Showing posts with label Ronnie Milsap. Show all posts
Showing posts with label Ronnie Milsap. Show all posts

Sunday, July 23, 2023

Country Music Hall of Famer Jerry Bradley Passes Away At 83

The world of country music mourns the loss of one of its most influential figures, Jerry Bradley, a true titan of the genre whose impact reverberated throughout the industry. He passed away peacefully earlier this week, leaving a legacy that will be celebrated for generations to come.

Jerry Bradley was born into a family that was woven into the fabric of country music. His father, Owen Bradley, was a legendary record producer, and his uncle, Harold Bradley, was a celebrated studio guitarist. With this lineage, Jerry's path into the industry seemed destined.

His career began in the mid-1960s when he joined his father's company, Owen Bradley Productions. With a natural talent for spotting potential in artists and a keen business acumen, he quickly moved up the ranks, carving out a significant role for himself in the company.

In 1973, he ascended to the role of head of RCA Records' Nashville division, a position that allowed him to guide the careers of countless country music luminaries. This era is now known as the 'Nashville Sound,' and much of that sound can be attributed to Bradley's leadership and innovative approach to music production.

Under Bradley's guidance, RCA Nashville flourished, and he was instrumental in signing and developing artists who would go on to become country music legends. These included Alabama, Dolly Parton, Ronnie Milsap, and Charley Pride among others. Bradley's keen ear and sharp business sense allowed him to shape the careers of these artists and solidify their places in the annals of country music history.

Bradley was also a key figure in the creation of the Country Music Association (CMA) Awards, the genre's most prestigious event. His leadership and vision for the awards set the tone for what it has become today - a platform that recognizes and celebrates the best that country music has to offer.

In 2019, Jerry Bradley was inducted into the Country Music Hall of Fame, an honor that underscored his pivotal role in the industry. In his acceptance speech, Bradley humbly said, "I've been very fortunate. This business has been very good to me, and I have always tried to be good to it." This sentiment encapsulated his commitment to the growth and longevity of country music.

His colleagues and those he mentored remember him as a man of principle and integrity, who treated artists with respect and always saw the potential in them. His infectious enthusiasm for the genre was evident in every facet of his work, and his legacy will live on through the countless lives he touched and the music he helped bring to life.

Jerry Bradley's passing marks the end of an era in country music. His contributions to the industry, his championing of artists, and his unwavering love for the genre left an indelible mark on country music. His absence will be deeply felt, but his influence will continue to resonate.

As we remember and celebrate his life, we find comfort in the knowledge that Bradley's work shaped the soundtrack of many lives, spreading the soulful charm of country music across the globe. The songs he helped craft and the artists he nurtured will ensure that his legacy lives on for generations to come.

Today, we say farewell to Jerry Bradley, a true country music pioneer. His life and work will forever be a testament to his love for music and his dedication to the country genre. We extend our deepest condolences to his family, friends, and all who were touched by his extraordinary life. Rest in peace, Jerry Bradley. Your music lives on.

Saturday, March 13, 2021

Ronnie Milsap Readies New Album For April 30 Release

Artist: Ronnie Milsap
Album: A Better Word For Love
Label: Black River
Release date: April 30, 2021

That Nashville Sound teased this new project a week or so ago, but new information has come out on the the new project from Ronnie Milsap that was of value passing along. A true country/pop/soul icon, Ronnie Milsap believes it’s the music that makes you young. With A Better Word for Love dropping April 30, the 4-time Country Music Association Album of the Year winner is ready to tease his fans with a little “Wild Honey” that you can listen to at the bottom of this article. 
 
“It’s up-tempo,” explains the Country Music Hall of Famer, “and it feels good. That electric guitar part, the way the rhythms move, you get caught up. Then you start to listen, and you recognize the sweet and spicy part of what I’m singing... and you just get caught up!”
 
Written by Jim Weatherly, known for Gladys Knight & the Pips’ GRAMMY Hall of Fame “Midnight Train To Georgia,” as well as “(You’re The) Best Thing That Ever Happened To Me,” the song lands on the sweet spot between Milsap’s strong soul roots and the kind of country he made famous with “Daydreams About Night Things,” “No Getting Over Me,” “Why Don’t You Stay The Night” and “She Keeps the Home Fires Burning.”
 
“Jim Weatherly is one of the greats,” the 6-time GRAMMY-winner enthuses. “Those Mississippi cats know how to make the music steamy, to find a pocket and just go. When we started playing ‘Wild Honey,’ we really didn’t wanna stop because it felt so good. This one felt like everything I loved from the first take, so it’s a good way to show people what this record’s all about.”
 
Teaming with longtime co-producer Rob Galbraith, the pair deep dived into the genre-blurring country that – along with his incendiary live shows – made Milsap, alongside Willie Nelson, Dolly Parton and Kenny Rogers, the biggest artist in country music throughout the ‘70s, ‘80s and ‘90s. Working with some of Nashville’s most revered session musicians on Better Word, guitarists Brent Mason, Steve Gibson, Mark Casstevens, and Chris Leuzinger, bass player Michael Rhodes, drummer Lonnie Wilson, double steel players Mike Johnson and Paul Franklin, and Milsap’s longtime musical director Jamie Brantley brought Milsap’s signature sound to life.
 
Drawing on songs from Mike Reid, David Ball, NRBQ vet Al Anderson, Gary Nicholson and Carl Perkins, A Better Word for Love is a feast for Milsap fans. The 10 songs, recorded at the studio Milsap designed and now named Ronnie’s Place, are a freewheeling affair, designed to capture love, regret and a whole lot of fun. 

After his all-star Duets, featuring Kacey Musgraves, Willie Nelson, Dolly Parton, Billy Gibbons, Luke Bryan and George Strait, A Better Word for Love is in many ways like coming home for the North Carolina-born, Georgia-launched superstar who played on Chips Moman-recording sessions for Elvis on his way to being discovered at LA’s Whiskey A Go-Go by Charley Pride. Beyond the live track “Civil War” with his long-time road band, this collection has all the feels, all the grooves and all the smooth vocal drive that’s made him a 3-time CMA and 5-time GRAMMY Male Vocalist.
 
“I sing about love,” the piano-playing legend, who’s scored 40 #1 country hits explains, “and I sing about life. When you get down to it, those are the things that are truest. It’s what people need to hear about, what they like to hear about, but I’ve been blessed by some of the greatest songwriters in the world with these songs, too! When you get to have these kinds of songs to sing, well, good things happen.”


Thursday, February 25, 2021

Travis Tritt, Ronnie Milsap, Willie Nelson & Tony Joe White All Have New Projects On The Horizon

After a relatively slow start with new album announcements to start the year, this week certainly revved up with new album announcements from Travis Tritt, Ronnie Milsap, Willie Nelson and Tony Joe White. 

Artist: Travis Tritt
Album: Set In Stone
Label: Big Noise
Release date: May 7, 2021

Multi-Platinum selling and award-winning artist, Travis Tritt, will release a new album, Set In Stone, on May 7 and a new single, “Smoke In A Bar,” on March 5. 

Released through Big Noise Label Group and produced by Dave Cobb (Chris Stapleton, The Highwomen, Sturgill Simson), the new album features 11 new songs, 8 of which were co-written by Tritt. Set In Stone marks Tritt’s first original full-length studio album in over a decade.

On Set in Stone, the Grammy winner "delivers the quintessential Travis Tritt album with a touch of Americana and Roots. He pays homage to all sides of his musical personality along with the trademarks of his originality.  Opening with the rowdy “Stand Your Ground” and mixing powerful love songs like “Leave This World” with searing country rockers like the first single “Ghost Town Nation,” the new album is described by Tritt as “getting back to a no-frills classic outlaw-country sound.”"



Artist: Willie Nelson
Album: Texas Willie
Label: Sunset Blvd Records
Release date: April 9, 2021

This new project contains 20 Tracks not previously available on CD or streaming. The breadth and scope of Willie Nelson’s career is staggering. He first established himself as part of a new generation of progressive country songwriters in the early ‘60s. Here are the obscure and rarely heard demo recordings he made prior to signing to Liberty and before RCA. All of these recordings are both musically and historically significant. Includes "Man With The Blues," "Misery," "Undo The Right," "One Step Beyond," "Any Old Arms Won't Do," "Blame It On The Times," "The End Of Understanding," "Slow Down Old World," "A New Way To Die," "Home Motel," "Right From Wrong," "Slow Down Old World," "Happiness Lives Next Door," "I Feel Sorry For Him," "Where My House Lives," and more.



Artist: Ronnie Milsap
Album: A Better Word For Love
Label: Black River Entertainment
Release date: April 30, 2021

One of the preeminent songwriters and crossover artists of the 1970's and 1980's, Country Music Hall of Famer Ronnie Milsap has a brand new album forthcoming at the end of April on the Black River Entertainment label called A Better Word for Love.  It's his first album since The Duets released back in January of 2019. It includes a duet with another Hall of Famer, Mr. Vince Gill as well as a live recording of his song "Civil War."  




Artist: Tony Joe White
Album: Smoke From The Chimney
Label: Easy Eye  Sound
Release date: May 7, 2021

On May 7, Dan Auerbach’s label, Easy Eye Sound, will release the new Tony Joe White album, Smoke From The Chimney. This album is a collection of new songs that have been lovingly created from a collection of discovered Tony Joe White demos. (Tony Joe White died in 2018.) Selected by Tony Joe White’s son, Jody White, and put into the hands of Dan Auerbach to properly record them with a setting of musicians have generated 9 finished songs.

Smoke From The Chimney will be released on CD, DD, and in two separate color editions of vinyl LP (collectible orange or standard black). Tony Joe White is also remembered as the writer of the classic “Rainy Night In Georgia” tune made popular by Brook Benton.




Wednesday, June 3, 2020

Opry Veteran and Legendary Session Guitarist Jimmy Capps Passes Away at 81

Musicians Hall of Fame member and Grand Ole Opry veteran Jimmy Capps has passed away at age 81 due to health complications. After getting his start with The Louvin Brothers, Jimmy went on to become one of the most sought after session players in Nashville. Some of the incredible recordings you can hear Capps on are The Oak Ridge Boys’ “Elvira,” “Sail Away,” Tammy Wynette's "Stand By Your Man," Barbara Mandrell’s “Sleeping Single In A Double Bed,” “I was Country When Country Wasn’t Cool,” George Jones’ “He Stopped Loving Her Today,” Ronnie Milsap’s “Smokey Mountain Rain,” and “Legend In My Time,” as well as other artists such as Janie Fricke, Lacy J. Dalton, Andy Williams, Ray Charles, Mac Davis, Moe Bandy, Joe Stampley, Johnny Paycheck, John Conlee and countless more. As a staff member of the Grand Ole Opry since 1967, Capps has remained a solid foundation in Music City and can be seen on Country’s Family Reunion and as “Sheriff” Jimmy Capps on Larry’s Country Diner. Jimmy was not only a musical prodigy, but a friend to many in the music and entertainment industry.

Fellow artists mourn the loss of their friend and share fond memories that have left them forever inspired by the timeless, Jimmy Capps.

“I’m deeply saddened by the news of the passing of my dear friend, Jimmy Capps. Jimmy was maybe the kindest and most considerate person I knew in the music business. A pro’s pro, he played an important role in many of my recordings and every Opry performance we ever played together. Rozene and I send our sympathy and heartfelt prayers to Michele and all of Jimmy’s family.” - Charley Pride

“The NEWS this morning about the passing of our dear friend Jimmy Capps has been devastating. In a time of darkness Jimmy was always a light. Like everyone else in Nashville Jimmy was a part of our music and our career and our lives!!! This will take a while to process... the Oak Ridge Boys will sure miss The Man In Back ... Until the DAY” - Joe Bonsall / Oak Ridge Boys

“I have been singing professionally since I graduated from the university over 55 years ago. Jimmy Capps has been a part of my career from the beginning with The Oak Ridge Boys, starting with our gospel days and all the way through to some of our biggest hits. When you hear the guitar intro to “You're The One In A Million,” that is Jimmy Capps playing. Recently, I went to the Musicians Hall of Fame and saw a display honoring Jimmy Capps. In that display was the guitar that Jimmy played on “Elvira.” My wife, Norah Lee, has sung on the Grand Ole Opry for over 40 years. For most of those years, especially when the Opry was at the Ryman, Norah Lee has ridden with Jimmy and Michelle Capps to work. This is another gut punch for me personally, losing one of my very best friends. I ask that you remember Michelle and Jimmy's sons in your prayers. Today, there is a hole in the music industry, but Jimmy Capps’ contributions will stand the test of time. Rest in peace, Jimmy, in the arms of Jesus.” - Duane Allen / The Oak Ridge Boys

“When I first came to Nashville Jimmy Capps was already a fixture as one of the great guitar players. I worked with Jimmy many times and I got to know him and his wonderful wife Michele even better these last several years at the Opry. Jimmy was always ready with a smile, a kind word and a great guitar lick. I can’t imagine the Opry without Jimmy Capps. These crazy times are much sadder this morning.” - Crystal Gayle

“I am shocked and very saddened to hear that Jimmy Capps has passed away. He was on 90% of the songs that I’ve recorded and he can never be replaced. He was always one of the most authentic and genuine guys I’ve ever known and has accomplished so much in life. We are all so much better for knowing him. One thing that people will miss is looking over their shoulder and seeing Jimmy there. We will all miss you, Jimmy. My thoughts and prayers go out to his wife Michele.” - B.J. Thomas

“I will cherish the memories of working so many shows and concerts with Jimmy Capps. I will miss his smiling face. Blessings and prayers to his family.” - Janie Fricke

“I have been blessed to work with Jimmy down through the years. He was a universally loved, Godly man, a double-super cool Nashville cat and you couldn’t ask for a better friend. Sheila and I pray for Michelle and the rest of his family at this time. Rest in peace, pal.” – T. Graham Brown

“Sending our love and prayers to Michele Capps. Just heard of the passing of Nashville musician Jimmy Capps. His musicianship was heard at the Grand Ole Opry, Country’s Family Reunion, and as The Sheriff on Larry’s Country Diner. I’ve sailed many music cruises with Jimmy, and I know he was so honored to be inducted into the Musicians Hall of Fame. He was always humble and kind, and will be missed by many. Rest In Sweet Peace Jimmy Capps.” - Rhonda Vincent

“I am heartbroken over the loss of our great friend Jimmy Capps. He was and always will be a country music icon. It was an honor and privilege to work with him and call him my friend. He was such an amazingly gifted musician, sweet spirit, tender-hearted and beautiful soul! I know Jesus has welcomed Jimmy with open arms into his Heavenly home. My prayers are with Michele & the family. Rest In Peace Jimmy. We love you.” – Deborah Allen

“What a way to wake up this morning. I just got the message that Jimmy Capps passed away last night. I lost my sister last week and this feels like I lost another family member now. I can’t believe he’s gone. Sending prayers for Michele and their family.” - Johnny Lee

“Jimmy, was so incredibly talented; his playing came from endless experiences - he always knew “what to play” and always elevated the music - just having him in the room made the music sound better. A sweet, sensitive soul who will be greatly missed.” - Michael Bonagura / Baillie & The Boys

“I loved Jimmy Capps. He was one of my mentors. I played alongside him in the studio and at the Grand Ole Opry for over four decades. Even now, when I close my eyes, I can see him walking through the Opry artist entrance, guitar case in hand. He walked slowly--with purpose. He was there to put on the best show he could. He loved the music. It was his life. He was the best rhythm guitar player I have EVER worked with. He was a perfectionist. As good as he was, he continued to practice and hone. That's what made him so damn good. You could always count on him to know what to play and where to play it. We shared stories and secrets. There were times he treated me like a brother. There were times he treated me like a son. But every time we were together, he treated me like a friend. R.I.P, James D. Thank you for being such a great teacher. I learned from the best--Timbo.” - Tim Atwood

"I'll always cherish the memories of any time that I was blessed to share the stage with Jimmy Capps. He is the epitome of a classic country music guitarist and one of the nicest people I ever met. RIP Jimmy Capps - we all love you dearly!" - Shane Owens

“My thoughts are with the family of Opry Legend/guitarist Mr Jimmy Capps. What an incredible legacy he will leave behind. One of Nashville’s most well respected guitarists. I had the honor of meeting him backstage at the Opry last year. He was soft-spoken and so humble. I will never forget asking him “How many times have you played the Opry in your career?” He looked at me and grinned and said “way too many to count ha ha!” - Treasured memory of Jimmy. God bless him.” - J.D. Shelburne

Monday, December 30, 2019

The Day The Music Died: To Those Country Music Lost in 2019


Earl Thomas Conley
K.F. Raizor, author of the website Raizor's Edge and the book We Can't Sing and We Ain't Funny: The World of Homer and Jethro is our guest writer today on That Nashville Sound. She's ever so gracious to provide wonderful tributes to honor those to whom the music we treasure just wouldn't be the same without. Thank you, K.F.

Here are the people related to the world of country music for whom the final curtain fell in 2019.

Billy Adams (March 30, illness, age 79): Rockabilly Hall of Fame singer and gospel songwriter (author of "I Saw the Man," best-known by the Happy Goodman Family).

Frank Arnett (January 7, unknown cause, age 81): steel guitarist for several Bakersfield-based acts such as Wynn Stewart and Rose Maddox, later worked for Marty Stuart.

Jeff Austin (June 24, unspecified medical emergency, age 45): co-founder of and mandolin player for Yonder Mountain String Band.

Hal Blaine (March 11, natural causes, age 90): a Rock and Roll Hall of Fame drummer, his long and illustrious career saw him play on #1 hits as diverse as "Can't Help Falling in Love" by Elvis, "Cherokee Reservation (Lament of the Cherokee Indian)" by Paul Revere & the Raiders, and "You're the Reason God Made Oklahoma" by David Frizzell & Shelly West.

Anne Boatman (June 16, Alzheimer's disease, age 71): "Opry Annie" was the assistant to Bud Wendell at the Grand Ole Opry.

Terry Bock (January 3, unknown cause, age 81): promoter for acts such as David Houston and owner of the traveling Nashville Country Music Museum.

Shirley Boone (January 11, vasculitis, age 84): the wife of pop crooner Pat Boone was also the daughter of Hall of Fame great Red Foley.

Harold Bradley (January 31, natural causes, age 93): Hall of Fame session musician who was part of the original "A Team," businessman, and co-founder (with brother Owen) of the Quonset Hut.

busbee (ne Michael Ryan) (September 29, glioblastoma, age 43): songwriter who worked with a number of modern acts including Lady Antebellum, Rascal Flatts, and Garth Brooks.

Charlie Brocco (February 4, unknown cause, age 64): Grammy-winning album engineer who was rewarded for his work on Kacey Musgraves' Same Trailer, Different Park.

Maxine Brown (January 21, heart and kidney disease, age 87): the oldest of the Country Music Hall of Fame trio the Browns.

William "Beau" Bruce (May 15, unknown cause, age 49): the son of singer/songwriter Ed Bruce was also an executive at MCA Publishing.

Jerry Carrigan (June 22, long illness, age 77): Muscle Shoals Rhythm Section drummer who also worked on a large number of country recordings beginning in the 60s.

Frances Scott Carter (May 5, unknown cause, age 89): costume designer on the TV series Hee Haw.

Justin Carter (March 16, accidental shooting, age 35): Texas-based country singer. He was killed in an accidental shooting during the filming of a video.

Larry Carter (April 30, heart attack, age 62): longtime DJ and host of the much-loved "Bluegrass for Breakfast" program originating on WCXZ in Harrogate, Tennessee, and streamed worldwide on TuneIn.

Keith Case (September 4, unknown cause, age 79): head of the prolific Keith Case & Associates agency, who represented countless acoustic, bluegrass, and Americana artists.

Steve Cash (October 13, unknown cause, age 73): co-founder and harmonica player for the country/rock band Ozard Mountain Daredevils and writer of their biggest hit, "Jackie Blue."

John Cohen (September 16, natural causes, age 87): co-founder of the New Lost City Ramblers as well as a photographer and music professor.

Earl Thomas Conley (April 10, cerebral atrophy, age 77): songwriter and singer with a long string of hits in the 1980s.

Bob Cornett (April 11, natural causes, age 89): founder of Kentucky's "Festival of the Bluegrass" and bluegrass concert promoter in Kentucky and Florida.

Sonny Curtis (October 11, Alzheimer's disease, age 83): not the Cricket Sonny Curtis; rather, the steel guitarist who played for George Jones' Jones Boys for George Jones for decades.

Chuck Dauphin (September 18, complications of diabetes, age 45): respected country music journalist for Billboard and Rolling Stone.

Ray Deaton (June 4, unknown cause, age 66): one-time bass player in Doyle Lawson & Quicksilver who went on to co-found IIIrd Tyme Out with other former DL&Q members Russell Moore and Mike Hartgrove.

Edd Easter (January 30, unknown cause, age 84): member of the legendary bluegrass gospel group the Easter Brothers.

Al Embry (September 9, natural causes, age 82): longtime talent manager and promoter who worked with the likes of George Jones, Tammy Wynette, Jerry Lee Lewis, the Statler Brothers, and Merle Haggard.

Raymond Fairchild (October 13, heart attack, age 80): award-winning, influential banjo player who delighted bluegrass audiences for decades.

Toni Foglesong (June 7, unknown cause, age 92): widow of music executive and Country Music Hall of Fame inductee Jim Foglesong.

Fred Foster (February 20, natural causes, age 87): Country Music Hall of Fame record executive (founder of Monument Records), producer (Roy Orbison), and songwriter ("Me and Bobbie McGee").

Donnie Fritts (August 27, complications of heart surgery, age 76): the longtime Kris Kristofferson musician was also a songwriter and an early member of the "Swampers," the Muscle Shoals Rhythm Section. Jerry Carrigan, who also passed away this year, was also an early member of the Swampers.

Phran Galante (September 23, lung cancer, age 64): video producer for acts such as Alabama, K.T. Oslin, and Alan Jackson.

Vivian Gilley (December 13, Alzheimer's disease, age 80): wife of country singer Mickey Gilley and his manager.

Chuck Glaser (June 10, unknown cause, age 83): the last surviving member of the trio Tompall and the Glaser Brothers. His brother Jim died April 6.

Jim Glaser (April 6, heart attack, age 82): member of Tompall and the Glaser Brothers. His brother Chuck died June 10.

Dr. Jerry Goff (July 12, unknown cause, age 84): Southern Gospel Music Hall of Fame inductee who was a member of the LaFevres, a well-known trumpet player in southern gospel music, and one of the founders of the Gospel Music Association.

John Goodson (May 21, non-alcoholic cirrhosis of the liver, age 54): banjo player in the bluegrass gospel band the Gospel Plowboys.

Bonnie Guitar (January 13, congestive heart failure, age 95): country music singer and songwriter who had a crossover hit in 1957 with "Dark Moon."

Dallas Harms (October 12, cancer, age 84): Canadian Country Music Hall of Fame singer/songwriter whose best-known composition for US audiences would most likely be Gene Watson's hit "Paper Rosie."

Kylie Rae Harris (September 4, car wreck, age 30): Texas-based country singer who was starting her career after appearing on the TV series Troubadour, TX.

Hoyt Herbert (July 5, unknown cause, age 87): longtime country (Lefty Frizzell) and bluegrass (Charlie Monroe's Kentucky Partners) banjo player, as well as host of WFMX's bluegrass show in North Carolina.

Dot Hindman (October 31, natural causes, age 98): longtime figure in numerous Nashville music publishing companies.

John A. Hobbs (June 12, natural causes, age 91): the founder of Music Valley staples the Fiddler's Inn and (co-founding with Jerry Reed) the Nashville Palace.

Don Hoglen (September 27, unknown cause, age 87): last surviving member of Mac Wiseman's original Country Boys band.

Don Imus (December 26, unknown cause, age 79): legendary radio host (and VH-1 VJ) whose Imus Ranch Record albums had country singers covering interesting songs (such as Jamey Johnson's superb rendition of Meat Loaf's "Two Out of Three Ain't Bad").

Juanita Jackson (January 11, Alzheimer's disease, age 81): wife of country great Stonewall Jackson and his business manager.

Terry Jennings (January 25, unknown cause, age 62): oldest son of Waylon Jennings and author of Waylon: Tales of My Outlaw Dad. He also worked as tour manager and merchandise salesman for his father.

Carol Johnson (Carol Bass) (January 9, unknown cause, age 85): bluegrass bass player and singer with Jim and Jesse.

Dennis Jones (June 14, septic shock, age 62): bluegrass historian, disc jockey, sound man, and festival MC who had no lack of friends in the bluegrass or country music world.

Martin Katahn (October 17, extended illness, age 91): bestselling diet author (The Rotation Diet) and professor who also did numerous session work at Studio B during the "Nashville Sound" era of country music.

John Kilzner (March 12, suicide [hanging], age 62): country and rock songwriter whose best-known song was "Green, Yellow, Red," covered by Rosanne Cash on King's Record Shop.

Bob Kingsley (October 17, bladder cancer, age 80): 1998 Country Radio Hall of Fame inductee who was the longtime host of the radio program America's Country Countdown.

Carl Knight (September 13, unknown cause, age 89): country songwriter with songs recorded by the likes of Loretta Lynn, Charley Pride, Mel Tillis, and Del Reeves. He was also in WW and the Dixie Dance Kings.

Sleepy LaBeef (December 26, unknown cause, age 84): Rockabilly Hall of Fame singer who began a career in the 1950s and continued his success, primarily in Europe, until the day he died.

Joe Mansfield (October 31, cancer, age 77): executive at Capitol Records when Garth Brooks' career was taking off. He continued to work for Brooks after leaving Capitol.

Glenn Martin (May 12, natural causes, age 86): Grammy-nominated country songwriter responsible for hits such as "Is Anybody Going to San Antone" and "If We're Not Back in Love By Monday."

Martha McCrory (February 16, natural causes, age 98): classically-trained cellist who played on numerous country music sessions with the likes of Johnny Cash, Loretta Lynn, Dolly Parton, and Elvis.

Ed McGowan (October 8, cause and age unknown): husband and manager of Rattlesnake Annie.

Anne Miller (January 2, illness, age unknown): wife of country music singer/songwriter Frankie Miller.

Todd Milsap (February 23, unknown cause, age 49): son of Country Music Hall of Fame legend Ronnie Milsap.

Dan Mitchell (May 22, cause and age unknown): songwriter best-known for writing "If You're Gonna Play in Texas (You've Gotta Have a Fiddle in the Band)" by Alabama.

Ralph Murphy (May 28, pneumonia, age 75): Canadian Country Music Hall of Fame member noted for writing such songs as Crystal Gayle's hits "Talking in Your Sleep" and "Half the Way."

Jerry Naylor (December 5, unknown cause, age 80): member and lead vocalist of the Crickets for two years after Buddy Holly's death.

Alan Perdue (February 20, cirrhosis of the liver, age 49): bluegrass mandolin great who was a member of the band Mountain Heart.

Troy "Renfro" Proffitt (July 25, illness, age 69): guitarist in the 70s incarnation of Ralph Stanley's Clinch Mountain Boys.

Gina Putman (August 5, unknown cause, age 45): daughter of songwriting legend Curly Putman was an employee at Sony-Tree Publishing.

Leon Rausch (May 14, illness, age 91): "the voice of the Texas Playboys" for a number of years beginning in the late 50s, and leader of the Texas Playboys band after Bob Wills' death.

Billy Ray Reynolds (November 29, unknown cause, age 79): country songwriter who had songs recorded by acts as diverse as Tom Jones and Alison Krauss. He was also the guitarist for the supergroup the Highwaymen.

Steve Ripley (January 3, cancer, age 69): the founder and only regular member of the country-rock group the Tractors, best known for "Baby Likes to Rock It."

Raeanne Rubenstein (December 2, cardiac arrest, age 74): noted celebrity photography who took photos of numerous country music legends.

Vickie Salas (January 16, cancer, age 66): longtime companion of country legend Bill Anderson and the subject of his song "Until the Light Comes on Again."

Ray Sawyer (December 31, 2018, brief illness, age 81): one of the lead singers of Dr. Hook and the Medicine Show, who had eight charted country songs in addition to their long career as a rock group.

Jack Scott (December 11, congestive heart failure, age 83): Canadian-born Rockabilly Hall of Fame singer who found success in country and rockabilly in the US.

Jeanette Scott (January 7, unknown cause, age 62): secretary of the organization R.O.P.E. (Reunion of Professional Entertainers).

Les Sears (January 15, heart attack, age 70): longtime regional bluegrass guitarist, disc jockey, and festival MC. He was stricken while performing onstage at the Yee Haw Music Festival in Florida.

Sanger D. "Whitey" Shafer (January 12, cancer, age 84): Nashville Songwriters Hall of Fame songwriter responsible for such classics as "That's the Way Love Goes," "The Baptism of Jesse Taylor," "All My Exes Live in Texas," and "Does Fort Worth Ever Cross Your Mind."

Al Shusterman (April 24, unknown cause, age 75): longtime country DJ and host of the Sacramento, California program Backwoods Bluegrass.

Dewayne "Son" Smith (March 16, unknown cause, age 72): "Son" in the Geezenslaw Brothers. Fellow Geezenslaw Sammy Allred passed away in 2018.

Faye Smith (September 13, unknown cause, age 83): longtime executive at BMI in Nashville.

Russell Smith (July 12, cancer, age 70): the lead singer and main songwriter for the country-rock group the Amazing Rhythm Aces, he also wrote songs covered by the likes of George Jones, George Strait, and T. Graham Brown. He was also a member of the bluegrass parody group Run C&W.

John Starling (May 2, heart failure, age 79): original lead singer and guitarist for the Bluegrass Hall of Fame band the Seldom Scene.

Guy Stevenson (January 4, illness, age 89): onetime member of Bill Monroe's Blue Grass Boys and three-time SPBGMA award winner for bass player of the year.

Bertie Sullivan (February 21, unknown cause, age 78): three-time SPBGMA "promoter or the year" award winner for her work in bluegrass concerts and festivals.

Joe Sun (October 25, natural causes, age 76): a songwriter who had marginal success recording his own songs; however, one of them ("Old Flames [Can't Hold a Candle to You]") became a #1 hit for Dolly Parton.

Phil Thomas (January 5, unknown cause, age 74): country songwriter whose contributions included "Colorado Kool-Aid" and "Me and the IRS" by Johnny Paycheck and "Drinkin' My Way Back Home" by Gene Watson.

Luke Thompson (June 12, natural causes, age 91): Louisiana-based instrumental builder who also worked in country and bluegrass on the Louisiana Hayride.

Daniel "Flop" Tidwell (January 6, unknown cause, age 69): one-time owner of Nashville's legendary Exit/In club.

Doris Tillis (August 29, natural causes, age 79): widow of Mel Tillis and mother of Pam Tillis.

David Turner (September 18, bus wreck, age 64): road sound man for Josh Turner (no relation) for 14 years, he had also worked for the likes of Patty Loveless and Eddie Rabbitt.

Maggie Lewis Warwick (March 29, pneumonia, age 79): songwriter whose best-known works include "Mountain of Love" (covered by Johnny Rivers, Bobby G. Rice, and Charley Pride) and "The Girl Most Likely" a hit for Jeannie C. Riley).

Rusty Wilcoxen (July 17, illness, age 68): TNN producer who worked on country shows Nashville Now, American Music Shop, and Grand Ole Opry Live.

Larry T. Wilson (December 5, illness, age 61): songwriter who had his songs recorded by the likes of Sammy Kershaw and Marty Raybon.

Mac Wiseman (February 24, kidney failure, age 93): "the voice with a heart" who thrilled bluegrass and country fans for seven decades, and an inductee in both the Country and Bluegrass halls of fame. He was also an active music businessman, helping found the Country Music Association and the International Bluegrass Music Association.

Emmons "Skip" Woolwine (November 7, heart illness, age 61): founding member of the Tennessee Radio Hall of Fame and, when hired, the youngest announcer in WSM history (hired at age 17).

Reggie Young (January 14, heart failure, age 82): longtime session guitarist who worked as an original member of Bill Black's Combo and with acts as diverse as Elvis Presley and Jimmy Buffett.

Vern Young (June 14, natural causes, age 95): bluegrass musician who had a Mac Wiseman-like voice and a long career. He was also a country music DJ in Missouri and the former husband of Anne Young, who later married (and died with) Ira Louvin.

Sunday, September 30, 2018

Ronnie Milsap's Upcoming The Duets Album To Feature Willie, Musgraves, Dolly, Aldean, Strait, Little Big Town & More

Artist: Ronnie Milsap
Album: The Duets
Label: Riser House Records
Release date: January 18, 2019

Ronnie Milsap is using a little help from his friends with a project of duets on some of his biggest hits that will feature duets with Kacey Musgraves, Billy Gibbons, Luke Bryan, Dolly Parton, Steven Curtis Chapman, Jason Aldean, Willie Nelson, Little Big Town and George Strait. In addition, for what are likely their last recordings ever, the project also features the late Leon Russell and Troy Gentry of Montgomery Gentry.

Country legend Ronnie Milsap has updated some of his classics — and has teamed up with one of the genre’s brightest new stars to sing it. The 75-year-old Country Music Hall of Famer released his new rendition of his 1981 hit “No Getting Over Me” featuring Musgraves.

“Singing with Kacey is so much fun. She’s a pure vocalist and knows how to lean into a melody,” Milsap told  PEOPLE about the pair’s collaboration which will be featured on his upcoming album.

“Having her on this gave the song a whole new twist, which is what music is all about. How do you take what you know and make it even more?” he explains.

The project marks his 28th studio album and will feature Luke Bryan on “Stranger in My House” and Jason Aldean “Prisoner of the Highway”.

“My duet with Willie is a new song that Mike Reid wrote called ‘A Woman’s Love’,” says Milsap. “He and I had 12 number one records together in the ‘80s like 'Stranger in My House' and 'Old Folks.' I sent ‘A Woman’s Love’ to Willie. He told me, ‘I love the song.’ So he’s gonna sing on it and play guitar in his home studio."
 

Sunday, August 27, 2017

That Nashville Sound Sunday Newsbytes - New Music Videos & Upcoming Releases

We're playing catch-up this weekend with lots and lots of new music videos and a handful of new album introductions. TNS would love to hear from you- what's your favorite off of the list below?

- Bill Withers, Tim O'Brien, Kathy Mattea, Charlie McCoy, Connie Smith and many others from the bluegrass genre have contributed to a new project celebrating one of the Grand Ole Opry's all time favorites: Rhinestone Hillbilly: A Tribute to Little Jimmy Dickens.

- Rockabilly singer Sonny Burgess, who recorded for Sun Records, passed away at the age of 88.

- Billy Ray Cyrus‘ upcoming album Set The Record Straight, which releases November 10, will be packed with collaborations with Joe Perry, George Jones, Loretta Lynn, Bryan Adams, Glenn Hughes, Jencarlos Canela, and Ronnie Milsap, as well as with Cyrus’ daughter Miley Cyrus.

- That Nashville Sound favorite Aubrie Sellers released a new music video for "Paper Doll."

- Bluegrass Hall of Fame member Pete Kuykendall has died in Virginia at age 79.

- Kip Moore has released a new music video for his song "Bittersweet Company."

- Bluegrass artist Rebekah Long has enlisted the production and writing help of Donna Ulisse on her new album Run Away that will be coming out on September 8.

- The Texas Gentelmen released a new music video for their song "Bondurant Women."

- Radney Foster's upcoming September 15 release, For You To See The Stars, is a project comprised of two parts - a book of short fiction and an album of the songs that inspired them.

- Doug Supernaw has re-recorded his biggest charted songs and will release a new Greatest Hits package on September 22.

- A new project will be forthcoming from the famed Jennings family with Shooter Jennings' Live at Billy Bob's TX- to be released on November 10.

- November 10 will also be the release date for Taylor Swift's next pop album, Reputation. Her first single off of the project is "Look What You Made Me Do."

- Carly Pearce will be releasing an album on Big Machine Records on October 13 under the same name of her big surprise chart hit, Every Little Thing.  

Monday, September 12, 2016

Interview Flashback - Under The Big Top with Phil Vassar

I have been blessed to write contributions/reviews/interviews/opinion pieces for several country music and roots-oriented websites and publications over the years including Saving Country Music, Nashville Scene, Country California, Country Weekly, American Noise, The 9513 and Engine 145. As a regular contributor to the last two in that list, I did close to a 100 interviews with different artists- and since both of those great sites have come down, I will reprint some of those interviews here to give them a home in perpetuity. This interview was originally published in December 2009 on The 9513.

Phil Vassar the singer has charted nineteen singles on the Billboard Hot Country Songs charts, including two Billboard Hot Country Number Ones in "Just Another Day in Paradise" and "In a Real Love." 

Phil Vassar the songwriter has written a number of smash singles for other artists including Tim McGraw ("For a Little While", "My Next Thirty Years"), Jo Dee Messina ("Bye, Bye", "I'm Alright"), Collin Raye ("Little Red Rodeo"), and Alan Jackson ("Right on the Money"). In 1999, he was named by ASCAP as Country Songwriter of the Year.

But it is Phil Vassar the road performer that is the inspiration for his new December 2009 album release, Travelling Circus. Playing the role of ringmaster- and even pictured that way on the new album cover- he’s taking his band of travelling showmen out on the road to promote the new album. Forget lions, tigers and bears. It’s guitars, pianos and fiddles, oh my. 

The 9513 had a chance to catch up with Vassar as he prepared for the launch of his new big top-themed album and talk about music, songwriting and his future on Broadway. 

Ken Morton, Jr.- Before we talk specifically about your brand new music, talk to me about the title of this new album and the meaning behind it. I take it you don’t have a secret ambition to drop everything and go to work for Barnum and Bailey quite yet.

Phil Vassar- (Laughter) Well you know I’m actually a trapeze artist. Just kidding. I’ve always called our group a travelling circus. Anybody that knows my game knows why. As I was looking for a title for the record, we looked at everything. We used to call ourselves a frat house on wheels- whatever that was. Travelling Circus just fit. It fits a theme because it’s what life is. It’s scary. It’s funny. And we’re kind of like a bus that’s like the clowns that jump out of the Volkswagen. We’re sort of like the clowns that jump out of the bus. So I thought it was a good overall theme. And then my buddy painted the cover. It’s just really cool. He told me that I’d have to be the ringmaster and I said, “Oh my gosh, that’s so cool.” And that’s before I even told him that it was a circus theme. That’s pretty interesting, you know?

KMJ- That’s a talented friend painting an album cover for you.

PV- Yeah, he did all the artwork for the record. Last year, he painted my girls and I. And he’s just great. He’s just a local guy- a local national artist. And we talked and both thought that would be cool. I’m sick of the whole glamour shots that we use on the cover. I just think that’s silly. No one wants to look at me. (Laughter) I just don’t look that good. 

KMJ- That’s funny. Well, talk to me about the new album. What can the Phil Vassar fan expect from the new record musically?

PV- I went with my band for one. The guys never get to go into the studio to do records which is kind of silly. I kind of get sick of working with studio guys because they’re working on your album at ten and then on McGraw’s record at one and then so-and-so’s at six. And I think it’s all between the lines too much. Everything to me starts to sound alike. The production is the same. I wanted to do it different. I think you can really tell. It sounds like me more live. I think that’s what I really wanted to capture. It’s more organic. And the way we set up in the studio was a little different this time. I used this little funky studio that I used to cut demos in that my engineer used to help me with instead of these $20,000 per
week fancy studios. Or per day. Whatever. Anyways, it’s a whole different deal. It’s a lot more me for sure. 

KMJ- You were the producer on this album. When you say more organic, what do mean when it’s different production-wise?

PV- I’ve always produced my own records, but I’ve always done it with somebody like Byron Gallimore, Dan Huff, or Frank Rogers. At this point, I don’t need those guys to produce my stuff anymore. I just wanted to go in with my own guys and do my thing. So that’s just how we did it. I love all my records and I’m proud of all the ones we’ve cut. I just wanted to do something different this time around. 

KMJ- Did it bring some different thinking having your own road guys in the studio this time around?

PV- Oh yeah. It allowed us to kind of hunker down in the studio for awhile. Instead of looking at the clock knowing that we can only do this and only do that, the guys would set up knowing we’d have an entire week at our own leisure and do stuff all day. And all night. The each had their own ideas and their own input. Sometimes it would work and sometimes it would be a train wreck. But what did work worked really well. And what didn’t work didn’t make the record. It was that easy.

KMJ- Any favorite tracks on the album thus far?

PV- I don’t know. I don’t know if I really have one. There’s just so much I really like. Even songs like “I Will Remember You” which is an older track that Kenny Chesney and I wrote awhile back that had never made a record, which hadn’t made the last three or four records, made this one. Everything on the record is pretty brand new, but on every album I’ve had one thing that I’ve brought something back from several years ago that hadn’t made a record previously for some reason. 

KMJ- As I looked through the writing credits, your name is on every track but with other writers. But how do you go about choosing who you want to work with? Is it pretty free-flowing or do have certain songwriters in mind for certain kinds of songs?

PV- No, never really that. I just have guys I write with. For the most part, they’re just friends. Not many. We just write and see what happens. 

KMJ- How did that Kenny Chesney collaboration and song theme come about?

PV- One of us was going through a break-up. I don’t remember which one of us. I think it was him. It’s a really good song, I just hadn’t found a spot on one of my previous records. 

KMJ- I know the record previously had a February release date on it but they’ve pulled it forward into December. What was the reason for the big move forward?

PV- I don’t know, that’s a record-label thing. It wasn’t my choice, that’s for sure. We’ve got a song just coming up the charts right now. But when you’re on a big label, they have their own agenda and it’s rarely the artist’s agenda. It seems rushing it a bit if you ask me, but it’s their decision. That’s just what we’re going through. But we’re dealt what we’re dealt and you just go out and do it. 

KMJ- Your first single off of the album was one that obviously gathered lots of discussion, “Bobby With An I.” What were your thoughts of the song and that single being released first?

PV- I just thought it was a fun song. I think it’s a great song. I think it’s funny. I’m sick of the same old songs- sick of hearing about our economy and talking about how bad life is. I thought it was time to throw something out there really different. Of course, we had a lot of people that were kind of offended by it. But I think they’re idiots. That’s what I think. It was just meant to be funny. It is what it is. It wasn’t meant to save the whales or anything like that. I wish I could do that with every song, but I can’t. We just have to stop taking life so seriously. That’s really what the song is about. 

KMJ- I thought the last track was one of the most autobiographical of the bunch and is called “Where Have All The Pianos Gone?” That’s been a distinction of yours within the country genre. Talk to me about that song and how the two work together.

PV- I wrote the song with my friend, James Slater, who’s a really good friend. And he’s another piano player- and a great songwriter. And we were talking the one day about Billy Joel, Elton John, Ray Charles, Jerry Lee Lewis, Charlie Rich, Barry Manilow, Ronnie Milsap- the list just went on and on. Think about all those guys and how many great piano guys there were. Lionel Richie is another. The first song I ever learned was “Easy Like Sunday Morning.” I was just a kid. We asked one-another, “Where have all the piano players gone.” And out of that, came the song. And it’s a really cool song. And I don’t know if it would have ever made another record if it wasn’t up for me to do it. 

KMJ- Beyond Travelling Circus, what does the future hold for Phil Vassar?

PV- We’re going back out on the road and it’s the biggest show we’ve ever taken out. It seems like every year, I’ve taken out a bigger and bigger show. Our Circus Tour is going to be a lot of fun. So I’m definitely working on that. And we’re in the middle of working on a Broadway show from a movie about a waitress and I’m in the middle of that. There’s a lot of different things going on. It’s all really good stuff. I’m excited about the next year and I’m just trying to keep it all rolling. 

KMJ- For this Broadway show, are you just doing the music for it or is there more to it than that?

PV- I’m just doing the songs. Music and lyrics. I don’t have any aspirations of being in it or anything. It might be fun to do something like that at some point. There’s been movies and things offered before which may be fun to do some time in the future, but we’ll have to see how it pans out. 

KMJ- Last question for you. What is country music to Phil Vassar?

PV- I think it is real music for real people. It’s a very lyric-driven genre. It’s not about how many chords you can put in a song or what the production is like. That’s what I really like about it. It’s about a song. It’s really as simple as that fact. 

 

Thursday, December 10, 2015

A Look Ahead To What's Coming In 2021- New Album Release Dates

The landscape looks bright for numerous new releases that promise to engage listeners lyrically and musically. From legends like Barry Gibb and Loretta Lynn to current stars like Morgan Wallen and Carrie Underwood, there is lots of new music planned in the new year. Here is a just a partial list of projects that have firm release dates and a long list of projects that are rumored to be released in the coming year. What are you most looking forward to?

January:
4th
Steve Earle & the Dukes – J.T. (digital release)

8th
Barry Gibb – Greenfields: The Gibb Brothers Songbook, Vol. 1
Morgan Wallen – Dangerous: The Double Album
Aaron Watson – American Soul (digital release)
Various Artists – The Years: A MusicFest Tribute to Cody Canada and the Music of Cross Canadian Ragweed (digital release)

15th
Corb Lund - Cabin Fever (Deluxe)
Devin Dawson - The Pink Slip (EP)

22nd
Willie Jones - Right Now
Various Artists – The Years: A MusicFest Tribute to Cody Canada and the Music of Cross Canadian Ragweed (physical release)

27th
Jake Hoot - Love Out Of Time (EP)

29th
Lilly Winwood - Time Well Spent
Lucero – When You Found Me
Heath Sanders - Common Ground (EP)

February:
5th
Aaron Watson – American Soul (physical release)
Sierra Hull - Weighted Mind: The Original Sessions (EP)

12th
Callista Clark - Real to Me (EP)
Clare Dunn - REAL THING (EP)
Florida Georgia Line – Life Rolls On
Johnny Lee - Everything’s Gonna’ Be Alright
Kip Moore – Wild World (Deluxe)
Loretta Lynn - Coal Miner’s Daughter (Re-issue celebrating 50th anniversary)

19th
Adam Hambrick - The Flipsides (EP)
Carly Pearce - 29
John Driskell Hopkins - Lonesome High
Koe Wetzel - Sellout (Vinyl)
Lainey Wilson - Sayin' What I'm Thinkin'
Tami Neilson - Chickaboom! Deluxe

26th
Dale Watson - The Memphians
Hailey Whitters - Living the Dream
Ian Munsick - Coyote City
Willie Nelson - That's Life

March:
5th
Brandy Clark - Your Life Is A Record (Deluxe)

12th
Valerie June – The Moon and Stars: Prescriptions for Dreamers

16th
Gabby Barrett - Live From The Goldmine EP

19th
Corb Lund - Agricultural Tragic Deluxe
Loretta Lynn - Still Woman Enough
Morgan Wade - Reckless
Steve Earle & the Dukes – J.T. (physical release)

26th
Carrie Underwood - My Savior
Chevel Shepherd - Everybody's Got A Story (EP)

March:
Pryor & Lee (EP)

April
2nd
Johnny Cash - Johnny Cash: Forever Words Expanded
Sturgill Simpson - Cuttin' Grass Vol. 2 (Cowboy Arms Session) (Vinyl release)

9th
Luke Bryan - Born Here Live Here Die Here (Deluxe)
Rhiannon Giddens with Francesco Turrisi - They’re Calling Me Home
Taylor Swift - Fearless (Taylor's Version)
Willie Nelson - Texas Willie

16th
Brother Brothers - Calla Lily
Eric Church - Heart

20th
Eric Church - &

23rd
Eric Church - Soul
Tracy Lawrence - Hindsight 2020, Vol 1: Stairway to Heaven Highway to Hell

30th
Ashley Monroe - Rosegold
Carrie Underwood - My Savior (Vinyl release)

April:
Troy Cartwright (EP)

May
28th
Ashley McBryde - Never Will: Live From A Distance (EP)

June
18th
Rory Feek - Gentle Man

August
20th
Maggie Rose - Have A Seat

Spring:
Tim McGraw - Here On Earth (Deluxe)

Summer:
Brian Kelley

Q2:
Restless Road (Album)

TBD:
Aaron Watson (x2)
Ashley McBryde
Blake Shelton
Dan + Shay
Darius Rucker
Gary LeVox (a gospel album and a country album)
James McMurtry
Kacey Musgraves
Kalie Shorr (EP)
Laura Bell Bundy – Women of Tomorrow
Midland
Mike and the Moonpies
Natalie Hemby
Sunny Sweeney
Tanya Tucker
The Steel Woods
The Wreckers
Tracy Lawrence (x2)

Monday, November 2, 2015

Interview Flashback- Ronnie Milsap Returns To His Gospel Roots

I have been blessed to write contributions/reviews/interviews/opinion pieces for several country music and roots-oriented websites and publications over the years including Saving Country Music, Nashville Scene, Country California, Country Weekly, American Noise, The 9513 and Engine 145. As a regular contributor to the last two in that list, I did close to a 100 interviews with different artists- and since both of those great sites have come down, I will reprint some of those interviews here to give them a home in perpetuity. This interview was originally published in August of 2009 on The 9513. 

Country music doesn’t have another story quite like the one of Ronnie Milsap.  Born without sight and into extreme poverty in the Appalachian town of Robbinsville, NC, his success is one of the true amazing stories of the American dream.  Ronnie’s mother, unwilling to accept his blindness, gave him to his grandparents at the tender of age of one.  At age six, Ronnie was sent away from the only family he knew and went to the Governor Moorehead State School for the Blind in Raleigh.  He would find his refuge and release in music.  Given classical music training as part of his education, he immersed himself in the gospel, country and R&B music he was hearing on the radio.  It was this musical gumbo that served him well when his own musical journey across that same radio began.  In an almost unbelievable tally, Ronnie has had more top country hits than anyone except George Strait and the late Conway Twitty.  Over his career, Ronnie has sold more than 25 million records and has had 40 #1 hits.  Forty.  His mantle also includes seven Grammy Awards, four Academy of Country Music Awards  and eight Country Music Association Awards.  Milsap’s biggest hits include “It Was Almost Like A Song,”  “Smoky Mountain Rain,” “(There’s) No Gettin’ Over Me”, “Lost In The Fifties Tonight”, “I Wouldn’t Have Missed It For The World”, “Any Day Now”, and “Stranger In My House” among many others.  Enter 2009, and the legendary artist is back with his first foray into gospel music with Then Sings My Soul.  While unlikely to achieve much radio airplay, the album proves to everyone who hears it that Milsap’s beautiful voice is still alive and well into the 21st century.  And who knows, a musical collaboration being released next month with Trace Adkins just might result in Milsap’s historic voice floating across those radio waves once more…

Ken Morton, Jr.- You were originally readying to study law at Emory University before a chance encounter with Ray Charles changed your career path I understand.  Tell me that story.

Ronnie Milsap- I was told by my friends who were trying to guide my education (I had a scholarship to go to college) and my counselors told me that I needed to do something other than music.  This was although I had twelve years of classical music training in school.  They said, “You can’t be a musician because you will fail.  You’ll be out on the street.  And not only that, you’ll be a liability to the State.  You need to study something academic so you’ll have a real job.”  So I guessed I would go to law school.  While I was in junior college, after the first year, there was a Ray Charles show in Atlanta and I went to that show.  Immediately, I said that I needed to find a way to get backstage and meet Ray Charles.  We were told that there wasn’t any way that we would ever get to go backstage and meet Mr. Charles.  But [Ray Charles’] pilot heard that story and took us back to Ray’s dressing room.  Ray was finishing his show and came in afterwards.  He met with his friends for 25 or 30 minutes and then [the pilot] told him, “There’s one more person who wants to meet you, Ray.”  I said, “Mr. Ray Charles, my name is Ronnie Milsap and I love your music.  I emulate what you do and I’ve bought all the records I could find of yours that you’ve recorded.  I’m at a little dilemma in my life.  I want to be in the music business but all my counselors at school tell me I need to go on to law school.”  There was a piano in the dressing room, which was convenient, and he told me to go play something.  So I played him three songs and after that there was about a ten second pause.  He said, “You know, you can become a lawyer if you want to, but there’s a lot of music in your heart.  And if I was you, I’d follow what my heart tells me to do.”  So that was my endorsement from Ray Charles.  It was the beginning of a long long friendship with Ray Charles.   I met with him a couple years later.  I had a record out that was a top five on the Billboard charts called “I Never Had It So Good.”  He said, “I love that record.  Ronald, that is one great record.”  Ronald.  He always called me Ronald.  “Ronald, I really do love that record, but you know what I really love is that B side.”  And the B side was a song called “Let’s Go Get Stoned.”  We thought at first that after we had a hit on the A side of the record, we’d flip the record and possibly get a hit on the B side of the record-
which is what you did in those days.  We’d flip that 45 and perhaps get a hit on the B side.  Ray actually recorded “Let’s Go Get Stoned” so I never ever released it.  It’s really interesting, though.  Here I am singing all these Ray Charles songs while I’m growing up and all of a sudden, he records the B side of my record!  (laughter)  

KMJ- That’s a beautiful story.  Not too many people can have that validation of their music so early in life by such a legend in the industry.  

RM- After that, I became active in the music business in Atlanta.  I met the girl that I’m married- still married to.  We’re coming up on 44 years of marriage.  We lived in Atlanta for awhile and then we moved to Memphis.  A record producer convinced me to move to Memphis.  He said that if I’d move to Memphis, he’d get me to play on all these sessions and sing on these records.  And he convinced us to move to Memphis.  We were there for four years and I really must say that’s the training period where I learned how records were made and how records were produced.  I was piano playing in the studio getting to play on different records for artists that would come through.  I got to play on two albums with Elvis.  And I got to know him real well.  I played private parties for him.  It was really an interesting time.  But then finally I decided that I wasn’t really making it in the music business.  I kept thinking what happened if they were right and I was going to have to go back to law school.  My wife said, “Well, we haven’t tried Nashville yet.”  And I had made friends in Nashville.  We were encouraged to come here by my friend, Charley Pride.  He had heard me sing and said that I needed to move to Nashville.  We finally made the move here and I got a job early at Roger Miller’s King of the Road Hotel in their showroom which was on the roof at that hotel.  So I did that five nights a week and I would work recording during the week.  I sent demos around and then RCA signed me and we had the first single come out in April of 1973.  It was a top ten and the second record. “That Girl Who Waits on Tables”, was a top five.  We didn’t get a number one until the spring of 1974 with a song called “Pure Love.”  

KMJ- You have a brand new album out this year.  After 40 years in the music business, what made you do a gospel album?

RM- Well, I’ve been wanting to do this for a long time.  Fans had talked about this.  They would ask all the time when I was going to record a gospel album.  Imagine going into a record label and sitting down to talk with the director and marketing and promotions and mention that you wanted to do a gospel album.  They would always say, “No.”  They would talk about your formula and that you were on this track.  We were selling a lot of records.  We were having number one records.  They would ask, “Why would we want to change this formula?”  That’s basically what I was told for years.  “We can’t do it because we’re too successful at what you’re doing.”  Eventually, I got a chance to do this album.  Folks called from EMI and they wanted this thing to happen so much.  They asked if I could put together a list of songs that would work.  I got together with their folks and got together a list of songs that everyone was happy about.  We were in the studio for eight days and cut 24 songs.  It’s a 2 CD set.  It’s the most fun recording experience that I’ve ever had.  

KMJ- It’s a mixture of classic hymns, but also a couple of new songs.  How did you go about selecting music for this album?

RM- I basically just picked the songs that I knew- the ones that I wouldn’t have to do much study on.  Most of us, the first time we ever sang, we sang in church.  That’s when I sang first publically.  This was long before I performed with a piano or a guitar- I still sang in church.  So a lot of these songs like “Softly and Tenderly” and “I’ll Fly Away” and “The Old Rugged Cross”, I already knew.  Because they’re indelible
in your mind and in your heart.   And we were also fortunate to find three new songs that we liked a lot.  We kept tweaking the repertoire until we were all happy with it.  

KMJ- Looking back on your career, do you feel it worthy of being a member of the Country Music Hall Of Fame eventually?

RM- Well, sure!  I’m sure that will happen at some point.  I really do think so.  That’s certainly a long process and whenever that comes along, that will be really great.  

KMJ- Do you think that some of your crossover songs leaning more R&B and pop helps or hurts your cause- does it have any impact on your selection at all?

RM- I don’t know.  I know one thing.  We discovered one that if we were ever to sell big numbers, it was beyond the country landscape.  You can stay within the country community today and go platinum.  But in my day, in the 70’s and 80’s, the way to go platinum and double-platinum was to be visible on several charts.  The adult contemporary, the CHR, the pop charts were all important.  I was told by the record company that because I could do it, I should be a multi-format artist.  The payoff is that you sell a lot more records than if you sing just traditional country songs.  But it’s still country music.  That’s what we did.  And my record stands for itself.  In my mind, it gave me a chance artistically to do the type of records that I wanted to do and to experiment with different ways to get Ronnie Milsap’s country music into other formats.  I was an adult-contemporary artist of the year for several years and I can’t say whether that hurts or helps.  But I know that it did what the record label wanted and that was to sell lots of records.  

KMJ- You have a new musical collaboration with Capitol’s Trace Adkins called “My First Ride” coming out in September.  Tell me about that new song.  

RM- It’s an interesting thing.  I’m constantly looking for new songs- always deciding what I want to do next.  I have a lady friend of mine named Mila Mason who was a major label artist at one time and she goes into publishing companies looking for songs and brings them over here.  My producer and I go over this material and we heard this song, “My First Ride.”  She was really high on this song.  I didn’t think it was the typical record I would make.  She said, “Yeah, but you really know how to make this type of record.”  And she’s right.  Yes I do.  So I called Trace and asked him to sing on the record with me.  He said, “You just tell me when and where.”  Trace is a good friend and he said, “I’ve always wanted to sing on something with you.”  So we put it together and we’ll see what happens.  It’s a stand-alone single right now and kind of an experiment to see how this is received.  I’ve got real big plans if this works.  I want to be part of this new music revolution.  

KMJ- What’s your thoughts on the current country music landscape?  What sort of artists are you fans of?

RM- There’s a lot of great country artists out there right now.  Carrie Underwood is incredible.  George Strait continues to make hit records all the time.  Keith Urban is absolutely one of the greatest people in the business- he’s such a sweet man.  There are a lot of great artists out there.  I do believe that every generation should make their own type of music.  Country music today is representative of what this generation is.  There are a lot of talented people out there doing really well.  

KMJ- What else are you hoping to accomplish musically?  What other goals do you have career-wise?

RM- I certainly am interested in this new way of getting music out.  It’s just not going to be on a CD or a traditional album.  It may eventually get stored on a beer mug.  Who knows what the possibilities might be?  You can store music on just about anything.  A card.  People are on the computer downloading just the music that they want.  I do a lot of that myself.  But I still buy CD’s.  I still want a hard copy rather than downloading it on the computer.  But who knows how much longer that will be around?  I’m just going to continue making that music that thrills me.  I think that I can really enjoy it and continue to make wonderful music and entertain people at the shows and make music with this wonderful band that I have on the road.  It’s hard to see past that.  

KMJ- What is country music to Ronnie Milsap?

RM- Country music to Ronnie Milsap is much more traditional I would say than country music of today.  My roots are deep in Appalachia.  Now I’ve certainly proven that over the years you can mix in a little R&B and rock and pop in the middle of it so I guess I’m a little mixture of all those kinds of things.  But basically I’m more rooted in traditional country music than one might think.  

Friday, February 6, 2015

Former Trick Pony Member Ira Dean Calls On All-Star Cast Of Friends For New Project

Former Trick Pony bass player and vocalist Ira Dean is going solo. Sort of. This past weekend, SiriusXM's The Highway added his new single to its national rotation. The new tune, "Nothin' To Do Round Here," is Dean's new venture on a solo run at country radio. But Dean brought in some extra firepower when he recruited several of his artist pals to join him on what would become a "musical gumbo."

"We'll cross another one off on my bucket list," says Dean. "I always wanted to do not just a vocal event but a Traveling Wilburys kinda thing where it ain't just a vocal event but more of an all star band."

The new song features guest vocals from Ronnie Milsap, Montgomery Gentry, Colt Ford, Jeffrey Steele and Lee Roy Parnell.

Dean notes, "I wanna thank my buddies Ronnie Milsap, Lee Roy Parnell, and Jeffrey Steele for answering the phone when I called. Then it was, 'Man, I wish Eddie and T-Roy would sing on this,' so I made another phone call. Then I was telling Colt Ford about the whole dang thing and how I have never had more fun in the studio in my life and he said, 'Well thanks brother for the call.' He came in and BAM! Right off the cuff, done!"

The new song, written by Dean, Shane Minor and Jeffrey Steele (Dean and Steele also produced the song) is the first single from Dean's forthcoming solo album, It's About Time. The upcoming album will be Dean's first full-length album as a solo artist.
 

Monday, December 15, 2014

That Nashville Sound’s Top Ten Unexpected Country Duets and Music Collaborations of 2014

This marks the first of several year-end lists that you’ll see from That Nashville Sound including a best-of song list that’s well over 100 songs deep. We’re also trying to cull down the top twenty-five or so albums from the past year out of the several hundred that were listened to. But first, we’ll cover one that isn’t normally seen across the blogosphere. Count down with us the top ten unexpected duets and music collaborations in country music for 2014.

1. Ray Benson and Willie Nelson- “It Ain’t You” Written by Waylon Jennings and going unrecorded for decades, this little tune about getting old but still feeling you fits like a perfect glove for two country legends like Ray Benson and Willie Nelson. Self-reflective and aware of their own mortality, the message delivered by the duo couldn’t be more appropriate.


2. Reagan Boggs and Dave Coleman- “You Deserve Better” Reagan Boggs was riding a wave of critical acclaim when in 2009 she gave birth to her first son. Priorities changed and the Virginia native began to shift her focus on family as she took a break from a near constant touring schedule. She landed back this year with a brand new album called Quicksand that had this fantastic little heartbreaker gem.

3. Sara Evans and Vince Gill- “Better Off” “‘Better Off’ is a stone-cold country song and Vince Gill is never better singing harmony behind Evans’ emotive vocals. Says Evans about the track, “It’s exactly how I was trained to sing as a child, starting off in bluegrass,” she adds. “Like, my mother is gonna cry when she hears this song.”


4. Jimmy Rankin and Alison Krauss- “Flames” Rankin is a member of the famed Canadian family band known as The Rankin Family and Krauss has graced this list every year it’s been done. Her haunting background vocals just might be able to be added to every song I listened to and I might never get tired of them.


5. Drew Kennedy and Lori McKenna- “Rose of Jericho” Not a true duet by definition, Kennedy and McKenna wrote this song together and released separate versions on each of their own albums: Kennedy on his live album, Sad Songs Happily Played, and McKenna on her amazing project, Numbered Doors. It’s so good, we’ll make it an exception on this list. Because it’s our list. We can make up rules as we go along.


6. Ronnie Milsap and Mandy Barnett- “You Make Me Feel Brand New” Drawn from Milsap’s Summer Number Seventeen- on which he pays homage to many of the songs that influenced him during his own formative years- this Stylistics cover is made all that much better with underappreciated Nashville veteran Barnett.

 

7. Kacey Musgraves and Loretta Lynn- CMA Awards Performance of “You’re Lookin’ at Country” With most of today’s country awards show more interested in having pop/rock stars take center stage to satisfy some bizarre inferiority complex that they have with the country music industry, it was incredibly refreshing to see throwback Musgraves take the stage with legend Loretta Lynn at this year’s CMA Awards in front of a Grand Ole Opry background.


8. Charles Esten and Lennon and Maisy- “Believing” The ABC television series has quietly put out some of the strongest soundtrack material over the last couple of years- a testament to the music director and series producer- and this track featuring actor Charles Esten and Canadian child prodigies Lennon and Maisy shows just how.


9. Trisha Yearwood and Kelly Clarkson- “Prizefighter” That Yearwood could come back with new material and it not make a dent on the music charts or on the general country music psyche is one of the great disappointments of the year. The fact that she can add the impeccable background of vocals of Kelly Clarkson and still not do so is a darn near tragedy.

 

10. Blake Shelton and Ashley Monroe- “Lonely Tonight” - So it’s a big sweeping ballad that sounds like it came straight out of Diane Warren’s movie soundtrack vault. Any reason to have songstress Ashley Monroe a little country music radio airplay is a good enough reason to put it on this list for us.

Friday, September 5, 2014

Ronnie Milsap To Release 21 Disc Box Set On 11/4 Of RCA Recordings

When Ronnie Milsap was elected one of the 2014’s three Country Music Hall of Fame inductees, it validated a body of work that has been one of the most enduring, genre-blurring and comprehensive in modern country music. Having won six Grammys and four prestigious Country Music Association Album of the Year Awards, as well as notching 48 Top 10 hits - of which 40 were #1’s - he set a standard for breaking ground and retaining one’s roots.

To commemorate that achievement, Legacy Recordings, the catalog division of Sony Music Entertainment will release The RCA Albums Collection on Nov. 4. The comprehensive, 21-CD package features all of Milsap’s original albums for RCA; many appearing on CD for the first time, others long unavailable. Most importantly, this attractively packaged box set allows music lovers to take in the breadth of influences and impact Milsap had on the genre in the 70s and 80s.

“A lot of today’s country singers make records with an R&B influence, but they have nothing on Ronnie Milsap,” USA Today wrote when his brand new Summer #17 was released earlier this year. CMA Close-Up agreed, “Milsap had no fear of mixing the genre’s past and building his sound on what he retrieves” and The Tennessean observed “Milsap has long thrived by ignoring genre distinctions...”

Blind since childhood, Milsap used music to navigate the world. Beyond his Top 5 R&B hit “Never Had It So Good,” written by Ashford & Simpson and issued on Scepter Records, Milsap played the Apollo and Howard Theaters, moved through Memphis where he did session work for Elvis and Los Angeles, where a stint trying working with JJ Cale at the Whiskey A Go-Go led him to Nashville.
“I wanted to make music,” Milsap said. “And I knew music expands and embraces all kinds of things. Soul and country aren’t that different at the root, and my career in Nashville was a lot about that common ground.”

From 1974 through 1991, Milsap placed 48 consecutive hits on Billboard’s Country’s Top 10. Beyond the Grammy-winning “Please Don’t Tell Me How The Story Ends,” “(I’m A) Stand By My Woman Man,” “(There’s) No Getting’ Over Me” and “Lost in the Fifties Tonight,” Milsap’s classics include “It Was Almost Like A Song,” “Stranger In My House,” “What A Difference You’ve Made In My Life,” “Smoky Mountain Rain” and “Prisoner of the Highway.”

It is shaping up to a major fall for Milsap. Slated to receive the Academy of Country Music’s Career Achievement Award on Sept. 9 at Nashville’s Ryman Auditorium, he will also be inducted into the Country Music Hall of Fame on October 26 in the Hall’s intimate Ford Theater. But the crowning achievement will be the release of The RCA Albums Collection Nov. 4, with CD size reproductions of the covers, liners from Peter Cooper, expanded notes about each recording and remastered versions of every album Milsap made during his four decade spanning tenure on the label.

“The idea that all the music I made for RCA will be available in one place thrills me,” Milsap offered. “It is my life’s work. These songs, and the record I made are a big piece of who I am – and the people who loved them. I feel honored to know The RCA Collection is coming.”

THE RCA ALBUMS COLLECTION
 Where My Heart Is (1973)
 Pure Love (1974)
 A Legend In My Time (1975)
 Night Things (1975)
 20/20 Vision (1976)
 Ronnie Milsap Live (1976)
 It Was Almost Like A Song (1977)
 Only One Love In My Life (1978)
 Images (1979)
 Milsap Magic (1980)
 Out Where The Bright Lights Are Glowing (1981)
 There’s No Gettin’ Over Me (1981)
 Inside (1982)
 Keyed Up (1983)
 One More Try For Love (1984)
 Lost In The Fifties Tonight (1985)
 Christmas With Ronnie Milsap (1986)
 Heart & Soul (1987)
 Stranger Things Have Happened (1989)
 Back To The Grindstone (1991)
 My Life (2006)