Wednesday, April 23, 2014
Tuesday, April 22, 2014
The Country Music Association announced today that Hank Cochran, Ronnie Milsap, and Mac Wiseman will become the newest members of the revered Country Music Hall of Fame. Milsap will be inducted in the “Modern Era Artist” category, while Wiseman will be inducted in the “Veterans Era Artist” category. Cochran will be inducted in the “Songwriter” category, which is awarded every third year in a rotation with the “Recording and/or Touring Musician Active Prior to 1980” and “Non-Performer” categories. Cochran, Milsap, and Wiseman will increase membership in the coveted Country Music Hall of Fame from 121 to 124 members.
“Induction into the Country Music Hall of Fame is the highest honor achievable for a Country Music artist, songwriter, or industry leader and this year’s inductees are all highly deserving,” said Sarah Trahern, CMA Chief Executive Officer. “Hank’s songs have been recorded by everyone from Burl Ives to Etta James, George Strait to Ella Fitzgerald. Mac is a revered figure in the world of bluegrass and a founding Board member of the Country Music Association. And Ronnie is an incredibly gifted pianist and performer who is also one of the most successful and versatile crossover artists in our genre.”
“When you start listening to the radio as a kid, you want to hear your songs on there, because songs are bits of people’s lives, including your own,” said Milsap. “Then you dream that your songs and your music will mean enough to the people that, one day, they’ll put you in the Hall of Fame. Not for you, exactly, but for all the songwriters and musicians and especially the fans who tell you their life is in your songs. To me, that’s what the Hall of Fame is all about: how many people’s lives were held in your music. So many people I admire and have heard my story in their songs are already in the Hall, and I love the idea that maybe my music meant – to others – what those artists have meant to me.”
“Being a founding member of CMA, I have always been proud of my role in helping make Country Music popular,” said Wiseman. “Being inducted into the Country Music Hall of Fame is the icing on the cake and certainly a highlight of my career.”
Induction ceremonies for Cochran (who passed away in 2010), Milsap, and Wiseman will take place at the Country Music Hall of Fame and Museum in the CMA Theater later this year. Since 2007, the Museum’s Medallion Ceremony, an annual reunion of the Hall of Fame membership, has served as the official rite of induction for new members.
CMA created the Country Music Hall of Fame in 1961 to recognize noteworthy individuals for their outstanding contributions to the format with Country Music’s highest honor. “All these distinguished Southerners overcame serious hardship before finding the opportunity to hone their talents to professional levels and make the inspired Country Music that has led to this moment,” said Kyle Young, Director and Chief Executive Officer of the Country Music Hall of Fame and Museum. “Their indelible mark has earned them Country Music’s highest honor, membership in the Country Music Hall of Fame.”
Hank Cochran – Garland Perry “Hank” Cochran was born Aug. 2, 1935 in Isola, Miss. After his parents’ divorce when Cochran was nine, he moved to Memphis to live with his father. But post-Depression life proved to be difficult and Cochran’s father ended up placing him in St. Peter’s Orphan home. After Cochran’s third attempt at running away from the orphanage, his father took him back to Mississippi to be raised by his grandparents.
At the age of 10, Cochran was playing guitar and singing at church. At 12, he and his uncle Otis hitchhiked from Mississippi to Hobbs, N.M. to work in the oilfields. But work as a roughneck was not only physically demanding, but dangerous. So after spending two years in the oilfields, Cochran headed to Los Angeles. Once there he got a job at a Sears & Roebuck. The company insisted he return to school since he was not yet 16.
While in Los Angeles, Cochran entered various amateur talent contests in the area with much success, giving him the idea to form a group to play at clubs and local events. His search for a guitar player led him to Eddie Cochran (no relation) who shared his passion for music. The teens formed a rock ‘n’ roll duo called The Cochran Brothers, which had minor success.
After the duo disbanded, Cochran made the move to Nashville in January of 1960 and began working as a songwriter for Pamper Music. That year he penned “Make the World Go Away,” which was recorded by both Ray Price and Eddie Arnold.
In addition to writing songs for Pamper Music, he also helped the company sign other songwriters, as well as acquire songs and get them recorded. Among those he signed to the publishing company’s roster was Willie Nelson, whom Cochran discovered singing at Tootsie’s Orchid Lounge.
In April of 1961 Patsy Cline released Cochran’s “I Fall to Pieces” (co-written with Harlan Howard), which afforded Cochran the opportunity to give up his extra jobs and become a full time songwriter. Soon after, Cochran was playing guitar with Justin Tubb on the Grand Ole Opry, touring with Price, and scoring his first hit as a recording artist with the Top 20 single “Sally Was a Good Old Girl.” He also earned three BMI Awards for songs he had written on his own, and became a co-owner (along with Price) of Pamper Music.
In 1974 Cochran was unanimously voted into the Nashville Songwriters Hall of Fame.
In 1996, Cochran topped the Americana chart as a recording artist with Desperate Men: The Legend and the Outlaw. In 2002 he released another album, Livin’ For a Song: A Songwriters Autobiography.
Cochran’s songs have been recorded by a wide variety of artists including Chet Atkins, Junior Brown, Jimmy Buffett, Johnny Cash, Elvis Costello, Bing Crosby, Vern Gosdin, Merle Haggard, Emmylou Harris, Waylon Jennings, Tom Jones, Loretta Lynn, Dean Martin, Wayne Newton, Elvis Presley, Reba, Linda Ronstadt, George Strait, and Lee Ann Womack. He has penned some of music’s classic tunes including “She’s Got You,” “Set ‘Em Up Joe,” “The Chair,” “Is It Raining At Your House,” “Miami, My Amy,” “Ocean Front Property,” and “Don’t You Ever Get Tired of Hurting Me.”
His catalog has generated more than 36 million performances, which, if played back-to-back, would amount to more than 200 years of continuous airplay.
Cochran passed away on July 15, 2010 surrounded by friends, family, and music – Jamey Johnson, Billy Ray Cyrus, and producer/songwriter Buddy Cannon were passing a guitar around in Cochran’s bedroom, singing songs and telling tales.
Veterans Era Artist
Mac Wiseman – Malcolm B. “Mac” Wiseman was born May 23, 1925, in Crimora, Va. At six-months old, Wiseman contracted polio, which he felt was a blessing. Because of his illness, he was kept inside and was not subjected to the field work that most children of the rural Shenandoah Valley were expected to do. His father would set the phonograph up by the wood stove and Wiseman would listen to old records over and over. His mother would write the lyrics from songs she heard on the radio into composition books for young Mac.
In 1943, Wiseman applied for a job at the Merck and Co. chemical plant, but because of the polio damage to his leg, he was turned down. That was when he made the decision to pursue his music.
Wiseman attended the Shenandoah Conservatory of Music in Virginia with help from the National Foundation for Infantile Paralysis, which would later become the March of Dimes. There Wiseman excelled in a radio course and accepted a job offer from WSVA in Harrisonburg, Va., where he read the news and farm reports and spun pop and Country records.
In 1946, Wiseman joined Molly O’Day’s band, where he developed a love of classic Country.
In 1948, Wiseman made his first foray into what would become known as bluegrass music. He joined Lester Flatt and Earl Scruggs as a member of the Foggy Mountain Boys, singing high harmonies and booking the band’s first concert dates. And in 1949, he joined Bill Monroe’s Bluegrass Boys where he played the Grand Ole Opry for the first time. He also recorded the classics “Traveling This Lonesome Road” and “Can’t You Hear Me Callin’” with Monroe. He left the band in 1949 to set out on his own.
Wiseman soon attracted the attention of the independent label Dot Records and was offered a recording contract. In 1951, Dot released Wiseman’s first single, “Tis Sweet To Be Remembered,” which became a career-making song and earned him the nickname the “voice with a heart.” Wiseman went on to record other classics including “Love Letters in the Sand,” “Jimmy Brown, the Newsboy,” “Ballad of Davy Crockett,” and “Shackles and Chains.”
Wiseman became a record executive in 1957 when he was tapped to head the Country Division of Dot Records. And in 1958, Wiseman was instrumental in the founding of the Country Music Association, becoming the organization’s first Secretary/Treasurer, demonstrating the respect he had earned as both an artist and a record executive.
During the 1960s Wiseman was a staple on the folk festival circuit and on college campuses. But he also played Carnegie Hall in 1962 on a bill headlined by Johnny Cash, which garnered him rave reviews in The New York Times.
From 1966 to 1971, Wiseman was Program Producer and Talent Director for the WWVA Wheeling Jamboree. During his tenure he stabilized the cast of performers and gave bluegrass prominence.
Most recently, Wiseman has released his music on his own Wise Records including a six-disc boxed set entitled The Mac Wiseman Story, featuring songs he recorded in the 1970s and a DVD collection called Mac Wiseman – An American Treasure. In 2007, he recorded a duet album with John Prine, Standard Songs for Average People, which was released by Oh Boy Records. He has also just completed an album with Merle Haggard, Vince Gill, and The Isaacs that will be released in 2014 and is also being interviewed for inclusion in the upcoming Ken Burns PBS documentary on Country Music. Wiseman will also be the first inductee into the Shenandoah Conservatory of Music Hall of Fame later this month.
Modern Era Artist
Ronnie Milsap – Ronnie Lee Milsap was born Jan. 16, 1943, in Robbinsville, N.C. A congenital disorder left him almost blind, and he was raised by his grandmother in the Smoky Mountains until the age of five, when he was sent to the Governor Morehead School for the Blind in Raleigh, N.C.
Showing an interest in music early on, at the age of seven his teachers recognized that he had considerable musical talent. He began studying classical music and learned several instruments, eventually mastering the piano.
His youthful passion for rock music led him to form a band with some high school classmates called The Apparitions. Briefly attending Young Harris College on a full scholarship, Milsap left before graduating to pursue a career in music.
In the early 1960s, Milsap played his first professional gigs as a member of J.J. Cale’s band. In 1965, he released “Total Disaster,” his first single as a solo artist, which achieved some local success in the Atlanta area.
In 1965, Milsap signed with New York-based Scepter Records where he scored an R&B Top 5 with the Ashford and Simpson-penned “Never Had It So Good.” While at Scepter, Milsap shared concert stages with James Brown, Stevie Wonder, and Ray Charles, who encouraged the young man to apply himself to music.
In 1969, Milsap moved to Memphis to become a session musician. Working with the legendary Chips Moman, he played keyboards on Elvis Presley’s “Kentucky Rain” and can be heard singing background on “Don’t Cry Daddy.” When not doing session work, Milsap and his ensemble served as the house band at the local music hotspot T.J.’s Club.
In 1970, Milsap found success on the pop charts with “Loving You Is a Natural Thing.” He recorded and released his eponymous debut album – produced by Dan Penn – in 1971.
In 1972, Milsap was performing at the Whiskey A-Go-Go where Charley Pride happened to be in the audience. Impressed with his soulful singing style, Pride encouraged Milsap to focus on Country Music. Moving to Nashville later that year, he began working with Pride’s manager, Jack D. Johnson. A year later, he signed with RCA Records and later that same year released his first Country single, the Top 10 “I Hate You.”
In 1974, Milsap scored two No. 1s: “Pure Love” and “Please Don’t Tell Me How the Story Ends,” which won his first Grammy. Another No. 1 followed the next year with “Daydreams About Night Things.”
In 1976, Milsap solidly established himself as one of Country Music’s biggest stars. A string of seven No. 1 hits in a row, including “(I’m a) Stand By My Woman Man,” “What a Difference You’ve Made in My Life,” and “It Was Almost Like a Song,” which was the most successful single of the 1970s. “Song” was the singer’s first crossover hit, peaking No. 7 on the adult contemporary chart and paving the way for Milsap to be named Billboard’s Artist of the Year (in any genre) in 1976.
This string of hits also kicked off a remarkable run in American pop music. With songs “(There’s) No Getting Over Me,” “I Wouldn’t Have Missed It For the World,” “Any Day Now,” “Stranger In My House,” “Lost in the Fifties Tonight,” “She Keeps the Home Fires Burning,” “Snap Your Fingers,” and “Where Do the Nights Go,” Milsap did not leave the Top 10 for 16 years.
Milsap also received myriad awards and accolades during this period. He won four CMA Album of the Year Awards (1975, 1977, 1978, and 1986), three CMA Male Vocalist of the Year trophies (1974, 1976, and 1977), and the coveted CMA Entertainer of the Year Award (1977). In addition, he won five Grammys for Best Male Country Vocal performance (1974, 1976, 1981, 1985, and 1986) and one Grammy for Best Country Collaboration with Vocals in 1988 for the Kenny Rogers duet “Make No Mistake, She’s Mine.”
In 1993, Milsap left RCA and signed with Liberty Records and released the album True Believer. In 2000, he released the two-CD set, 40 No. 1 Hits.
In 2004, Milsap recorded Just For a Thrill, a collection of American popular/jazz standards, which was nominated for a Grammy. Returning to Country in 2006 at his original home of RCA Records, he released My Life. It was followed in 2009 with Then Sings My Soul, a two-CD set collection of hymns and gospel songs.
On March 18 of this year, Milsap released Summer #17, his 31st album, which he describes as an homage to the music that inspired him. Hailed by USA Today, The Tennessean and NPR: National Public Radio, the set pays tribute to the influences that shaped Milsap’s singular brand of soul-steeped Country.
With 40 No. 1 hits and more than 35 million albums sold, Milsap remains one of Country’ Music’s most successful and beloved crossover artists. At 71, he continues to tour the country, playing his music for multiple generations of music lovers.
Monday, April 21, 2014
Having survived a rare form of bone cancer in his teenage years, Sharp also became actively involved in the Make-A-Wish Foundation. He also wrote an inspirational book about his experience, and occasionally toured the United States as a motivational speaker.
Kevin died due to ongoing complications from past stomach surgeries and digestive issues.
It is requested that if anyone would like to make a donation in Kevin's memory, that donations be made to the closest Make A Wish Chapter in the donor's area so that wishes can continue to be granted for other children. Few artists, let alone people, have ever dedicated themselves to a cause like Sharp did for children's cancer advocacy and Make-a-Wish.
A Memorial Service celebrating Kevin’s life is being planned in Nashville, Tennessee. More information will be posted on Kevin’s website in the near future.
If you would like to share your memories of Kevin, you can email email@example.com
If you would like to send a card to the family, please address it to:
c/o Sue Veldkamp
PO Box 54646
Cincinnati, OH 45254
All cards will be forwarded to the family (out of respect, their personal address is not being posted)
Saturday, April 19, 2014
Friday, April 18, 2014
Thursday, April 17, 2014
Tuesday, April 15, 2014
Monday, April 14, 2014
“What an honor it is to be involved with Cowboy’s final record. This is the perfect way to start I.R.S. Nashville,” Grady says. “All the producers and musicians set the tone for this record. Sometimes we should all get together and do the right thing. I hope Jack is proud of us.”
This is Cowboy’s final album, his swan song. There are only three Cowboy Jack Clement records. He didn’t like to rush things. Sometimes he’d wonder what the smartest man in the world might do, and he’d figure the smartest man in the world might just wait things out.
He was 82-years-old when he died on August 8, 2013 and 82 when he finished this song-set with help from friends including John Prine, Emmylou Harris, Bobby Bare, Duane Eddy, T Bone Burnett, Vince Gill, Marty Stuart, Rodney Crowell, Buddy Miller, Dan Auerbach, Leon Russell, Gillian Welch, Dave Rawlings, Dickie Lee, Shawn Camp, Dierks Bentley, Jim Rooney, Jim Lauderdale, Will Oldham, daughter Allison Clement and a bunch of others who loved Cowboy and who Cowboy loved in return. His favorite accordionist, Joey Miskulin, played on “The Air Conditioner Song” and “Baby Is Gone.”
The whole thing is graceful and true, a primer for the unfamiliar, an anointed completion for the acolytes and a joy-filled lesson for those of us who study phrasing, musicality and soul.
Cowboy Jack was American music’s whimsical maverick. He was a singer and producer, a publisher, a best friend to Johnny Cash, Kris Kristofferson and Waylon Jennings. He was a writer of classic songs. He desegregated country music by bringing Charley Pride to popular attention and producing Pride’s first 13 albums for RCA. He was the first to record Jerry Lee Lewis and Roy Orbison, there at the popular birth of rock ‘n’ roll at Sun Records in Memphis.
Sunday, April 13, 2014
Saturday, April 12, 2014
“The word that comes to mind is grace.” – Elvis Costello
Jesse Winchester, a singer’s singer and a songwriter’s songwriter, died of bladder cancer on April 11, 2014, at the age of 69. His voice, by turns ethereal, sly, earthy, and heartbreakingly direct, delivered some of the finest songs of our time over more than four decades of live performance, and twelve original albums, including the forthcoming A Reasonable Amount of Trouble. His songs have been covered by artists as different as Jimmy Buffett, Elvis Costello, Reba McEntire, Wilson Pickett, Waylon Jennings, Emmylou Harris, Bonnie Raitt and the Everly Brothers.
Jesse Winchester was born May 17, 1944 in Bossier City, Louisiana, to James Ridout Winchester and Frances (Manire) Winchester. He spent his early years in Mississippi, and moved to Memphis with his family at age 12, where his father went to work with the Winchester law firm. There, Jesse’s ears were opened to the sounds of rhythm and blues and rockabilly via radio stations such as WDIA, where B.B. King and Rufus Thomas hosted shows, and WHBQ, where the irrepressible Dewey Phillips mixed the music of black and white acts in a glorious jumble. Jesse got his first guitar shortly after arriving in Memphis, and began playing in bands around town while attending Christian Brothers High School.
Winchester left Memphis to attend Williams College, from which he graduated (after a brief period studying, and playing with a band, in Munich, Germany) in 1966. Soon thereafter he received a piece of mail that would profoundly alter the course of his life – a draft notice summoning him to serve in Vietnam. Deeply disturbed by the war and the prospect of killing in what he considered a dubious cause, Winchester abruptly left the United States for Montreal, Canada, where he was to live for the next 36 years.
In Montreal he made his living first playing with various bands, including one called Les Astronauts, whose members were required to dress in spaceman costumes. Deciding that space travel was not his forte, he began to focus on solo performance and, more importantly, songwriting. The first song he wrote, “The Brand-New Tennessee Waltz,” set a very high standard, and remained a signature tune for him. It was eventually covered by Joan Baez, Ralph Stanley, the Everly Brothers, and, in 2000, Patti Page, who had recorded the original “Tennessee Waltz” fifty years earlier.
In 1970, his self-titled first album, Jesse Winchester, was released. Produced by Robbie Robertson and engineered by Todd Rundgren, the album contained several of Jesse’s most enduring and popular songs, including “The Brand New Tennessee Waltz,” “Payday,” “Biloxi,” “Yankee Lady,” and the haunting “Quiet About It.” The record firmly established his reputation as both songwriter and performer, and a succession of albums followed as he kept up a busy touring schedule through Canada, Australia, and Europe.
In 1977, President Jimmy Carter announced an amnesty for those who had left the country to avoid being sent to Vietnam, and Jesse was finally able to visit, and perform in, the United States. He did not, however, consider moving back. “I had a Canadian wife,” he said later, “Canadian children, and a Canadian mortgage.” Based in Montreal, he continued busily touring and recording through the 1980s.
On the eve of the 1990s, tired of touring, and with his songs being recorded regularly by top country artists such as Reba McEntire and Wynonna Judd, Winchester took nearly a full decade off from traveling and performing to stay home and concentrate on songwriting. At the end of that decade, Winchester recorded Gentleman of Leisure, an album containing his pick of the songs he’d written during that time. The record, produced by Jerry Douglas, remained one of Winchester’s favorites among his own recordings.
In 2002, he met his future wife, Cindy, and the next year moved back to the United States, settling in Charlottesville, Virginia, after a brief period in his old home town of Memphis. In 2007 he was awarded ASCAP’s prestigious Lifetime Achievement Award. He maintained a comfortable touring schedule and continued to write new songs, the best of which made up his 2009 album Love Filling Station.
But a 2010 appearance on Elvis Costello’s Sundance series Spectacle introduced Jesse’s music to a new and larger audience. Alongside Costello, Neko Case, Sheryl Crow, and Ron Sexsmith, Jesse performed several songs, most notably the stunning “Sham-A-Ling-Dong-Ding,” from Love Filling Station, a tender and shockingly beautiful ode to the nonsense lyrics in the teenage love songs of the 1950s. The performance literally stopped the show, according to Costello. “I just bowed my head,” the host said, “and told the audience that they had to go home because I could not gather myself to make the next introduction, such was supernatural beauty of his voice.” That performance quickly became a word-of-mouth sensation via YouTube, and Winchester’s performing schedule went into a higher gear.
That wave of activity was brought to an abrupt halt in June 2011, when Jesse was diagnosed with cancer of the esophagus. He underwent surgery and a brief but difficult treatment, which he faced with extraordinary dignity and spirit. Amazingly, in August of that year he was pronounced cancer-free, and he resumed his performing schedule. During his illness, an all-star group of artists recorded an excellent tribute album of Jesse’s songs, entitled Quiet About It. Jimmy Buffett, one of Jesse’s biggest fans, was the driving force behind the tribute.
In February 2014, cancer was found again, and this time it was untreatable. Jesse Winchester finally succumbed to it on April 11, 2014, at home – not alone, but surrounded by the presence and love of his wife, Cindy, and his family.
He is survived by his wife, Cindy, a brother, Cassius Winchester, and a sister, Ellyn Weeks, as well as his children, James Winchester, Alice Winchester, and Marcus Lee Winchester, a stepdaughter, Jennifer Slangerup, and his grandchildren Oliver, Gus, and Luke Dungavell of Ontario, Canada, and Tave and Vann Slangerup of Charlottesville, Virginia.
– Tom Piazza, author and family friend
Friday, April 11, 2014
Thursday, April 10, 2014
“I was looking for the right home for this record,” Womack says. “I knew I wanted a label where passion for music and artistic integrity drive the decision-making. Beyond the incredible work Sugar Hill has done with Nickel Creek, Sarah Jarosz and Bryan Sutton, they have a broader way of looking at where music can go and why it matters – and for this very personal record, it seemed like the perfect fit.”
"If there's one thing about this record that really stands out," says Womack, "it’s that all the songs come from writers who are artists. Every song was written for the writer to sing, and as someone who loves and listens to music, it's a very different reality to cut songs that were written with intention from an artist's perspective, to try and invest in what they've lived so eloquently."
“I have always loved country music with my entire being,” says Womack. “I think the gift of a genre that’s built on real life is that there is always room for great songs, and the truth. When we started this record, Frank and I promised each other we would only cut songs that we absolutely loved for no reason other than we loved them very much. No other factors, and I think that freedom really inspired us.”
Wednesday, April 9, 2014
Monday, April 7, 2014
Winners have been announced for the 49th Annual Academy of Country Music Awards, a ceremony broadcast on CBS from the MGM Grand Garden Arena in Las Vegas. Fans named George Strait the Entertainer of the Year, the evening’s biggest honor and the second win of his career in that category. This year marked another record-breaking year with 1.5 million fan votes cast for Entertainer of the Year and New Artist of the Year categories combined, and also marked the first time online fan voting for these categories were open to fans in Australia and Canada.
The king of country music and newly crowned Entertainer of the Year, George Strait, also participated in a special moment with Owner, President and General Manager of the Dallas Cowboys, Jerry Jones during the telecast announcing the 50th Annual Academy of Country Music Awards to be broadcast from AT&T Stadium in Arlington, TX on Sunday, April 19, 2015 at 8:00 PM live ET/delayed PT on the CBS Television Network. It was also announced that Blake Shelton and Luke Bryan will return to co-host the show.
Merle Haggard was honored with the Crystal Milestone Award, which was presented by Garth Brooks and celebrated with a tribute performance featuring Miranda Lambert and George Strait.
Jason Aldean won Male Vocalist of the Year, his second consecutive win in this category. He has won an overall total of 7 ACM Awards.
Miranda Lambert won for the fifth consecutive year as Female Vocalist of the Year, breaking Reba McEntire’s record for the most consecutive wins in that category. She is the leading female winner of the night, with a total of three trophies. Lambert also took the prize for Single Record of the Year for “Mama’s Broken Heart,” and Vocal Event of the Year for “We Were Us” with Keith Urban.
The Band Perry won their first Vocal Group of the Year award. This marks their third overall ACM win; they won the New Vocal Duo or Group of the Year award and New Artist of the Year in 2010.
Artists Florida Georgia Line won Vocal Duo of the Year. This is their first win in this category, and third overall ACM Award win.
Justin Moore received his first-ever Academy of Country Music Award tonight for New Artist of the Year Presented by Kohl’s Department Stores, a fan-voted category.
Kacey Musgraves won Album of the Year as the artist and producer for Same Trailer Different Park. This award marks her first-ever ACM Award win.
Keith Urban is the leading male winner of the night with a total of three trophies in two categories. Prior to the telecast, Urban took the prize for Video of the Year as artist for “Highway Don’t Care” with Tim McGraw and Taylor Swift. He also won Vocal Event of the Year as artist and producer for “We Were Us” with Miranda Lambert. Both awards were presented off-camera.
Following is the list of winners in the 11 categories voted on by the membership (excluding the Entertainer of the Year and New Artist categories, which were voted on by a combination of professional ACM members and fans):
Entertainer of the Year
Male Vocalist of the year
Female Vocalist of the year
Vocal Duo of the year
Florida Georgia Line
Vocal Group of the year
The Band Perry
New Artist of the year
Album of the year [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]
Same Trailer Different Park – Kacey Musgraves
Producers: Luke Laird, Shane McAnally, Kacey Musgraves
Record Label: Mercury Records
Single Record of the Year [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]
Mama's Broken Heart – Miranda Lambert
Producers: Chuck Ainlay, Frank Liddell, Glenn Worf
Record Label: RCA Nashville
Song of the Year [Awarded to Songwriter(s)/Publisher(s)/Artist(s)]
I Drive Your Truck – Lee Brice
Songwriters: Jessi Alexander, Connie Harrington, Jimmy Yeary
Publishers: Beattyville Music (BMI), EMI Blackwood Music, Inc. (BMI), Great Day At This Music (BMI), Happy Tears Music (ASCAP), Vistaville Music (ASCAP), Watch This Girl Publishing (BMI)
Video of the Year [Awarded to Producer(s)/Director(s)/Artist(s)] *(Off Camera Award)
Highway Don't Care – Tim McGraw Featuring Taylor Swift & Keith Urban
Producers: Tameron Hedge, Chandra LaPlume
Director: Shane Drake
Vocal Event of the Year [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]*(Off Camera Award)
We Were Us – Keith Urban And Miranda Lambert
Producers: Nathan Chapman, Keith Urban
Record Labels: Capitol Records Nashville, Hit Red Records, RCA Nashville