Eleven years after its original race up the Billboard Country charts, Ryan Shupe has revisted his big hit "Dream Big" and rerecorded it along with a new music video.
Showing posts with label Ryan Shupe and the Rubberband. Show all posts
Showing posts with label Ryan Shupe and the Rubberband. Show all posts
Thursday, November 17, 2016
Saturday, August 13, 2016
That Nashville Sound Saturday Newsbytes
- Greensky Bluegrass announced that they'll have their next album Shouted, Written Down and Quoted will come out on September 23rd via the band’s own Big Blue Zoo Records/Thirty Tigers label. "You can call us an acoustic ensemble, or a drum-less rock band, or a rock & roll bluegrass band," says mandolin player Paul Hoffman, who, along with guitarist Dave Bruzza, handles most of the album's writing duties. "All of that shifting identity has taught us to cover a lot of ground. There's a flow to this album, just like there's a flow to our setlists. There are some aggressive, rocking moments. Some bouncy, funky moments. An acoustic think piece or two. It's a balance of moods and textures that we create as a band, almost like a mix tape."
- Sara Evans has signed to Sugar Hill Records and will release her eighth album in early 2017 for the new label.“It doesn’t have to be in any specific genre and that’s what I’m excited about,” says Evans. “I can sing really country and mountainy bluegrass, mostly because that’s what I was raised on, and how I first loved to sing. I definitely do have that. However, I can sing pop, country, blues and anything as long as it is a song that moves me. It’s kind of funny in the pitch meetings, because people might pitch a song and say, ‘Well, it’s not really country, it’s more on the pop side,’ and I’m like, ‘I don’t care about all of that. All I want is a great song.’”
- Check out this new music video from eclectic roots band The Devil Makes Three entitled "Champagne and Reefer."
- Dean Brody released the music video for his new single, "Bush Party."
- Listen to this great new cover of the Creedence Clearwater Revival song "Hey Tonight" by The Mavericks.
- Gavin DeGraw will be releasing a brand new album on Sept. 9 entitled Something Worth Saving and he's launched a PledgeMusic campaign with all kinds of fun swag that you can get if you're a fan.
- Do yourself a favor and go over and pre-order the amazing book Without Getting Killed or Caught: The Life and Music of Guy Clark. Author Tamara Saviano has carefully woven a beautiful dedication to one of this generation's finest storytellers and poets. Artists like Johnny Cash and Ricky Skaggs performed his tunes and nearly every Texas artist that has permanently marked that music landscape looks to the late artist as an icon. Saviano uses his deep music catalog and fantastic stories within the music business to celebrate in a way that's truly special. It's a must-read.
- Ryan Shupe and the RubberBand are releasing their newest album We Rode On on 8/19.
- Blackberry Smoke premiered their latest song "Believe You Me."
Monday, July 25, 2016
Interview Flashback - Where Are They Now?- Ryan Shupe And The Rubberband
I have been blessed to write contributions/reviews/interviews/opinion pieces for several country music and roots-oriented websites and publications over the years including Saving Country Music, Nashville Scene, Country California, Country Weekly, American Noise, The 9513 and Engine 145. As a regular contributor to the last two in that list, I did close to a 100 interviews with different artists- and since both of those great sites have come down, I will reprint some of those interviews here to give them a home in perpetuity. This interview feature was originally published in November 2009 on The 9513.
Founded in the mid-1990s out of Ogden, Utah, Ryan Shupe and The Rubberband have sights to be a two-hit radio wonder.
Comprised of Ryan Shupe (fiddle, guitar, ukulele, lead vocals), Roger Archibald (guitar, vocals), Ryan Tilby (bass guitar, vocals), Craig Miner (banjo, bouzouki, mandolin, guitar, vocals), and Bart Olson (drums), the band’s music has been described as “a breathtaking blast of manic musical virtuosity.” It certainly is an eclectic mix of several acoustic musical genres, leaning heaviest on country and bluegrass.
When asked about how he describes his music, Shupe gets appropriately analytical, “It probably depends on who I’m talking to. When we look back at when we were answering that question when we were doing our big radio promotion tours, the best answer would have been the funniest answer: “We are THE biggest country band- no one else sounds like we do so therefore no one in the country is more country.” But the truth is labels are hard with us. What’s bluegrass? Sure we have a banjo and a fiddle in our group, but are we bluegrass? No. It’s kind of bluegrassy, but at a bluegrass festival, they’d say, “no way.” We kind of sit somewhere between country, bluegrass, Dave Matthews Band, Barenaked Ladies with some humor mixed in the middle. When I describe my music to someone who has never heard of us, I use names like that because they know what I’m talking about. It’s an acoustic jam rock of bluegrass country.”
Then
After learning to play the fiddle at the tender age of five and becoming a fifth generation family player, Shupe started his first band at ten and played in a variety of different bands in his teens and in college. Only one common theme ran throughout each group- they each came to an end when the broke up. From there, the concept of the Rubberband was born. "I decided that I was going to make a band that didn't break up," he recalls. The idea would be that the Rubberband would be elastic. That’s the best way to make a band not break-up.”
As Shupe began to shape his musical sound following college, he made friends throughout the community with the best musicians he could find. On gig nights, he brought in the players he needed depending on the venue and the crowd. On some nights, there could be two on stage or as many as five. And then one night, magic happened and the membership became permanent.
Says Shupe, “I’m a band guy. I’m a big band fan. I like bands. Anyone that plays music knows the difference between a band and a hired gun situation. With a band, you get a cohesiveness that you don’t find any other way. And I’m not saying the other way is bad. I wouldn’t downplay how other artists play music. It’s just different. Anyone who has been in a band knows the moment it becomes a brotherhood. You look at a guy and just know what he’s going to do. There’s that moment when you just gel.”
They were producing a sound that was certainly unique to the band.
“Basically, in a nutshell, it’s acoustic instruments pushed to the limits of what they should be able to do. We do stuff more up-tempo than what people are used to. It is fiddle, guitar, drums,
banjo and bass, but it’s got an almost punk beat to it. We love experimenting with different sounds.”
After signing with Capitol Records in 2005, they band released their debut major-label album, Dream Big, which produced a Top 25 hit on the Billboard Hot Country chart with the title track. The song was also picked as the theme song for NBC’s prime-time show, “Three Wishes”, hosted by Amy Grant. Dream Big also featured a second release, “Banjo Boy” that failed to chart but did have a music video that was in heavy rotation on CMT.
Shupe says, “I would describe the Dream Big album as good music with a positive theme running through it. It’s got something for everyone. I know that’s a generic answer, but in this case, it applies. It’s got love songs, up songs and down songs. It has a theme that’s acoustic based and is music with a positive outlook. We experimented with some rapping-like lyrics on some songs. It has a lot of different elements like that.”
On that time in the band’s history, Shupe recalls fondly, “It was fun. We enjoyed the ride- literally. We got to ride around in a big bus. We got to walk the red carpet. It was nice to see that side of things for awhile. We played nearly every festival alongside a lot of great acts and other great musicians. It’s kind of like everything you can imagine. You just show up and they’ve bought you lots of clothes. We got to travel all over the country, flying tons. For awhile there, we were doing everything we could imagine.”
The View
Now
Ryan Shupe and the Rubberband did not begin and end with Dream Big. That much is clear.
“For people that only know us through the radio, they may only know us for “Dream Big.” I see that at shows that we regularly perform in- even today. People know “Dream Big.” That song fits in with what we do being acoustic and positive, it isn’t exactly what we do. It takes people three or four songs before they get it. We come out on stage jumping around and rocking with a banjo and fiddle and it takes people by surprise. They become fans for life because they get what we’re doing and it’s really unique. If they know us from “Dream Big,” check out our videos on YouTube or check out a live show and you’ll see something you’ve never seen before.”
After being dropped by Capital Records in 2006, the Rubberband boys were signed by small label Montage Music Group and put together a new CD, “Last Man Standing.” that was released in 2008.
“I think the album is more rocking this time around,” explains Shupe. “If you heard the last album, you would notice a progression, but it’s pretty much in line with what our fans have come to love about us. Nobody’s going to hear it and go ‘that doesn’t sound like them, but it’s a different direction than the last album. You’re going to want to turn it up a little bit more in your car. It’s a musician’s music, but it’s also for people who want a good tune. That’s kind of the beauty of our band, I think. If you’re a musician you like it, because it has complex arrangements and things that are different than what’s out there, because we’re pushing the boundaries a little bit, and doing a rock country hybrid with banjo and fiddle and stuff. But you’re still getting the songs that you’d like to hear played on the radio. I think we are able to be a great band live, yet also have solid songs people can relate to and enjoy. I want us to have songs that are great and mean something to people. We think it is the best sounding album we have to date.”
Unfortunately, Montage Music Group closed along with many other labels during this economic recession which has brought Shupe and his band mates back to familiar ground- building fans through live shows.
“We’re seeing an increase in music at the independent level,” says Shupe. “My wife saw an interview the other day where an artist got asked when he got discovered. And the guy answered, “I don’t know if anyone gets discovered in the music industry anymore.” And he’s right. I took that to mean that you don’t get discovered anymore because you can just go out and create your own destiny. Which is why we can keep going and some other bands might falter. We have a live show that’s awesome and we have a fan base that don’t care if we have a hit on the radio or not. We’ve kind of created something that’s not generic. We’re going to roll through the high points and the low points of creating music. It would be great another hit on the radio. Granted, I think our stuff fits right in there on the radio. I think of radio gave some our stuff a chance that has been on our albums, it would be just as successful as anything else. But it’s hard to get all those stars aligned. But we’ll keep going and do what we do and have a good time every time.”
What will the Ryan Shupe and the Rubberband legacy be according to Shupe?
“I hope that the legacy of the band will be that these guys have created something huge and along the way, have influenced people’s lives for the better. Musicians and music lovers will have said they created something really unique and timeless in a way. That’s one thing I try to do with our music is not follow time markers. No one will every say, that was created in the 90’s or 80’s or anything like that. On top of that, we helped people become better people and lifted them up in hard times. Hopefully, we’re a positive influence on the world around us. As much as is about music, it’s about us as people impacting the world around us.”
Comprised of Ryan Shupe (fiddle, guitar, ukulele, lead vocals), Roger Archibald (guitar, vocals), Ryan Tilby (bass guitar, vocals), Craig Miner (banjo, bouzouki, mandolin, guitar, vocals), and Bart Olson (drums), the band’s music has been described as “a breathtaking blast of manic musical virtuosity.” It certainly is an eclectic mix of several acoustic musical genres, leaning heaviest on country and bluegrass.
When asked about how he describes his music, Shupe gets appropriately analytical, “It probably depends on who I’m talking to. When we look back at when we were answering that question when we were doing our big radio promotion tours, the best answer would have been the funniest answer: “We are THE biggest country band- no one else sounds like we do so therefore no one in the country is more country.” But the truth is labels are hard with us. What’s bluegrass? Sure we have a banjo and a fiddle in our group, but are we bluegrass? No. It’s kind of bluegrassy, but at a bluegrass festival, they’d say, “no way.” We kind of sit somewhere between country, bluegrass, Dave Matthews Band, Barenaked Ladies with some humor mixed in the middle. When I describe my music to someone who has never heard of us, I use names like that because they know what I’m talking about. It’s an acoustic jam rock of bluegrass country.”
Then
After learning to play the fiddle at the tender age of five and becoming a fifth generation family player, Shupe started his first band at ten and played in a variety of different bands in his teens and in college. Only one common theme ran throughout each group- they each came to an end when the broke up. From there, the concept of the Rubberband was born. "I decided that I was going to make a band that didn't break up," he recalls. The idea would be that the Rubberband would be elastic. That’s the best way to make a band not break-up.”
As Shupe began to shape his musical sound following college, he made friends throughout the community with the best musicians he could find. On gig nights, he brought in the players he needed depending on the venue and the crowd. On some nights, there could be two on stage or as many as five. And then one night, magic happened and the membership became permanent.
Says Shupe, “I’m a band guy. I’m a big band fan. I like bands. Anyone that plays music knows the difference between a band and a hired gun situation. With a band, you get a cohesiveness that you don’t find any other way. And I’m not saying the other way is bad. I wouldn’t downplay how other artists play music. It’s just different. Anyone who has been in a band knows the moment it becomes a brotherhood. You look at a guy and just know what he’s going to do. There’s that moment when you just gel.”
They were producing a sound that was certainly unique to the band.
“Basically, in a nutshell, it’s acoustic instruments pushed to the limits of what they should be able to do. We do stuff more up-tempo than what people are used to. It is fiddle, guitar, drums,
banjo and bass, but it’s got an almost punk beat to it. We love experimenting with different sounds.”
After signing with Capitol Records in 2005, they band released their debut major-label album, Dream Big, which produced a Top 25 hit on the Billboard Hot Country chart with the title track. The song was also picked as the theme song for NBC’s prime-time show, “Three Wishes”, hosted by Amy Grant. Dream Big also featured a second release, “Banjo Boy” that failed to chart but did have a music video that was in heavy rotation on CMT.
Shupe says, “I would describe the Dream Big album as good music with a positive theme running through it. It’s got something for everyone. I know that’s a generic answer, but in this case, it applies. It’s got love songs, up songs and down songs. It has a theme that’s acoustic based and is music with a positive outlook. We experimented with some rapping-like lyrics on some songs. It has a lot of different elements like that.”
On that time in the band’s history, Shupe recalls fondly, “It was fun. We enjoyed the ride- literally. We got to ride around in a big bus. We got to walk the red carpet. It was nice to see that side of things for awhile. We played nearly every festival alongside a lot of great acts and other great musicians. It’s kind of like everything you can imagine. You just show up and they’ve bought you lots of clothes. We got to travel all over the country, flying tons. For awhile there, we were doing everything we could imagine.”
The View
Now
Ryan Shupe and the Rubberband did not begin and end with Dream Big. That much is clear.
“For people that only know us through the radio, they may only know us for “Dream Big.” I see that at shows that we regularly perform in- even today. People know “Dream Big.” That song fits in with what we do being acoustic and positive, it isn’t exactly what we do. It takes people three or four songs before they get it. We come out on stage jumping around and rocking with a banjo and fiddle and it takes people by surprise. They become fans for life because they get what we’re doing and it’s really unique. If they know us from “Dream Big,” check out our videos on YouTube or check out a live show and you’ll see something you’ve never seen before.”
After being dropped by Capital Records in 2006, the Rubberband boys were signed by small label Montage Music Group and put together a new CD, “Last Man Standing.” that was released in 2008.
“I think the album is more rocking this time around,” explains Shupe. “If you heard the last album, you would notice a progression, but it’s pretty much in line with what our fans have come to love about us. Nobody’s going to hear it and go ‘that doesn’t sound like them, but it’s a different direction than the last album. You’re going to want to turn it up a little bit more in your car. It’s a musician’s music, but it’s also for people who want a good tune. That’s kind of the beauty of our band, I think. If you’re a musician you like it, because it has complex arrangements and things that are different than what’s out there, because we’re pushing the boundaries a little bit, and doing a rock country hybrid with banjo and fiddle and stuff. But you’re still getting the songs that you’d like to hear played on the radio. I think we are able to be a great band live, yet also have solid songs people can relate to and enjoy. I want us to have songs that are great and mean something to people. We think it is the best sounding album we have to date.”
Unfortunately, Montage Music Group closed along with many other labels during this economic recession which has brought Shupe and his band mates back to familiar ground- building fans through live shows.
“We’re seeing an increase in music at the independent level,” says Shupe. “My wife saw an interview the other day where an artist got asked when he got discovered. And the guy answered, “I don’t know if anyone gets discovered in the music industry anymore.” And he’s right. I took that to mean that you don’t get discovered anymore because you can just go out and create your own destiny. Which is why we can keep going and some other bands might falter. We have a live show that’s awesome and we have a fan base that don’t care if we have a hit on the radio or not. We’ve kind of created something that’s not generic. We’re going to roll through the high points and the low points of creating music. It would be great another hit on the radio. Granted, I think our stuff fits right in there on the radio. I think of radio gave some our stuff a chance that has been on our albums, it would be just as successful as anything else. But it’s hard to get all those stars aligned. But we’ll keep going and do what we do and have a good time every time.”
What will the Ryan Shupe and the Rubberband legacy be according to Shupe?
“I hope that the legacy of the band will be that these guys have created something huge and along the way, have influenced people’s lives for the better. Musicians and music lovers will have said they created something really unique and timeless in a way. That’s one thing I try to do with our music is not follow time markers. No one will every say, that was created in the 90’s or 80’s or anything like that. On top of that, we helped people become better people and lifted them up in hard times. Hopefully, we’re a positive influence on the world around us. As much as is about music, it’s about us as people impacting the world around us.”
Sunday, March 13, 2016
Tuesday, September 29, 2015
Wednesday, September 9, 2015
Sunday, February 22, 2015
Ryan Shupe & The Rubberband Get A Little Help From Some Little Friends
The Rise Up Project is a creative effort with Ryan Shupe and The Rubberband to use music as a vehicle to inspire children to dream big both on and off of the stage as well as in the classroom and beyond. It's a pretty poignant performance.
Monday, June 16, 2014
Ryan Shupe and the Rubberband Set To Release We Rode On This Fall
Ryan Shupe and the Rubberband will have a new album coming out this fall called We Rode On that is available now through their live shows and will be made available through i-Tunes and physical sale through select stores in the fall. The Utah-based band is best known for their hit single "Dream Big" and "Banjo Boy" that came out on their 2005 Capitol Nashville release, Dream Big. In their trademark humor, the band posted this about the process during the recording of the project, " Ryan is in the studio crafting, honing, refning, and awesomizing. Craig changed his bouzouki strings - do you know how hard those are to find? Roger learned the complete Slash Gutiar Solo Library. Tilby found a missing math assignment from 1998."
Ryan Shupe started playing the fiddle at age 5. He played in various musical groups growing up starting with a group of talented 10 yr olds called the "PeeWee Pickers" who toured nationally. His experiences in bands forming and then breaking up led him to the concept of a "rubber band". It would be elastic in members being able to rotate in and out without a name change or breaking a groove. Since their formation they have become one of the most successful musical acts from the state of Utah among other acts such as SHeDAISY, Peter Breinholt, and Neon Trees. The band also made an appearance on the popular U.S. Television show Extreme Makeover: Home Edition in 2006 for a family in Logan, Utah.
Subscribe to:
Posts (Atom)