Friday, February 3, 2012

Up & Coming New Nashville- Chris and Johnny

Chris and Johnny might be a new name for most of our That Nashville Sound readers, but you're most certainly familiar with their work. Chris Roberts and Johnny Bulford both have extensive experience on Music Row as writers for Warner Chappel and individual performing careers and are now hoping for that next step to launch their career into the next stratosphere as a duo.

 

Chris Roberts, a native of New Orleans, Louisiana, was immersed into music by way of New York's Broadway. He starred in a production of the Broadway musical The Civil War, alongside singer Larry Gatlin, in New York City. Gatlin, who had once fronted a trio which also included his two brothers (Larry Gatlin & The Gatlin Brothers), mentored fellow actor Royal Reed and Roberts, also suggesting that they should add a third member to complete their vocal-centric group. Initially, they could not find a suitable third member for the trio. Eventually, they befriended Marcus Hummon, with whom they began to write songs.

Chris Roberts
Through Hummon, the two discovered South Carolina native Eddie Bush, who was added to the group in 2005. The three members discovered that they worked well together as a vocal trio, and assumed the name One Flew South. The three all sing lead vocals on their songs. One Flew South's first recording was the song "Friends for Life", which Hummon co-wrote; the trio recorded the song on the soundtrack to the 2006 film The Fox and the Hound 2. After that song was released, the trio began recording demo tapes while seeking a record deal. With Hummon's help, they were signed to a recording contract with Decca Records in 2007, as well as a publishing contract with Sony/ATV Publishing. Their debut album, Last of the Good Guys, was released on May 27, 2008. Unfortunately, while critically lauded, Decca let go of the band from the label along with many other acts in a 2009 multi-act purge.

By the age of 19, Johnny's earnest and likable personality, natural talent, and passion for music enabled him to open for headliners such as Collin Raye, Josh Turner, Trick Pony, and Emerson Drive. It was during this time that he released his first indie album “Southern Thing”. The title track is a fun tune about spring break and the frivolity of youth.

In 2003 he was faced with a decision, college or music? The problem was that his passion for music could only be rivaled by his love of academics so he chose to do both. Meanwhile he was actively touring and promoting his second album “What Happens Here Stays Here”

Johnny Bulford
2004 had him competing in the prestigious Colgate Country Showdown. This competition starts at the local level, moves to the state level, then on to regional’s and finally, ends at the nationals . Johnny won the state level but didn’t take the regional’s. But that would all change in 2008.

During the next few years he made many trips to Nashville developing relationships with label executives and consistently left them wanting to hear more. He became actively involved in local charities such as the Russell Home for Atypical Children and he was commissioned by the veteran’s group ‘Remembering the Brave’ to write a song for fallen soldiers. That song has been played at numerous events for America’s Gold Star families.

The 2008 Colgate Country Showdown pitted Johnny against some of the toughest talent to date. In all, more than 50,000 artists competed in all states and regions to make it to the finals in Nashville. This was his chance to shine and shine he did. Only 5 artists were chosen for the final competition, and when the smoke cleared, Johnny was the winner of $100,000.

Winning that ‘Happy Gilmore check’ as he likes to all it, did more than just give him some extra spending cash. It kicked open doors to Nashville’s inner circle of writers. Recognizing pure talent when they see it, Warner Chappell Music signed Johnny as a staff writer and immediately put him to work writing and co-writing with some of Nashville’s hottest and most successful writers including Michael Dulaney and Lisa Carver.

2009 saw the release of “Livin It Up”, which features tracks written or co-written and produced by the singer and collaborations with renowned Nashville songwriting heavyweights, the Grammy nominated Charlie Craig (Alan Jackson, Reba McEntire, Dolly Parton) and Robert Arthur (Brad Paisley, Mark Chesnutt, Jeff Bates). The title track talks of high school and rivalries and just being a kid.

His latest venture has been writing with Grammy Nominated Chris Young. Chris’s next album will be released in the fall of 2011. "Flashlight", a song he wrote with Chris and Robert Arthur will not only be on that album but also Johnny's first cut.

Johnny resides in Nashville and can also be spotted performing at ‘writers rounds’ throughout the city. He also frequently travels with his five piece band across the southeast. His distinctive voice, passionate lyrics and haunting melodies are a shining testament to past country greats like Vince Gill, James Taylor and his childhood idol, Garth.

Thursday, February 2, 2012

Hear It Here- New Single From Dean Brody- "Canadian Girls"


Three-time 2011 CCMA winner and JUNO nominee Dean Brody has dropped his new high anticipated single to radio. The song is called ‘Canadian Girls’ and is from his upcoming album Dirt set to be released in April of 2012. You’ll be able to purchase the single world-wide on iTunes starting February 7.  You can get a sneak peak below:


New Live Music Video From Jason Eady & Jamie Wilson- "Go Down Moses/Whistling"

Two of the brightest lights on the Texas Music scene - not to mention good friends that collaborate pretty often - were in the Gibson Austin Backroom last month. And they melded a couple of their songs together - Eady's "Go Down Moses" and Wilson's "Whistling" - into one song that's very cool.

 

New Music Video From Sarah Darling- Tom Petty's "Wildflower"

Wednesday, February 1, 2012

New Theatrical Trailer For Chely Wright's Wish Me Away

Wish Me Away is the story of Chely Wright, the first country music star to come out as gay. Over three years, the filmmakers were given extraordinary access to Chely's struggle and her unfolding plan to come out publicly. Using interviews with Chely, her family, her pastor, and key players in Nashville interwoven with Chely's intimate private video diaries, the film goes deep into her back story as an established country music star and then forward as she steps into the national spotlight to reveal her secret. Chronicling the aftermath in her hometown of Nashville and within the larger LGBT community, Wish Me Away reveals both the devastation of her own internalized homophobia and the transformational power of living an authentic life. The film came out in limited theatrical release and this is the trailer for an upcoming digital & DVD release


Wednesday, January 25, 2012

CD Album Review- Kellie Pickler- 100 Proof

The review- 
American Idol, with rare exception, has a habit of sending artists that can't find a place in other genres to country music. Phil Stacey, Danny Gokey, Ayla Brown and Michael Sarver all come to mind. Kellie Pickler has bled southern Dixie country through and through from the beginning, however. Unapologetically so. (I suspect this has been the cause for her to be more embraced by country radio than most of the artists mentioned previously.) And while her first works have veered more towards the pop-country side of things- and with good success with tracks like "Red High Heels" and "Best Days Of Your Life"- 100 Proof proves to be her coming home party. She delivers a genuine and believable throwback in style and theme that proves that she doesn't wear her heart on her sleeve. She keeps it rooted in classic country.

The album gets right to this point with the opener, "Where's Tammy Wynette?" Steel guitar serenades the love-lorn girl who longs to trade aprons and skillets for short skirts and heels. Pickler's big voice is complimented by her southern twang and sassy attitude. The namedrop of one of country's iconic classic country icons sets the stage for what's to come.

She shouts "don't tell me country's gone" on the fun and groovy "Unlock the Honkytonk." "Stop Cheatin' on Me" is classic steel-driven 70's country theme and instrumentation- albeit with a modern production. The track could easily be in Wynette's own song collection.

The girl has pipes and uses them well. On a soft ballad like "As Long As I Never See You Again," she can belt out a chorus as big and bold as a Carrie Underwood, but can dial back on verses to reveal a fragile tenderness in her vocals.

The steel guitar takes a prominence on the album and acts as the backbone. On the romantic and innocent little number, "Turn On The Radio," it does as much of the work on the chorus as do any Pickler vocals. Even when the drums and guitars come up on "Little House on the Highway," the steel guitar ties the track well to all of the others.

The album's standout tracks are the bittersweet dedication to both parents. The first is to mom's with "Mother's Day." Pickler's protagonist has lost her own mother and she explores the rewards of her blessings of time spent and the love/life experiences never known. It is emotionally fraught and Pickler delivers it appropriately in an almost whisper and restrained delivery. Early into 2012, it's one of the best tracks of the year. The last track is a short and sweet dedication to a father whose alcohol abuse kept him from truly connecting with a daughter. Now sober, the song is a promise to make up for lost time. Soft and tender, it is raw and as open-hearted as you can deliver a song.

Ironically, the song that doesn't necessarily fit with the others is the first radio single, "Tough." It does have the spitfire Pickler has on the other tracks, but the production is more rock-and-roll than the others. It leaves it out of place.

Since her last album, Pickler married fellow singer/songwriter Kyle Jacobs. Perhaps, now more content and secure in her own personal life, Pickler has found the strength to stick to her guns and choose tracks and production she felt more represented her as an artist. Settling down doesn't mean settling as an artist. By staying true to her country roots, she's delivered a personal and authentic album that will hopefully be a career-cementer for Pickler. The genre needs more mainstream artists like LeeAnn Womack preaching the classic country gospel. In 100 Proof, Kellie Pickler delivers one hell of a sermon.

The verdict-
Four stars out of five

Tuesday, January 24, 2012

Hear It Here- Phil Vassar- "Don't Miss Your Life"


Phil Vassar has topped the country charts on numerous occasions both as a writer and artist and seems to be on the verge of doing it again with this brand new single. "Don't Miss Your Life," is causing a bit of a buzz at country radio even before it has been officially released.

"I wrote this song on a plane recently, when I was really missing my family and especially my two daughters," said Phil. "The response we're receiving from country radio and from fans has been absolutely incredible. I am always amazed when a song touches people like this." 

Listen to the new track HERE

Monday, January 23, 2012

John Berry Releases New Inspirational Album RealMan.RealLife.RealGod.

Mention his name to just about any country music lover and the response will likely be, "What an awesome vocalist!" Between 1979 and 1990 John Berry recorded and marketed six albums on his own Clear Sky Records label. Those early discs and John Berry's strong regional popularity attracted him attention on Music Row. Capitol Records signed him in 1992 and it was there that he had a string of hits, including "Your Love Amazes Me", "Standing on the Edge of Goodbye", "I Think About It All The Time", "Change My Mind", "If I Had Any Pride Left At All", "Kiss Me In The Car", "What's In It For Me", and "You and Only You".

But it was his stunning performance of the title track of the 1995 CD O Holy Night that led to his most enduring legacy. John Berry began doing a Christmas tour in 1996 and this last year marked his 15th consecutive Christmas concert series. As John has grown in his walk with Christ, his calling has been to share God's love with his audience. Moving into a new phase in his career, John's tenor voice remains an instrument that is able to touch all our hearts.


"I am so excited to be starting on my 25th album/cd and 1st Christian project RealMan.RealLife.RealGod. God has blessed me with some great songs and I can't wait to share them with you," says Berry.

The new album began shipping on Berry's website this past Friday and will be released to digital outlets in the coming weeks.

Sunday, January 22, 2012

Previously Unreleased John Denver Song Sees The Light Of Day

John Denver, best known for his 1970's folk-country smashes "Sunshine on My Shoulders," "Take Me Home, Country Roads," "Leaving on a Jet Plane" and "Rocky Mountain High," has a new song that is seeing the light of the day 15 years after his death.

"The Wandering Soul (Love Is the Answer)," written in the early 1990's by Denver, was performed once live but never tracked in a studio. It is understood to be the final song written by the musician. John Denver fan and Oregon author-filmmaker-musician James Twyman has recently recorded the song and has made it into a new music video you can watch below.

"I was immediately moved," Twyman wrote in an e-mail to fans, "not just because it was significant that he never had the chance to share the song [through a studio recording], but because it was one of the best, most spiritual songs he ever wrote."


TNS Video History- Jack Ingram- "One Thing"

Friday, January 20, 2012

Music Legend Etta James Passes at 73

Etta James, whose assertive, earthy voice lit up such hits as "The Wallflower," "Something's Got a Hold on Me" and the wedding favorite "At Last," has died from complications of leukemia at the age of 73.

She is regarded as having bridged the gap between rhythm and blues and rock and roll, and is the winner of six Grammys and 17 Blues Music Awards. She was inducted into the Rock & Roll Hall of Fame in 1993, the Blues Hall of Fame in 2001, and the Grammy Hall of Fame in both 1999 and 2008. Rolling Stone ranked James number 22 on their list of the 100 Greatest Singers of All Time and number 62 on the list of the 100 Greatest Artists.

A lot of folks don’t know that James set out to record a country album back in the 90s. It is terrific. It’s called Love’s Been Rough On Me. 

That said, in this Rolling Stone interview from 1997, James didn’t seem to have the same high regard for her foray into Nashville. 
Well … I’d been dying to make a country record. I love the women in country ‑ Patsy Cline, Loretta Lynn, Kitty Wells ‑ and I wanted to be the first black woman to do the Grand Ole Opry, if just to say it’s the same fucking thing as rhythm & blues! So I did Love’s Been Rough on Me with Barry Beckett [James' longtime producer], and when it was done, the label heard it and said, “You gotta pizazz this up or it won’t get played. [Growls) Needs some of that ass‑kicking shit." Uh, OK. So they put all these horns on it and remixed it. Even the cover photo ‑ they wouldn't use the one I wanted. That record has nothing to do with me ‑ looking like some old woman with a leopard scarf around my neck, getting ready to go make some spaghetti!
But I wasn't gonna fight it, 'cause I wasn't gonna win. Nowadays, when you get past 35, it seems like you can't get a record going. I never hear my stuff played on the air, unless it's an oldies station and somebody goes [mock DJ voice], “Now we’re gonna go waaaay back.” But I’ll make that country record yet. I’ll be on the cover standing by an old wagon wheel, with my foot propped up on a cactus or something, with a cowboy hat on and one of those shingle leather jackets. Etta Goes Country
RIP, Miss James.


Drifting Cowboy "Pee Wee" Moultrie Passes Away


Cois E. “Pee Wee” Moultrie, a former member of country singer Hank Williams’ Drifting Cowboys band, died this week of a heart attack.

Moultrie sang with Williams from 1938 to 1940. He is featured in two songs on a recently released CD box set — “Fan It,” in which Moultrie sings and Williams plays, and “Alexander’s Ragtime Band,” with Williams singing and Moultrie playing the accordion.

Moultrie toured, lived and played with Williams until he joined the Army Air Corps. He said even then he knew his pal who gave him the nickname “Pee Wee” would be a star.

“Back then, we were playing Ernest Tubb and Roy Acuff, but he was meant for the big time,” Moultrie said. “We weren’t even trying to write songs, but he’d see something in a paper that would make a good song so he’d tear it off and put it in his pants. He could write a whole song in one car ride. He was terrific.”

“He played in a band his entire life. Even when he was in the Air Force he played in a band,” Moultrie's daughter said. “He always played the accordion, but he could play other instruments. “What always amazed me was that he couldn’t read music. He played by hearing,” she said. “He instilled the love for music in us, too, and probably in his grandchild even more.”