists who dedicate their lives to making music a career, pouring their hearts and souls into every note and lyric. The artistry they express daily not only entertains us but, when done at its pinnacle, touches something deep within, moving us in ways words often can't. It’s the magic of music—resonating with our souls, sparking joy, reflection, or healing, and leaving behind a small but indelible imprint of the songwriter's spirit in our own DNA. These are the artists who, this year, have done that the best.

The Winner

Three Times A Lady - Live at 3rd and Lindsley

In a year overflowing with extraordinary country and Americana music, Three Times A Lady’s Live at 3rd and Lindsley stood out as the crown jewel of 2024. A magical tapestry of harmony and emotion, this live album encapsulates the best of what country music offers: raw talent, heartfelt storytelling, and the kind of vocal chemistry that sends chills down your spine.

Three Times A Lady is the powerhouse trio of Lauren Mascitti, Kennedy Scott, and Hannah Blaylock—three singer-songwriters whose individual talents alone could anchor any stage. Lauren Mascitti, a seasoned songwriter and performer, brings a soulful, introspective voice that anchors the group’s emotional depth. Kennedy Scott, with her sharp wit and velvet-like tone, adds a contemporary flair while staying rooted in the traditions of country music. Hannah Blaylock, formerly of Eden’s Edge, rounds out the trio with her crystalline voice that cuts through the mix with heart-stopping clarity. (Following the album release, Victoria Camp has replaced Lauren in the band- and yes, they're all still friends.)

What began as a tribute to the iconic Trio albums by Dolly Parton, Linda Ronstadt, and Emmylou Harris has blossomed into something even more profound. Three Times A Lady initially joined forces out of a shared love for those legendary harmonies, crafting a setlist of inspired covers that celebrated the roots of their artistry. But as they began weaving in their original songs, it became clear they weren’t just revisiting history—they were making it. The album Live at 3rd and Lindsley captures this evolution in real time, blending reverent nods to their heroes with bold, modern takes that are distinctly their own.

Harmonies have always been a cornerstone of country music, threading through its history like a golden thread. From The Carter Family to The Judds, the blending of voices has served as both a technical marvel and an emotional anchor, creating a communal intimacy that resonates deeply with listeners. Three Times A Lady carries this tradition forward with harmonies that feel both effortless and divine. The way their voices intertwine on songs like “Those Memories Of You” and “Mary Magdalene” is a masterclass in vocal synergy. Each note, each blend, each dynamic swell seems to transcend the mechanics of music, connecting straight to the heart.

In my life, I can count on one hand the number of musical performances that have given me genuine goosebumps. One of those rare moments was witnessing Three Times A Lady perform live in Northern California. The sheer power of their harmonies left me breathless, as if time itself had paused to let their voices fill the universe. That same magic has been captured in Live at 3rd and Lindsley. It’s not just the technical brilliance of their singing but the emotion and authenticity behind every word that leaves you spellbound.

Live at 3rd and Lindsley isn’t just a great album; it’s a cultural artifact. It’s a vital reminder of why harmonies matter, why storytelling matters, and why country music has always been, at its core, about connection. The trio’s ability to take the listener on a journey—from the joy of love to the ache of loss—cements this album as one of the most important releases of the year.

The fact that Lauren Mascitti, Kennedy Scott, and Hannah Blaylock aren’t household names yet feels like a crime against artistry. Live at 3rd and Lindsley isn’t just an album; it’s an invitation to experience the power of music at its purest. These three women have delivered something that will stay with you long after the last track fades. Do yourself a favor: listen to this album. Get goosebumps for yourself. 

Best of the Rest

Blaine Bailey – ᎣᏪᏅᏒ (Home)

Blaine Bailey’s ᎣᏪᏅᏒ (Home) is a heartfelt journey that pays homage to his Cherokee heritage and personal roots. The album seamlessly blends traditional Native American melodies with modern Americana, creating a soundscape that feels both ancient and refreshingly contemporary. Tracks like "Home Again" and "Colorado Soil" transport listeners to a place of cultural pride and introspection, making this a standout release that bridges the past and present.

Willie Nelson – The Border

In The Border, Willie Nelson proves once again why he remains an icon. This reflective album explores themes of unity and division, inspired by Nelson’s observations on humanity and nature. Songs like "I Wrote This Song For You" and "Hank's Guitar" are imbued with his signature wit and wisdom, while the rich, warm instrumentation provides a comforting yet thought-provoking experience. It’s a timeless addition to his storied career.

Cody Jinks – Change the Game

Cody Jinks lives up to the promise of his album’s title with Change the Game, delivering a bold and innovative take on country music. Combining traditional outlaw country elements with modern production, the album balances grit and polish seamlessly. "Deceiver's Blues" and "Take This Bottle" showcase Jinks’ versatility, proving that he’s unafraid to push boundaries while staying true to his roots.

Maggie Rose – No One Gets Out Alive

Maggie Rose’s No One Gets Out Alive is a genre-defying triumph, blending rock, soul, and country into an electrifying package. Her powerhouse vocals command attention on every track, with songs like the title track and "Another Sad Song" radiating confidence and authenticity. The album’s unapologetic energy and raw emotion make it a standout among this year’s releases.

Will Hoge – Tenderhearted Boys

Will Hoge delivers a deeply personal and poignant album with Tenderhearted Boys. Through vivid storytelling and lush arrangements, Hoge captures moments of vulnerability and resilience. Tracks like "My Daddy's Eyes" and "End Of The World" paint a picture of rural Americana that feels nostalgic yet grounded in reality, making this album a heartfelt ode to life’s simple joys.

Stephanie Lambring – Hypocrite

Stephanie Lambring’s Hypocrite is an unflinching exploration of contradictions and complexities in human relationships. Her lyrical prowess shines on tracks like "Purity Ring" and "Hospital Parking," where she dissects societal expectations with a sharp wit. Lambring’s rich, soulful voice brings an extra layer of depth to her introspective narratives.

Johnny Cash – Songwriter

A posthumous release, Songwriter compiles rare and unreleased tracks that showcase Johnny Cash’s unparalleled ability to tell stories through song. Each track feels like a rediscovered treasure, from the tender "Hello Out There" to the rollicking "Drive On." This collection reaffirms Cash’s legacy as one of the greatest songwriters in American history. Each new track feels like it belongs in the Smithsonian.

George Strait – Cowboys and Dreamers

George Strait returns to form with Cowboys and Dreamers, a record that celebrates the timeless themes of love, loss, and the open road. Strait’s smooth, iconic voice pairs perfectly with lush arrangements on tracks like "Honky Tonk Hall of Fame" and the title track. This album feels like a warm embrace for long-time fans and a reminder of why Strait remains the King of Country.

Lainey Wilson – Whirlwind

Following up her breakout success, Lainey Wilson continues to dazzle with Whirlwind. This album builds on her signature sound, blending traditional country with modern flair and was a VERY close second to my favorite album of the year. Tracks like "Whiskey Colored Crayon" and "Good Horses" showcase her ability to craft catchy, heartfelt songs that are both fun and deeply relatable.

Petty Country: A Country Music Celebration of Tom Petty

This tribute album brings together some of country music’s finest voices to honor the legendary Tom Petty. Standout performances include Dolly Parton's haunting rendition of "Southern Accents" and The Cadillac Three’s soulful take on "Free Fallin’." Petty Country is a heartfelt homage that breathes new life into Petty’s classics while staying true to his spirit.

Hannah Blaylock – The Fall and Rise

Hannah Blaylock delivers a masterful album with The Fall and Rise, an album that is as raw as it is captivating. Her vocal performance is hauntingly emotive, weaving together tales of love, heartbreak, and redemption. The intricate instrumentation, featuring a blend of acoustic strings and ethereal harmonies, serves as the perfect backdrop to her storytelling. From the introspective "Burned The Forest" to the brilliant "Man From Memphis," Blaylock captures the beauty and pain of life in a way that resonates universally.

Connie Smith – Love, Prison, Wisdom and Heartaches

Connie Smith delivers a profound exploration of life’s trials and triumphs with Love, Prison, Wisdom and Heartaches. Her seasoned vocals lend authenticity to tracks like the reflective "World of Forgotton People" and the hopeful "The Wayward Wind." This album is a testament to Smith’s enduring legacy as a storyteller and her ability to connect deeply with her audience.

Scotty McCreery – Rise and Fall

With Rise and Fall, Scotty McCreery reaches new heights, blending heartfelt ballads and anthemic tracks. Songs like "No Country For Old Men" showcase his rich baritone, while "Porch" captures rural living without pandering. McCreery’s growth as an artist is evident, making this album a standout in his discography.

Alex Key – Outdated

Alex Key delivers a nostalgic yet fresh sound with Outdated, an album that pays homage to traditional country while addressing modern themes. Tracks like "Once Upon A Time" and "Waylon, Willie & Mama" are brimming with sincerity, and Key’s warm, earnest voice makes the album feel like a conversation with an old friend.

Mavericks – Moon and Stars

The Mavericks shine brightly on Moon and Stars, a genre-blending album that fuses country, Latin, and rock influences. Songs like "And We Dance" and "Turn Yourself Around" are vibrant, dynamic, and irresistibly fun, showcasing the band’s unmatched versatility and energy.

Red Shahan – Loose Funky Texas Junky

Red Shahan’s Loose Funky Texas Junky is a gritty, spirited record that captures the essence of Texas outlaw country. Tracks like "Evangeline" and "Big Wide Open" are unapologetically raw, filled with swagger and a touch of irreverence. It’s an album that feels like a wild, dusty ride through the Lone Star State.

Josh Turner – This Country Music Thing

Josh Turner’s unmistakable baritone anchors This Country Music Thing, an album that feels both timeless and fresh. Tracks like "Down in Georgia" and "Unsung Hero" celebrate the heart and soul of country music, with Turner’s voice effortlessly evoking nostalgia while keeping things contemporary.

Post Malone – F-1 Trillion

Undeniably pop, but with some great ear-worm songs, Post Malone ventures into country-inspired territory with F-1 Trillion, blending his signature style with twangy guitar riffs and storytelling lyrics. Songs like "Devil I've Been" and "What Don't Belong To Me" showcase a surprising versatility, making this album a fascinating and successful genre crossover.

Julie Williams – Tennessee Moon EP

Julie Williams shines on Tennessee Moon EP, a collection of songs that beautifully capture her soulful voice and lyrical charm. From the heartfelt title track to the uplifting "southern curls," Williams’ debut is a promising start to what will undoubtedly be a bright career.

Miranda Lambert – Postcards from Texas

With Postcards from Texas, Miranda Lambert offers a love letter to her home state, blending nostalgia and pride with her signature edge. Tracks like "I Hate Love Songs" and "Wildfire" are both deeply personal and universally relatable, cementing Lambert’s place as one of country’s most compelling voices.

Johnny Blue Skies – Passage Du Desir

Johnny Blue Skies creates a lush, cinematic experience with Passage Du Desir, blending atmospheric instrumentation with evocative lyrics. Songs like "Swamp of Sadness" and "One For The Road" transport listeners to dreamlike landscapes, making this album a truly immersive journey.

Dwight Yoakam – Brighter Days

Dwight Yoakam’s Brighter Days is a masterful return to form, filled with twangy guitars, honky-tonk rhythms, and heartfelt lyrics. Tracks like "Wide Open Heart" and "Brighter Days" radiate hope and optimism, making this album a refreshing addition to his storied catalog.

Shawna Thompson – Lean on Neon

Thompson Square's Shawna Thompson’s Lean on Neon is a bold and electrifying record that blends traditional country with a modern edge. Songs like the title track and "Burn It Down" showcase Thompson’s dynamic range and fearless artistry, making this a standout debut.

Lindi Ortega – From the Ether

Lindi Ortega’s From the Ether is a haunting, otherworldly album that blurs the lines between country, folk, and gothic Americana. Tracks like "The Ghost of You" and "The Door" are ethereal and enchanting, showcasing Ortega’s unique ability to craft songs that linger in the soul.

Willie Nelson – Last Leaf on the Tree

Willie Nelson reflects on life, love, and legacy with Last Leaf on the Tree, an introspective and heartfelt album. Songs like "Last Leaf" and "Broken Arrow" are poignant and tender, offering a moving glimpse into the mind of a living legend. It's another historic branch to the anchor tree of country music. 

Jamey Johnson – Midnight Gasoline

Man... it's been far too long to have new music from this music maker. And on this new album, he reminds us why. Jamey Johnson brings his signature grit and soul to Midnight Gasoline, an album packed with raw emotion and stellar storytelling. Tracks like "What You Answer To" and "Saturday Night In New Orleans" are evocative and powerful, making this record a must-listen for fans of authentic, no-frills country music.

TNS Video History - Johnny Cash and Kris Kristofferson - "Sunday Morning Coming Down"

TNS Video History - Johnny Cash - "Hurt"

New Music Video From Johnny Cash - "Hello Out There"

“Hello Out There” was directed by Matt Paskert (Morgan Wallen, Jason Aldean, Larry Fleet) and starring Johnny Cash and June Carter Cash’s youngest granddaughter, six-year-old Grace June Cash, the daughter of John Carter and his wife Ana Cristina Cash. In the black and white video, Grace sets off alone on an adventure and comes upon the Cash Cabin, Johnny’s hallowed sanctuary in Hendersonville, Tennessee where he wrote and recorded some of his final songs, and where ‘Songwriter’ was produced.

 

‘Songwriter’ features 11 previously unreleased recordings from 1993 and all songs are written solely by Johnny Cash, one of America’s greatest songwriters.

 

Co-produced by John Carter Cash and David Ferguson, the album features new musical arrangements with Marty Stuart, Dave Roe, Pete Abbott, and others, plus special guests Dan Auerbach and Vince Gill.

New Unearthed Johnny Cash Recordings Mean New Songwriter Album Out June 28

In early 1993, the legendary Johnny Cash found himself between contracts in his then nearly 40-year career and recorded an album’s worth of songwriting demos at LSI Studios in Nashville of songs he’d written over many years. LSI at the time was owned by his son-in-law Mike Daniels and daughter Rosey, and he wanted to help the family financially while also record some songs special to him. Not long after the fruitful session, Johnny met producer Rick Rubin, and the recordings were shelved as the two embarked on an important and prolific musical partnership that revitalized the Man in Black’s career that would last the rest of his life.

Some thirty years later, John Carter Cash, the son of Johnny and June Carter Cash, rediscovered the songs and stripped them back to just Johnny’s powerful, pristine vocals and acoustic guitar. Along with co-producer David “Fergie” Ferguson, the two invited a handpicked group of musicians that played with Johnny, including guitarist Marty Stuart and the late bassist Dave Roe, along with drummer Pete Abbott and several others, to the Cash Cabin, a hallowed space in Hendersonville, Tenn. where Johnny would write, record and relax, to breathe new life into the tracks, taking the sound back to the roots and heart of the songs.

Releasing June 28th via Mercury Nashville/UMe, the simply and aptly titled Songwriter, features songs written solely by Johnny Cash, one of America’s greatest songwriters and storytellers. Returning the focus to Johnny’s own songwriting, the 11-track collection showcases the breadth of his writing, one that has always represented the great expanse of the human condition: there are songs of love, family, sorrow, beauty, spiritual salvation, survival, redemption, and of course, some of the lighthearted humor Johnny was known for, all sung in his unmistakable, trademark, resonant voice.

Songwriter will be available to stream and download, as well as on CD and a variety of vinyl options, including standard black and several limited edition color variants.

Songwriter is being previewed today with the release of the first single, “Well Alright,” an upbeat and infectious tune about finding love in of all places, the laundry mat. With its humorous lyrics, galloping beat and taut acoustic upright bass “Well Alright” is prime Johnny Cash, harkening back to his ‘50s hits such as “Get Rhythm,” “Five Feet High and Rising,” “Cry! Cry! Cry!” and “Big River.”

“Dad’s advice with anything, whether it was life or making music, was always ‘follow your heart,'” said John Carter. And it is this truism of his father’s that let guide him every step of the way when making Songwriter. After stripping the original recordings back to just Johnny’s vocals and guitar, he reached out to Fergie, a longtime friend and Johnny’s go-to engineer for nearly thirty years, and the two set off to create an album that would honor and amplify Johnny’s songwriting and timeless voice, while staying true to the spirit of the recordings. Along with John Carter, Fergie is arguably one of the people that knew best what Johnny liked when it came to recording as they worked together beginning in the early 1980s when he was Cowboy Jack Clement’s in-house engineer where Johnny often liked to record. He would go on to work with him on many records, including most of his Mercury albums and the acclaimed American Recordings series with Rick Rubin, even recording his last-ever songs in his final days in 2003. “He was always my hero and I just felt like the luckiest guy in the world to get to record him,” said Fergie.

When it came time to assemble a band, two musicians were must-haves: guitarist Marty Stuart, who played with Johnny in his backing band The Tennessee Three from 1980-86, and the late, great upright bassist Dave Roe, who toured in Johnny’s band, beginning in the early ‘90s and lasting nearly a decade. For Roe, the experience was a chance for a do-over as he actually played on the original ‘93 session, but despite being a great electric bass player was so new to upright bass that his playing was lacking. In fact, after a gig around this same time, Johnny famously gave Roe money to take lessons and said he had six months to learn. Roe would go on to become one of the best slap bass players in the world and play on hundreds of albums before his death in 2023. Songwriter was likely one of his last sessions.

Drummer, Pete Abbott, of Average White Band fame, among many other bands and accolades, was brought in to complete the trio who both recorded together and separately at the Cash Cabin, the sanctuary and studio space that Johnny built on his property in 1979 and where John Carter continues to record. Several other of Nashville’s best, such as Ana Cristina Cash (background vocals), Matt Combs (acoustic guitar, mandolin, strings), Mike Rojas (B3 organ, piano), Russ Pahl (acoustic & electric guitar, bass, dobro, steel) and Sam Bacco (congas, percussion) were enlisted to round out the core band for the majority of the album, while others like session great and Grand Ole Opry guitarist, Kerry Marx, and vocalist Harry Stinson guested on select songs. “All those guys are the best, just cream of the crop,” said Fergie.

Dan Auerbach of The Black Keys provides a bluesy guitar solo on the track “Spotlight” and Vince Gill lends his dulcet vocals to “Poor Valley Girl.” Johnny’s good friend, outlaw country legend, Waylon Jennings, sang on two songs in the original session, “I Love You Tonite” and “Like A Soldier.”

“Nobody plays Cash better than Marty Stuart, and Dave Roe of course played with dad for many years,” said John Carter. “The musicians that came in were just tracking with dad, you know, recording with dad, just as, in the case of Marty and Dave, they had many times before, so they knew his energies, his movements, and they let him be the guide. It was just playing with Johnny once again, and that's what it was. That was the energy of the creation.”

While the playing of the musicians on the original 1993 recordings was strong, the sound quality left something to be desired as it placed the songs into a particular time. By recording a whole new band, John Carter and Fergie, along with engineer Trey Call, brought Johnny into the modern era and made an incredible sounding record that sounds like if Johnny recorded today.

“We just went rudimentary,” said John Carter of the approach. “We went straight to the roots, as far as the sound, and tried not to overly enhance it. We built as if dad was in the room. That's what we tried to do. Between the both of us, Fergie and I have spent thousands of hours with dad in the recording studio, so we just tried to act like he was there: WWJCD, right?”

“I think this record is the way I would have liked to have made one if I would have ever been in charge of one, before Rick Rubin or after Jack Clement,” said Fergie. “I’ve known John Carter since he was a boy, so it was great to finally work with him. He gave me a lot of leeway, especially in terms of grooves and things. We went right along the same page. There wasn’t ever a conversation or plan about an end product, it was just let's do the best we can do.”

Songwriter kicks off in a mighty way with the opening track, “Hello Out There,” a prescient song that sounds like Johnny reaching out from the beyond concerned about mankind and the state of the world as he sings with gravitas, “Hello out there/This is planet Earth/Calling Calling Calling Calling Calling," facilitating his own echoes, before continuing, “Hello out there/our net worth is/Falling Falling Falling Falling Falling.” As the song continues, it crescendos with a glorious swirling of Marty Stuart’s spacey guitar licks, strings, steel guitar, pounding drums, angelic voices, and Johnny’s message of salvation, sonically falling somewhere between cosmic country and gospel. Recorded just before Johnny was recruited by U2 for Zooropa album closer, “The Wanderer,” the songs could be celestial cousins of sorts. “I believe dad wrote it about the Voyager spaceship sometime around when it launched,” said John Carter. “I remember him sitting in Cowboy’s office and singing it for him.”

At the time of the original recording, Johnny was in a great place both mentally and vocally. The songs he chose to record were personal to him and had been written over many decades, with some dating back to the mid to late ‘70s. “I Love You Tonite” is a love letter to his beloved wife June Carter Cash while “Poor Valley Girl” is about both June and her mother, country pioneer, Maybelle Carter, likely written in the wake of her passing in 1978. “Drive On” was inspired by the chronic pain he suffered from due to a broken jaw in the early ‘90s and is about the hardships that were endured by veterans in the Vietnam War. “I think he wanted to understand in his heart, to find peace with his own physical pain, that there were others out there who had pains that were greater, who had PTSD that was more profound, to gain more humility or to gain more acceptance of his own condition,” said John Carter who along with Wesley Orbison, closes the song out with some dueling psychedelic guitars.

Meanwhile, "Like A Soldier” is about his struggle with addiction and ultimately recovery. “It's something that he wrote after his first stint in a recovery center,” said John Carter. “He felt like he was like a soldier getting over a war. The opponent that he had been fighting, his enemy had been addiction, and he was coming into a new life and had the great opportunity for healing. That's where the song came from.” Both “Drive On” and “Like A Soldier” were included with different recordings and arrangements on Johnny’s first American Recordings album in 1994, but these are the very first recordings.

Other tracks like the reverential “Have You Been to Little Rock?” sees Johnny expressing pride for his homeland over a beautiful, traditional melody, while “She Sang Sweet Baby James,” is a tender song about a young single mother singing James Taylor’s “Sweet Baby James” to comfort her baby. Johnny was a fan of Taylor’s ever since he performed on the first season of “The Johnny Cash Show” in 1971. Johnny revisits a lesser-known gem of his with “Sing It Pretty Sue,” originally released in 1962 on The Sound of Johnny Cash.

In the early ‘90s as country music was changing, Johnny found himself at a lull in his career, despite his songwriting and voice remaining strong. “My dad was probably just as clear as at any point in his life and I think that voice, which was kind of ignored at the time, needs to be heard,” said John Carter. “The man at that age, at that specific point in his life, deserves more attention and focus because he sadly didn’t get as much as he should.”

For John Carter, working on Johnny’s music is a form of catharsis and communion with his dad. “It’s not about selling Johnny Cash, he would be doing that himself,” said John Carter. “I'm grateful that this record is here, even if it was only for me, because it reminds me of who my father was, and I do believe there are people out there that knew him on somewhat of a level that I did, that will be just as touched,” said John Carter. “But I also believe that there are people out there that have never heard my father's music that will find new interest in hearing this, hearing this album and hearing my father's voice. I hope that gleans some curiosity in some people where they dig further, and they discover more because there's a lot to see within those pages.”

As for what Johnny might think about Songwriter, “I would think Johnny would say what he said about every record that I worked on with him, every record I think he ever made, when he got to the end of it, he always said, 'I think it's the best record I’ve ever made,'” said Fergie. “You could count on that. I could just hear him say that. I think he'd be really proud of it.”

Ultimately, Songwriter is all about putting the spotlight back on Johnny’s songwriting. “I wanted it to be songs that mostly people hadn't heard and that paid close attention to who he was as a songwriter and who he was as an American voice,” said John Carter. “One of my most important focuses in the past 10 years is to make sure that history, as best that I can possibly, is to give history the opportunity to notice him as the great writer he is. Bob Dylan says he's one of the greatest writers of all of American written music and I agree. I want to put that in the forefront. His writing voice specifically is a certain voice, that I think if America wants to know their history, that's a good place to look. Johnny Cash is definitely one true voice that we can listen to, specifically to his writings.”

JOHNNY CASH – SONGWRITER TRACKLISTING

Hello Out There
Spotlight
Drive On
I Love You Tonite
Have You Ever Been to Little Rock?
Well Alright
She Sang Sweet Baby James
Poor Valley Girl
Soldier Boy
Sing It Pretty Sue
Like A Soldier

New Music Video From Home Free - "Ring of Fire" (Johnny Cash Cover)

The Ethical Symphony: AI Voice Filters in Music and What the Future Holds

An imagined Johnny Cash rendition of "Turn The Page" provides a fascinating glimpse into the potential of AI in music. But what are the ethical implications, and where are we headed?

If Johnny Cash were still with us, what new songs would he have sung? While we may never know for sure, the AI advancements in voice filtering technology are now making it possible to recreate the vocal performances of legends long past. One striking example of this is the rendition of "Turn The Page" purportedly sung by Johnny Cash, which can be found here. While the Man in Black never actually covered this classic rock ballad, the technology makes it feel as though he did. As we marvel at such creations, it's important to take a moment to reflect on the ethical considerations and the future of this technological marvel.

The Magic Behind the Mic

AI voice filters utilize vast amounts of data to recreate voices. This involves feeding the AI model thousands of audio samples, which it then uses to generate a new performance in the desired voice. The result can be eerily accurate, transporting listeners back in time or into alternate realities where beloved artists sing songs they never encountered during their lifetimes.

The Ethical Conundrum

As with any powerful technology, AI voice filters come with a host of ethical challenges:

Consent: Did the artist or their estate give permission for their voice to be used in this way? Without the explicit consent of those involved, using an artist's voice posthumously can be seen as invasive and disrespectful.

Authenticity: Is it right to create a new work and attribute it to an artist who had no involvement in its creation? This raises questions about authenticity, creative integrity, and the preservation of an artist's legacy.

Financial Implications: Who profits from these AI-generated renditions? If a recreated song becomes a hit, does the money go to the AI developers, the original artist's estate, or somewhere else?

Stifling Creativity: While AI can recreate past voices, there's a concern that it might stifle the emergence of new talent. Will the music industry become obsessed with revisiting the past instead of promoting new voices?

The Melodic Future

The world of AI in music is still in its nascent stages, and its full potential remains untapped. Here's a glimpse of what might lie ahead:

New Collaborations: Imagine a world where living artists collaborate with virtual renditions of past legends, creating duets that span generations.

Personalized Performances: Fans might be able to request their favorite artists, living or dead, to sing personalized messages or songs.

Preservation and Restoration: AI can be used to enhance old recordings, making them sound clearer and richer.

Interactive Music Experiences: Virtual reality concerts where fans can interact with AI versions of their favorite artists, requesting on-the-spot renditions of songs or even engaging in conversations.

A Note of Caution

While the future holds immense promise, it's crucial to approach it with sensitivity and respect for artists and their legacies. Clear guidelines and thoughtful conversations around consent, authenticity, and financial implications are essential.

In the end, the allure of AI in music lies in its potential to create, inspire, and connect. The rendition of "Turn The Page" in the voice of Johnny Cash reminds us of the power of music to transcend time. But as we turn the page to a new era of AI-driven music, let's ensure that the song we're writing is one of respect, understanding, and shared joy.

The Hootenanny Boycott: How Folk Music Took a Stand Against ABC 60 Years Ago Today

Sixty years ago, ABC's "Hootenanny" was more than just a folk music show. It became a reflection of America's politics, culture, and the indomitable spirit of artists standing up for their beliefs.

In 1963, as the tidal wave of folk music's popularity was about to crest, ABC sought to capture its essence with "Hootenanny", the first of its kind, a weekly network series devoted to folk music. The idea was unique: a traveling folk jamboree that showcased the raw passion and talent of student performers from colleges across the nation.

However, the show's potential was quickly overshadowed by politics and controversy. ABC's decision to blacklist Pete Seeger, a titan of folk music and the very man who had popularized the term "hootenanny", became a flashpoint. His crime? Refusing to sign a loyalty oath to the U.S.

The resultant boycott, championed by iconic artists like Bob Dylan, Joan Baez, and Peter, Paul & Mary, was more than a rejection of the show; it was a firm stand against censorship and a call for authenticity in a rapidly changing musical landscape. The show's "mild" rendition of folk became emblematic of a broader trend in the 1960s: the struggle between commercialization and authenticity.

Despite the controversy, the show did have its moments. Judy Collins' decision to refuse a lyric change on "Anathea", Johnny Cash's classic country vibes, and Woody Allen's early comedic stylings added flair and diversity to the program.

But as the 1960s continued, the musical landscape shifted. The arrival of the Beatles and the British Invasion signaled a decline in the mainstream popularity of folk music. ABC's attempt to counteract this shift with pop acts, as intriguing as it was, couldn't mask the underlying issue: the show had lost its authentic soul.

By September of 1964, "Hootenanny" faded into television history. However, it was later revived in spirit by Christopher Guest's comedy "A Mighty Wind", a satirical nod to the show and its era.

Watching "Hootenanny" today, available in parts on YouTube and for those still with a DVD player, a three-disc collection, is a nostalgic journey, filled with celebrity appearances and historical moments. However, its legacy is twofold: it serves as a reminder of folk music's rich history and the power of artists standing up for their beliefs.

In a world where commercial interests often take precedence, the Hootenanny boycott stands as a testament to the importance of authenticity, integrity, and the enduring spirit of folk music. It wasn't just about the songs or the singers; it was about a community coming together to say, "This is who we are, and this is what we stand for."

New Music Video From Geoff Castellucci - "Folsom Prison Blues" (Low Bass Singer Cover)

Sun Recording Studio: A National Treasure in Country Music History Gets Historic Treatment 20 Years Ago Today

Twenty years ago today, on July 31, 2003, a pivotal moment in music history took place as The Department of the Interior designated the Sun Recording Studio in Memphis as a national historic landmark. This momentous decision marked the first time a recording studio received such an esteemed honor, reflecting the profound impact the studio had on shaping the country music landscape. It bestowed a level of importance to the Sun Recording Studio and its undeniable importance in the world of country music.

The Birth of a Legend

Established in 1950 by Sam Phillips, the Sun Recording Studio began as a small, modest recording space on 706 Union Avenue in Memphis, Tennessee. The studio's early days were filled with the sounds of blues, gospel, and rhythm and blues, capturing the essence of the South's musical heritage. But it was not until a few years later, in 1954, that the world would witness a defining moment that would alter the course of country music forever.

The Iconic Million Dollar Quartet Session

December 4, 1956, witnessed a remarkable event when four musical legends came together for an impromptu jam session at the Sun Recording Studio. The quartet comprised Johnny Cash, Elvis Presley, Jerry Lee Lewis, and Carl Perkins – all destined to become the pillars of country and rockabilly music. This historic gathering, later known as the "Million Dollar Quartet" session, became a legendary moment in music history and symbolized the studio's significance in shaping the future of country music.

The Rise of Elvis Presley

One name forever etched in the annals of music history due to his association with Sun Recording Studio is Elvis Presley. Often hailed as the "King of Rock 'n' Roll," Elvis's rise to stardom began in 1954 when he recorded his first single, "That's All Right," at the studio. Sam Phillips recognized the uniqueness of Elvis's voice and style, and with the innovative fusion of country, blues, and gospel, Elvis's early Sun recordings paved the way for a new era in country music.

The Birth of Rockabilly 

The studio played a pivotal role in the development of rockabilly, a genre that blended country and rock 'n' roll. Artists like Carl Perkins and Jerry Lee Lewis epitomized this fusion, helping to create a distinct sound that appealed to a wide audience and laid the foundation for modern country music.

Cultural Integration

Sun Recording Studio was a melting pot of diverse musical influences, encouraging cross-pollination between genres. This integration led to a more inclusive and diverse country music landscape that welcomed artists from different backgrounds and musical traditions.

Promotion of New Talent 

Sam Phillips was renowned for his keen eye in spotting raw talent. The studio provided a platform for aspiring artists like Johnny Cash and Roy Orbison, giving them the opportunity to showcase their skills and eventually become some of the biggest names in country music.

Shaping Music Production

Sun Recording Studio's pioneering recording techniques, such as slapback echo and close-miking, revolutionized music production. These innovative approaches laid the groundwork for modern studio recording methods that are still used today.

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As we celebrate the twentieth anniversary of the Department of the Interior designating the Sun Recording Studio as a national historic landmark, we are reminded of its immeasurable impact on the country music landscape. From the historic Million Dollar Quartet session to launching the careers of legendary artists like Elvis Presley, Johnny Cash, and more, Sun Recording Studio stands as a testament to the transformative power of music. Its recognition as a national treasure ensures that future generations will continue to be inspired by the studio's rich legacy and the unforgettable music that echoed within its walls.

The Ten Most Influential Country Music Songs of the 1960s: A Decade of Legendary Tunes

The 1960s were a transformative era for country music, with numerous artists and songs making a lasting impact on the genre. From the emergence of the Nashville Sound to the rise of outlaw country, the 1960s saw the release of iconic songs that would shape the course of country music history. In this article, we delve into the ten most influential country music songs released in the 1960s, exploring both the songs and the talented artists behind them.

"Ring of Fire" - Johnny Cash (1963):

One of the most recognizable country songs of all time, "Ring of Fire" was co-written by June Carter Cash and Merle Kilgore. This fiery track became a signature song for Johnny Cash, renowned for its distinct mariachi-style horn arrangement and Cash's deep, charismatic vocals. The song's passionate lyrics and memorable melody earned it a permanent place in country music's hall of fame.

"Stand by Your Man" - Tammy Wynette (1968):

Written by Billy Sherrill and Tammy Wynette, "Stand by Your Man" has become an enduring anthem for loyalty and devotion. With her rich and emotive voice, Wynette delivers heartfelt lyrics that struck a chord with audiences, propelling the song to become a classic in the country music canon.

"Crazy" - Patsy Cline (1961):

Penned by Willie Nelson, "Crazy" became a career-defining hit for the legendary Patsy Cline. Her soulful rendition of this timeless ballad showcased her remarkable vocal range and vulnerability, solidifying her status as one of country music's greatest voices.

"Hello Darlin'" - Conway Twitty (1969):

Conway Twitty's "Hello Darlin'" marked a significant turning point in his career, as it became his first chart-topping hit. With its gentle melody and heartfelt lyrics, the song showcased Twitty's undeniable talent as a vocalist and cemented his place as a leading figure in the genre.

"Folsom Prison Blues" - Johnny Cash (1968):

"Folsom Prison Blues" showcased Johnny Cash's rebellious spirit and storytelling prowess. The live recording of his performance at Folsom State Prison resonated with audiences, capturing the raw energy and emotion of the moment. Cash's distinctive voice and edgy persona made this song a timeless classic.

"Coal Miner's Daughter" - Loretta Lynn (1969):

As the title track of Loretta Lynn's autobiography and subsequent film, "Coal Miner's Daughter" tells the inspiring tale of her humble beginnings. Lynn's honest and relatable lyrics, combined with her powerful vocals, struck a chord with listeners and solidified her position as one of country music's greatest storytellers.

"Mama Tried" - Merle Haggard (1968):

Written and performed by Merle Haggard, "Mama Tried" became an anthem for the rebellious spirit of the era. With its honest portrayal of a troubled past and yearning for redemption, the song resonated with audiences and established Haggard as a force to be reckoned with in country music.

"Harper Valley P.T.A." - Jeannie C. Riley (1968):

With its sassy lyrics and catchy melody, "Harper Valley P.T.A." became a groundbreaking hit for Jeannie C. Riley. The song tells the story of a brave woman confronting small-town hypocrisy, resonating with audiences and making Riley the first female artist to top both the country and pop charts simultaneously.

"Big Bad John" - Jimmy Dean (1961):

"Big Bad John" marked Jimmy Dean's breakthrough hit, capturing the imagination of listeners with its vivid storytelling. The song's deep, booming vocals and powerful narrative of a heroic miner made it a classic in the country music landscape, earning Dean both critical acclaim and commercial success.

"El Paso" - Marty Robbins (1960):

Marty Robbins' epic ballad, "El Paso," showcases his ability to craft intricate and captivating story-songs. The song tells the tale of a cowboy's ill-fated love affair, blending elements of country and Western music to create a masterpiece that remains a staple of the genre.

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The 1960s were a transformative decade for country music, witnessing the emergence of new styles and the rise of legendary artists. The twelve influential songs highlighted in this article, from Johnny Cash's captivating performances to Loretta Lynn's storytelling prowess, shaped the genre's trajectory and left an indelible mark on the hearts of listeners. These songs continue to resonate with audiences, serving as a testament to the enduring power and timeless appeal of country music.

Honky-Tonk Revolution: Exploring the Ten Most Influential Country Music Songs of the 1950s

The 1950s marked a turning point for country music, with the genre experiencing a significant transformation. It was during this time that country music began to gain popularity beyond its traditional rural audience, reaching a broader urban audience and setting the stage for its eventual mainstream success. In this article, we delve into the ten most influential country music songs released during this remarkable decade, examining both the songs and the talented artists who brought them to life.

"I Walk the Line" - Johnny Cash (1956):

Johnny Cash's "I Walk the Line" is an iconic country song that remains a timeless classic. With its distinctive, steady rhythm and Cash's deep, resonant vocals, the song explored themes of loyalty and devotion. Its crossover success appealed to a wider audience, breaking the boundaries of traditional country music.

"Crazy Arms" - Ray Price (1956):

Ray Price's "Crazy Arms" revolutionized the country music scene by introducing the "Nashville Sound." Price's smooth, velvety voice combined with lush arrangements and a prominent steel guitar created a new sound that paved the way for future artists. "Crazy Arms" was one of the first country songs to incorporate elements of pop, ultimately bridging the gap between genres.

"Blue Suede Shoes" - Carl Perkins (1956):

Although primarily associated with rock and roll, Carl Perkins' "Blue Suede Shoes" had a significant impact on the country music landscape. This infectious song showcased Perkins' exceptional guitar skills and catchy lyrics. Its energetic rhythm influenced countless country artists and became a cornerstone in the development of rockabilly.

"Your Cheatin' Heart" - Hank Williams (1952):

Hank Williams, one of country music's most enduring legends, left an indelible mark on the genre with his emotional ballad "Your Cheatin' Heart." The song captures the pain of a broken heart with Williams' distinctive vocal style and heartfelt lyrics. Its timeless quality has made it a country music standard, inspiring generations of artists to explore the depths of human emotions.

"Folsom Prison Blues" - Johnny Cash (1955):

Johnny Cash's rebellious spirit and raw storytelling ability shone through in "Folsom Prison Blues." This song not only resonated with the outlaw country movement of the 1960s but also captivated audiences in the 1950s. With its dark narrative and Cash's signature booming voice, "Folsom Prison Blues" brought a gritty realism to country music and solidified Cash's place as a trailblazer.

"The Battle of New Orleans" - Johnny Horton (1959):

Johnny Horton's "The Battle of New Orleans" combined history with a catchy melody, recounting the famous War of 1812 battle. The song's upbeat tempo, vivid storytelling, and Horton's spirited vocals made it a commercial success, demonstrating the power of narrative-driven country music.

"I'm Movin' On" - Hank Snow (1950):

Hank Snow's "I'm Movin' On" showcased the power of country music as a vehicle for storytelling. The song follows the journey of a man leaving a troubled relationship, with Snow's distinctive voice and vivid lyrics taking the listener on a musical odyssey. It became a crossover hit, reaching both country and pop charts, and cementing Snow's status as a country music pioneer.

"Sixteen Tons" - Tennessee Ernie Ford (1955):

Tennessee Ernie Ford's "Sixteen Tons" became a cultural phenomenon, tackling the plight of the working class. Ford's rich baritone and the song's iconic opening line, "You load sixteen tons, what do you get?" resonated with audiences, shining a light on the hardships faced by blue-collar workers. The song's social commentary and Ford's powerful delivery made it a significant influence on country music's storytelling tradition.

"Heartbreak Hotel" - Elvis Presley (1956):

While Elvis Presley is primarily known as a rock and roll pioneer, his early music drew heavily from country roots. "Heartbreak Hotel" introduced Presley's unique blend of country, blues, and rockabilly, creating a sound that transcended genres. Its enormous success had a profound impact on the country music landscape, inspiring countless artists to experiment with different styles and push boundaries.

"Walkin' After Midnight" - Patsy Cline (1957):

Patsy Cline's haunting voice and captivating delivery made "Walkin' After Midnight" an instant classic. The song's blend of country, pop, and R&B elements brought a unique sound to the genre, laying the foundation for Cline's legendary status and influencing generations of female country artists.

The 1950s witnessed a transformative period in country music, with artists pushing boundaries and reshaping the genre. From Johnny Cash's rebellious anthems to Hank Williams' heart-wrenching ballads, these ten influential songs from the era paved the way for future generations of country artists. They helped country music gain wider acceptance and laid the foundation for the diverse sounds and narratives that continue to define the genre today. By capturing the essence of American life and emotions, these songs and artists forever hold a significant place in the rich tapestry of country music history.

A Historical Perspective On Some Of Country Music's Most Influential Individual Instruments

Willie Nelson's Martin N-20, aka Trigger

Country music has a rich history that traces its roots back to the rural regions of the Southern United States. Key to its evolution and popularity are not just the iconic voices but also the signature instruments that helped shape its unique sound. One such example is Willie Nelson's guitar, known as "Trigger." Much like Nelson himself, Trigger is an emblem of country music, symbolizing the genre's authenticity and resilience. Alongside Trigger, several other individual instruments have significantly influenced the landscape of country music. This article explores some of the most influential instruments in the history of country music.

Willie Nelson's Trigger

Willie Nelson’s guitar, a Martin N-20 nylon-string acoustic, named 'Trigger,' is more than an instrument. It's an extension of Nelson himself. With its distinct sound and appearance, marked by a large hole worn into the body from decades of strumming, Trigger has contributed to Nelson's signature outlaw country sound. The instrument's resonance and character have become inseparable from Nelson's music, illustrating the profound impact a single instrument can have on a musician's oeuvre and the broader genre.

Mother Maybelle Carter’s Gibson L-5

Equally influential is Mother Maybelle Carter’s 1928 Gibson L-5 acoustic guitar. The matriarch of the Carter Family, Maybelle utilized her guitar not just for rhythm but also for distinctive melody lines, inventing the "Carter Scratch" style. This innovative technique of using the thumb to play melody on the bass strings while the first two fingers brush the higher strings for rhythm has deeply influenced the genre, setting the groundwork for future guitar techniques in country music.

Earl Scruggs’s Gibson Granada Banjo

Earl Scruggs's Gibson Granada Banjo represents another pivot point in country music history. Scruggs's unique style of banjo playing, known as "Scruggs Style" or "three-finger style," revolutionized the bluegrass genre, a sub-genre of country music. The intricate, rolling fingerpicking of Scruggs style provided a driving rhythm and intricate melodies that elevated the banjo from a supporting to a lead instrument. The influence of Scruggs’s style and his Granada Banjo is heard in countless country and bluegrass songs.

Johnny Cash's Martin D-35

Another influential instrument in country music is Johnny Cash's Martin D-35. Known for its deep, booming sound, the D-35 perfectly complemented Cash's baritone voice and straightforward strumming style. The black finish of Cash's Martin D-35, reflecting his nickname "The Man in Black," became a symbol for the raw, emotive storytelling intrinsic to country music. The instrument's influence has echoed through the genre, inspiring many artists who came after Cash.

Jimmie Rodgers" Iconic Martin 000-4

Jimmie Rodgers, often referred to as "The Father of Country Music," was a dominant force in the country music scene of the 1920s and 1930s. With his unique blend of country, blues, and folk, Rodgers laid the groundwork for generations of country music artists. An inseparable part of Rodgers' iconic persona and sound was his famous instrument, a Martin 000-45 guitar. This instrument played an integral role in crafting the raw, authentic melodies and soulful twangs that are synonymous with Rodgers' music and the early country music scene.

Rodgers' Martin 000-45, distinguished by its high quality, rich tone, and ornamentation, was the most deluxe model Martin offered at the time. Known for its balanced tone and volume, the 000-45 was adept at capturing and emphasizing Rodgers' yodeling blues style, something that was crucial to the success of his musical identity. Rodgers even had his name inlaid in pearl script on the guitar's neck, illustrating the importance of the instrument to his persona. Today, it remains a significant artifact in the history of country music, symbolizing the roots and evolution of the genre.

Rodgers' innovative playing style coupled with the distinctive sound of the Martin 000-45 guitar, helped establish the guitar as a primary instrument in country music. Furthermore, the 000-45 guitar became emblematic of the traveling troubadour, a character archetype that Rodgers embodied and that continues to be a significant theme in country music. Thus, the symbiotic relationship between Jimmie Rodgers and his Martin 000-45 guitar showcases the profound influence of specific instruments on musicians and their respective genres, shaping not only their personal sound but also the broader musical landscape.

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Instruments like Willie Nelson's Trigger, Mother Maybelle Carter’s Gibson L-5, Earl Scruggs's Gibson Granada Banjo, Jimmie Rodgers' Martin 000-4 and Johnny Cash's Martin D-35 are instrumental (pun intended) in shaping the distinctive sound and evolution of country music. The profound connection between these musicians and their instruments has generated a unique, authentic sound, and their innovative techniques have become genre standards. The individual character and enduring legacy of these instruments stand as a testament to the power of country music, demonstrating the influence of the individual not only in the lyrics and performance but also in the choice and treatment of their musical instruments.

The Timeless Legacy: Unraveling the Historic Importance of 3/4 Time in Country Music

Country music, with its heartfelt lyrics and melodic tunes, has always held a special place in the hearts of listeners around the world. Within this beloved genre, certain musical elements have emerged as defining characteristics, contributing to the distinctive sound and emotional depth of country songs. Among these, the historic importance of 3/4 time, also known as waltz time, stands tall. In 3/4 time, each measure consists of three quarter note beats. People usually count 3/4 time by saying “one-two-three, one-two-three, one-two-three, one-two-three”. With its graceful rhythm and evocative sway, 3/4 time has played an instrumental role in shaping the essence and storytelling nature of country music. Let us embark on a journey through time to explore the profound impact of 3/4 time in the realm of country music.

A Melodic Journey

3/4 time traces its roots back to the Viennese waltz, a popular dance form originating in the late 18th century. As settlers from Europe brought their cultural traditions to the American frontier, the waltz made its way across the ocean and merged with the vibrant tapestry of American folk music. It was during this fusion that 3/4 time found its place in the evolving soundscape of country music.

Capturing Emotion

One of the remarkable qualities of 3/4 time is its ability to encapsulate a wide range of emotions. By its very nature, the waltz rhythm lends itself to a graceful and flowing movement, inviting listeners to sway and feel the music on a visceral level. In the context of country music, this rhythmic structure has proven to be an ideal vehicle for conveying sentiments of longing, heartache, and nostalgia. From Hank Williams' "I'm So Lonesome I Could Cry" to Patsy Cline's "Crazy," countless country classics have harnessed the power of 3/4 time to evoke profound emotional connections with audiences.

Storytelling through Verse

Country music has long been celebrated for its narrative prowess, transporting listeners to vivid scenes and relatable tales. The 3/4 time signature, with its unhurried pace and natural ebb and flow, provides a fertile ground for storytelling. It allows songwriters to paint detailed pictures, weave intricate narratives, and dive deep into the complexities of human experiences. The timeless beauty of Dolly Parton's "Jolene" and the bittersweet saga of Johnny Cash's "Ring of Fire" are just a couple of examples that demonstrate the symbiotic relationship between 3/4 time and storytelling in country music.

Honoring Tradition

While country music continues to evolve with the passing of time, it remains deeply rooted in tradition and reverence for its origins. The presence of 3/4 time in country songs pays homage to the genre's historical foundations and serves as a reminder of its rich heritage. By incorporating this classic time signature into contemporary compositions, artists both honor the past and create a sense of familiarity and comfort for their audiences.

Examples

Here are a few notable songs in country music that utilize the 3/4 time signature:
"I Will Always Love You" by Dolly Parton (also famously covered by Whitney Houston)
"Tennessee Waltz" by Patti Page
"Crazy" by Patsy Cline
"Jolene" by Dolly Parton
"Ring of Fire" by Johnny Cash
"He Stopped Loving Her Today" by George Jones
"Waltz Across Texas" by Ernest Tubb
"Tulsa Time" by Don Williams
"Blue Eyes Crying in the Rain" by Willie Nelson
"Make the World Go Away" by Eddy Arnold

These songs represent a small glimpse into the vast catalog of country music that utilizes the 3/4 time signature. Each of these tracks showcases the distinct storytelling and emotional depth that can be achieved through the use of this timeless rhythm.

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In the tapestry of country music, 3/4 time stands as a testament to the genre's enduring legacy. Its melodic allure, emotional resonance, and storytelling capabilities have left an indelible mark on countless songs and connected listeners across generations. From the honky-tonks of the past to the stadiums of today, the significance of 3/4 time in country music remains steadfast. As we continue to embrace the genre's evolution, let us not forget the timeless beauty and historic importance of this captivating rhythm, which has helped shape the heart and soul of country music.

Legendary Recording Studios in Nashville: Breeding Grounds for Country Music Greatness

Blackbird Recording Studios In Nashville

When you think of Nashville, Tennessee, a few things come to mind - hot chicken, Southern charm, and of course, Country music. Music City USA, as it's affectionately known, is steeped in a rich musical heritage, and it owes much of this legacy to its recording studios. They've been the creative backdrop for countless hit songs, fostering and shaping the evolution of country music. Let's take a virtual tour through some of the most famous and significant recording studios in Nashville, focusing on their impact on the country music landscape.

RCA Studio B

No list of Nashville's recording studios would be complete without RCA Studio B, the birthplace of the Nashville Sound. This studio opened its doors in 1957 and revolutionized the country music industry by introducing lush, orchestral arrangements into the traditionally raw, honky-tonk genre. Chet Atkins, the studio's first manager, and a team of seasoned session musicians forged a new, smoother style of country music aimed at reaching a broader, pop-oriented audience.

Over 35,000 songs were recorded here, including more than 1,000 Top Ten hits. The list of artists who recorded at Studio B reads like a who's who of country music: Dolly Parton, Elvis Presley, Roy Orbison, and the Everly Brothers, to name a few. Parton's "Jolene" and Presley's "Are You Lonesome Tonight?" were both created here, adding to the studio's legendary status.

Grand Victor Sound Nashville (formerly RCA Studio A)

Just a few steps from Studio B is the equally revered Studio A. Founded in 1964 by Chet Atkins and Owen Bradley, it was designed to accommodate large orchestras and choirs, allowing artists to explore the limits of the Nashville Sound. This studio was instrumental in propelling country music onto the global stage, shaping hits for legends like Waylon Jennings, Willie Nelson, and Charley Pride.

In 2014, Studio A was almost demolished for condominiums but was saved by philanthropist and musician Aubrey Preston and pop artist Ben Folds. Today, it's a thriving hub for both established artists and rising stars, maintaining its reputation as a home for creativity and innovation in country music.

The Quonset Hut Studio

The Quonset Hut was Nashville's first major recording studio. Owen and Harold Bradley launched it in the 1950s in an old Army surplus Quonset Hut, marking the beginning of what would become Nashville's Music Row. The studio gave birth to the Nashville Sound and was a popular recording site for artists from Patsy Cline to Johnny Cash.

Brenda Lee's "I'm Sorry" and Patsy Cline's "Crazy" were recorded here, proving the studio's knack for producing timeless hits. Although operations ceased in 1982, its legacy was revived when Belmont University restored the studio to its former glory in 2006, preserving this crucial piece of country music history.

Ocean Way Recording Studio

Ocean Way Nashville, established in a 100-year-old grey stone church on Music Row, stands as an embodiment of Nashville's deep musical history while continuously shaping its future. Renowned for its unique acoustics and high-tech equipment, the studio has played host to numerous country music titans, including Willie Nelson, George Strait, and Brad Paisley, among others. Its impact on country music is particularly notable in the studio's facilitation of live ensemble recordings - a somewhat lost art in the modern era of digital production - which allows for a rich, organic sound that harks back to country music's roots. By helping preserve the traditional warmth and depth in country music recording, while still pushing technological boundaries, Ocean Way has crafted a significant legacy within the genre. Through this, Ocean Way Nashville continues to serve as a vital conduit between the heritage of country music and its modern evolution.

The Sound Kitchen

The Sound Kitchen opened its doors in the 1990s in Franklin, just south of Nashville. Since then, it has become a go-to studio for both emerging talents and established artists looking for top-notch production services and a creative environment. Artists as diverse as Taylor Swift, Keith Urban, Brad Paisley, and Carrie Underwood have all recorded within its walls, underscoring the studio’s reputation for quality.

Key to the Sound Kitchen's impact on country music is its blend of state-of-the-art technology with a comforting, creative atmosphere. The studio's seven uniquely designed rooms, including the popular "Big Boy" studio with its renowned acoustics, are equipped with the latest recording technology, enabling artists to experiment and push the boundaries of the country music genre.

One of the most notable albums recorded at the Sound Kitchen is Taylor Swift's 'Fearless.' Swift, who started her career as a country artist, recorded several songs from this album at the Sound Kitchen, and it went on to become the best-selling album of 2009 in the US. 'Fearless' not only established Swift as a major player in the music industry, but it also introduced a younger audience to country music, contributing to the genre's renewal and expansion.

Sound Emporium

Founded by Cowboy Jack Clement in 1969, Sound Emporium has been a cornerstone of Nashville's music scene for over half a century. The studio is noted for its versatility, welcoming a diverse range of artists from Johnny Cash and Kenny Rogers to Robert Plant and Taylor Swift.

Significant albums like "Red Headed Stranger" by Willie Nelson and the Grammy-winning "O Brother, Where Art Thou?" soundtrack were crafted within its walls. Today, Sound Emporium continues its commitment to fostering musical creativity, bridging the gap between Nashville's storied past and its dynamic future.

Blackbird Studio

Established in 2002 by John and Martina McBride, Blackbird Studio is a relative newcomer in the Nashville scene, but it has quickly become one of the world's premier recording facilities. Equipped with nine studios and boasting an extensive collection of equipment, Blackbird has attracted a diverse roster of artists, from Kings of Leon to Tim McGraw.

Blackbird has a special place in the modern country landscape, facilitating the genre's ongoing evolution and pushing its boundaries. This forward-looking studio demonstrates that while Nashville respects and cherishes its musical roots, it's not afraid to innovate and redefine country music.

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Nashville's recording studios are much more than mere buildings. They are living, breathing entities that continue to shape, innovate, and inspire the country music landscape. Their contribution to music extends beyond country, affecting pop, rock, and folk genres, among others. These studios are a testament to Nashville's commitment to musical innovation and the cultivation of talent, confirming its status as one of the world's great music cities.

Whether preserving the traditions of the Nashville Sound or driving the evolution of country music into new territories, these studios have made and continue to make an indelible impact. They remind us that country music isn't merely a genre, but a rich tapestry of stories, emotions, and experiences, woven together in studios throughout Nashville, and shared with the world.

New Music Video From Johnny Cash - "Ragged Old Flag"

 "Ragged Old Flag” as performed by Johnny Cash with Choral Arrangement and Direction by Ben Bram, Shams Ahmed, Scott Hoying and the Americas Youth Choir. Aired during the Super Bowl LVII.

TNS Video History - Jamie Lin Wilson Covers Johnny Cash On "Ain't No Grave"

New Music Video From Erin Enderlin - "Give My Love To Rose" (Johnny Cash Cover)

TNS Video History - Johnny Cash - "One Piece At A Time"

That Nashville Sound's Top Country & Americana Songs of 2021

2021 has been another fabulous year of country music. Traditional country, bluegrass, modern country and Americana are all represented well in this modern day and age and this list proves that out- we’ve cast a wide net over that definition of roots-oriented music.  

Later this month, we'll unveil our top albums of 2021, but today, we tackle our favorite songs. Few are radio singles. But you probably knew that already if you read this site.

Here are the rules by which this list was selected. It had to be released off an album that was released in 2021, is an independent release not on any other project, or is an already-released single off a to-be-released album. If the album came out in 2020 or before, it couldn’t be included- even if it wasn't released as a single until 2021. 

Looking back, there's some amazing songs that moved us more than all the others:

2020 - Mickey Guyton - "What Are You Gonna Tell Her?" 

2019 - Erin Enderlin - "Broken"
2018 – Ashley McBryde – “Girl Goin’ Nowhere”
2017 – Sunny Sweeney – “Bottle By My Bed”
2016 - Jack Ingram - "The Sailor and the Sea"
2015-  Chris Stapleton - "Tennessee Whiskey"
2014 - Emily West - "Made for the Radio"
2013 - Kacey Musgraves - "Follow Your Arrow"
2012 - Waylon Jennings - "I Do Believe"
2011 - Ronnie Dunn - "Cost of Livin'"
2010 - Joe Diffie - "Route 5 Box 109"
2009 - Dean Brody - "Cattleman's Gun"
2008 - Jamey Johnson - "In Color"
2007 - Miranda Lambert - "Gunpowder and Lead"
2006 – Johnny Cash – “God’s Gonna Cut You Down”

And without further ado, we count down the songs that moved us the most in 2021. 

1. Jason Eady - "French Summer Sun" - Co-written with fellow Texan (and That Nashville Sound favorite) Drew Kennedy, this song proves that the songwriting spirit of the likes of Guy Clark, John Prine and Woody Guthrie continue to live on in those they inspire. The song's heavy topic is the weight of the cost of war and all that follows the loss of a soldier. It shares dual stories of the same soldier, one who died on the beaches of Normandy and one that survived. He outlines the life (and the branches that break off from those branches of the survivor) and compares it against the story that ends and is cut down on that beach in the French summer sun. It's a cinematic masterpiece in five minutes and is pure genius. Eady is a frequent name at this site and this is just another demonstration of his lyrical brilliance. 

2. Addison Johnson - "Cumberland River '58" - This song is another great story about an up-and-comer musician who mistakenly sleeps with the wife of one of the "Fat Cats" and is cut down in his prime. The haunting pedal steel in this song accompanies the track and the analogy of today's "disposability" of artists to the major labels cannot be overstated despite the fact that this fictional story occurred sixty years ago. 

3. Elvie Shane - "My Boy" - Our first major radio hit on our list comes from a brand new artist who took a heartfelt slow-tempo song with heart through the clutter of drinking and backwoods uptempo songs all the way to number one. That alone is remarkable. It's a tribute to a stepson from a stepfather and a statement that blood alone doesn't tie family binds. It's got great heart and Shane delivers it with passionate conviction. One look to the comments on the video comments on YouTube shows just how much this song has meant to blended families of all ages. 

4. Lainey Wilson - "Things A Man Oughta Know" - The song itself is all about a woman teaching a few lessons to a man, breaking gender stereotypes in a way that is both enticing and important. “Things A Man Oughta Know” reflects this honesty and self-conviction. “I can hang a picture same as I can take it down/ And how to keep it hidden when a heart gets broke/ Yeah I know a few things a man oughta know,” she croons on the track. Written with Jonathan Singleton and Jason Nix, “Things A Man Oughta Know” had the collaborators discussing the characteristics their parents taught them to look for in themselves and others. “It’s really a song about having good character and a song about treating people the way that you want to be treated — something that we all should know,” she explains. “It’s about standing up for what’s right. I would like for people to hear that through my music too.”

5. Megan Conner - "Me, 10 Years Ago" - I heard Megan (songwriter on tracks cut by Rascal Flatts, Chris Young, Danny Gokey and more) perform this track for the first time at my Golf & Guitars Music Festival and it floored me. Part retrospective, part sentimental, it tells the story of a woman who has had some successes and some challenges penning a message to herself ten years prior and giving herself advice on what's important and what's not. Conner's "Bonnie Tyler" powerhouse vocals deliver it with emotional feeling and the highly personal lyrics are introspective and in some cases, revealing. She's hopeful of releasing it as a single early in 2022 so keep an eye out for this brilliantly written song. 

6. Marc Broussard - "Sad Songs" - This Louisiana-native usually borrows from zydeco and soulful themes and productions in his song, but this one slows things down with the blues- with an assist from a little guitar and keys. Broussard's voice is the greatest instrument here and his delivery on this (and nearly every other song he sings) delivers a room-capturing attention that only voices like the Chris Stapleton and Jamey Johnson's can do. 

7. Cody Jinks - "I Don't Trust My Memories Any More" - This is incredible classic country along the lines of the best of Waylon, Haggard, Randy Travis and others. Damn this sing cuts deep. "No I Don’t Trust My Memories Anymore/They ain’t the friends I thought they were before/They used to be so fond /Now my faith in them is gone/No I Don’t Trust My Memories Anymore." The pedal steel in the background is just haunting and it's a great reminder that we've got a champion like Jinks to carry the traditional country torch going forward in a major way. 

8. Morgan Wallen - "Sand In My Boots" - Much has been made of Wallen's discretions this year and the reaction of the media and country music. But if you peel back the controversy, what you get is a (mostly) terrific mainstream country album filled with some strong radio-friendly songs on his Dangerous album. The standout on that project is this longing song about a Tennessee boy who lost his heart to a girl at a beach and now's back home longing for her. It's a simple hook but delivered with a lush production and heartfelt delivery with great lyrics. 

9. Marty Stuart - "I've Been Around" - More than a decade after his passing, Johnny Cash's voice was heard again as Stuart took lyrics that Cash had written and released them to this incredible tribute in song. Stuart nails Cash's lyrics with a country thump, with Stuart imitating Cash’s signature vocal. It's classic Cash at his Man In Black best. Stuart says that he created the song’s melody in the style he figured Cash would have used and he nailed it perfectly. This track deserves to be on this list for it's historic relevancy alone. 

10. Mae Estes - "Hell You Raised" - Estes channels the best of Miranda Lambert's fire and brimstone style and delivers this bad girl anthem with a great groove and spirit. She channels Wynonna and Dixie Chicks attitude and sings the gritty uptempo lyrics with conviction. She makes it damn-near impossible not to move along. Co-written with TNS favorite writer Chris Roberts and Brandon James.