Showing posts with label Tyler Childers. Show all posts
Showing posts with label Tyler Childers. Show all posts

Monday, December 29, 2025

Sunny Sweeney's Rhinestone Requiem Leads That Nashville Sound’s Top Albums of 2025

There are years when music feels like more than entertainment. It becomes a companion, a mirror, and sometimes even a lifeline. 2025 was one of those years. Across country, Americana, roots, and outlaw music, artists leaned heavily into storytelling that felt lived-in and honest. These were records shaped by miles traveled, relationships tested, faith questioned, joy rediscovered, and the steady passage of time.

In an era where singles dominate algorithms and attention spans are short, albums still matter deeply to artists and listeners who value cohesion, narrative, and emotional arc. The best records of 2025 were not just collections of songs, but complete statements. They rewarded listeners who pressed play and stayed put, albums that unfolded slowly and revealed more with every listen.

Country music, at its core, has always been about truth. Not perfection, not polish, but truth. This year’s strongest releases leaned into that ethos. Whether rooted in honky-tonk, bluegrass, folk, Southern rock, or modern Americana, the albums that rose to the top carried a sense of purpose and authenticity that could not be manufactured.

Before naming this year’s top album, it is worth reflecting on the records that have previously earned That Nashville Sound’s Album of the Year distinction. These winners represent moments when artistry, timing, and storytelling aligned in a way that left a lasting mark.

Previous That Nashville Sound Album of the Year winners

1995: Dwight Yoakam - Blame The Vain
1996: Vince Gill - High Lonesome Sound
1997: Clint Black - Nothin' But The Taillights
1998: Lee Ann Womack - Some Things I Know
1999: Alison Krauss - Forget About It
2000: Vince Gill - Let's Make Sure We Kiss Goodbye
2001: Tim McGraw - Set This Circus Down
2002: Johnny Cash - American IV- The Man Comes Around
2003: Patty Loveless - On Your Way Home
2004: Rachel Proctor - Where I Belong
2005: Gary Allan – Tough All Over (tie) & Lee Ann Womack – There’s More Where That Came From
2006: Johnny Cash – American V: A Hundred Highways
2007: Alison Krauss & Robert Plant – Raising Sand
2008: Lee Ann Womack – Call Me Crazy
2009: Eric Church – Carolina
2010: Zac Brown Band – You Get What You Give
2011: Pistol Annies – Hell on Heels
2012: Marty Stuart – Nashville Volume 1: Tear the Woodpile Down
2013: Brandy Clark – 12 Stories
2014: Don Williams – Reflections
2015: Chris Stapleton – Traveller
2016: Ryan Beaver – RX
2017: Jason Eady – Jason Eady
2018: Ashley McBryde – Girl Goin’ Nowhere
2019: Erin Enderlin – Faulkner County
2020: Hailey Whitters – The Dream
2021: Mike and the Moonpies – One to Grow On
2022: Lainey Wilson – Bell Bottom Country
2023: Cody Johnson – Leather
2024: Three Times A Lady – Live at 3rd and Lindsley

Each of these albums captured something essential about its moment, while still standing the test of time. That lineage makes the 2025 winner all the more meaningful.

2025 Album of the Year
Sunny Sweeney – Rhinestone Requiem

Rhinestone Requiem is not just a return to form for Sunny Sweeney, it is a reaffirmation of who she has always been as an artist. Honest to a fault, rooted in classic country tradition, and delivered with grit, humor, and heart, this album feels like the most complete statement of her career.

From its opening moments, Rhinestone Requiem establishes its tone. These are songs shaped by real experiences, sung by someone who has lived them. The record balances sharp wit with vulnerability, heartbreak with resilience, and traditional country sounds with modern clarity. Sweeney’s voice carries the weight of the stories effortlessly, never over-singing, never hiding behind production.

Lyrically, the album shines in its specificity. These are not generic tales of love and loss. They are detailed, personal, and emotionally grounded, which makes them universally relatable. Musically, the record embraces honky-tonk roots, tasteful instrumentation, and arrangements that serve the song first and foremost.

Rhinestone Requiem stands out because it feels timeless without feeling dated. It respects country music’s past while confidently existing in the present. In a year filled with excellent albums, this one lingered the longest and left the deepest impression.

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Honorable mentions for 2025

Hailey Whitters – Corn Queen

A confident, joyful, and grounded album that continues Whitters’ rise as one of the most important voices of her generation.

Courtney Patton – Carry You With Me

Warm, reflective, and deeply human, this record showcases Patton’s gift for emotional storytelling.

The Steeldrivers – Outrun

A powerful blend of bluegrass tradition and forward momentum, filled with masterful musicianship.

Alison Krauss and Union Station – Arcadia

Elegant, restrained, and beautifully crafted, a reminder of the enduring power of harmony and subtlety.

Jason Isbell – Foxes in the Snow

Poetic and introspective, an album that rewards careful listening and emotional investment.

The Wilder Blue – Still in the Runnin’

Rich harmonies and thoughtful songwriting anchored in classic Americana influences.

Drew Kennedy – Drew Kennedy

A self-titled album that feels personal, honest, and quietly confident.

Trisha Yearwood – The Mirror

A reflective and mature album that highlights Yearwood’s timeless voice and interpretive strength.

The Doobie Brothers – Walk This Road

A seasoned band delivering thoughtful songs rooted in experience and musical craftsmanship.

The Castellows – Homecoming EP

An impressive and intimate collection that signals a bright future.

Mary Chapin Carpenter – Personal History

Graceful, literate songwriting from one of Americana’s most respected voices.

Turnpike Troubadours – Price of Admission

A powerful addition to the Red Dirt canon, filled with grit, heart, and authenticity.

Willie Nelson – Oh What a Beautiful World

Another reminder that Willie Nelson’s voice and perspective remain as vital as ever.

Cody Jinks – In My Blood

Raw, direct, and emotionally grounded, continuing Jinks’ outlaw legacy.

Tyler Childers – Snipe Hunter

Bold and uncompromising, rooted in Appalachian tradition and fearless expression.

Waylon Jennings – Songbird

A remarkable archival/postumous release that underscores Waylon’s enduring influence.

Jake Owen – Dream to Dream

A reflective and melodic independent album that hints at a new career direction for Owen. 

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Final thoughts

The best albums of 2025 shared one thing in common: they told the truth. In different voices and from different places, these artists reminded us why albums still matter and why country and Americana continue to resonate so deeply.

Sunny Sweeney’s Rhinestone Requiem leads the way this year, but the strength of the field speaks volumes about where the music is headed. Honest. Grounded. And built to last.

Sunday, December 31, 2023

That Nashville Sound's Top Country and Americana Albums of 2023

In this extraordinary era, the landscape of music consumption and distribution is revolutionizing before our eyes. The internet, YouTube, and a myriad of digital platforms have emerged as pivotal arenas for independent artists to showcase their talents. This digital revolution has not just amplified the voices of artists from every corner of the globe, but it has also enriched the tapestry of country music, a genre that I hold dear.

Despite the traditional gatekeepers of country radio maintaining a significant influence on what songs get airtime, there's a noticeable and exciting shift. We're witnessing a new wave where talent and creativity are breaking through the barriers. Independent artists are gaining recognition and success, not through traditional channels like the radio dial, but through the sheer quality of their work, proving time and again that talent inevitably finds its way to the top.

Delving into the world of albums, Patrick McGuire's insight in ReverbNation resonates deeply with me. McGuire asserts the enduring significance of albums, arguing that they encapsulate the essence of a band or artist at a particular moment in time in a way that singles simply cannot. Take, for instance, The Beatles' iconic "Sgt. Pepper’s Lonely Hearts Club Band." Imagine if its tracks were released sporadically over a year. While each song would retain its brilliance, the collective impact and the cohesive narrative of the album would be lost. Albums, whether conceptual or not, weave a story, a journey, not just through lyrics but through the very instrumentation and arrangement of tracks. This power to narrate a deeper, interconnected story is something that standalone singles can't quite replicate.

Reflecting on the recent years in country music, several albums have stood out, carving a special place in my heart. These albums, spanning from 2005 to 2022, are not just collections of songs but are stories, emotions, and experiences encapsulated in music. Each album, be it Gary Allan's "Tough All Over," Alison Krauss & Robert Plant's "Raising Sand," Chris Stapleton's "Traveler," or the recent "Bell Bottom Country" by Lainey Wilson, brings its unique narrative and vibe. They've not only captured my attention but have also managed to enchant me, making me revisit and relive their melodies and stories over and over again.

These albums stand as testaments to the evolving and ever-enriching world of country music, a genre that continues to grow and touch souls globally, thanks to the boundless opportunities provided by the digital age.

And in case you're a newer-ish reader of That Nashville Sound, here's a list of all of our previous year winners below:

2005 - Gary Allan - Tough All Over (tie)
           Lee Ann Womack - There’s More Where That Came From
2006 - Johnny Cash - American V: A Hundred Highways
2007 - Alison Krauss & Robert Plant - Raising Sand
2008 - Lee Ann Womack - Call Me Crazy
2009 - Eric Church - Carolina
2010 - Zac Brown Band - You Get What You Give
2011 - Pistol Annies - Hell on Heels
2012 - Marty Stuart - Nashville Volume 1- Tear The Woodpile Down
2013 - Brandy Clark - 12 Stories
2014 - Don Williams - Reflections
2015 - Chris Stapleton - Traveler
2016 - Ryan Beaver - RX
2017 - Jason Eady - Jason Eady
2018 - Ashley McBryde - Girl Goin' Nowhere
2019 - Erin Enderlin - Faulkner County
2020 - Hailey Whitters - The Dream  
2021 - Mike and the Moonpies- One To Grow On 
2022 - Lainey Wilson – Bell Bottom Country 

These are the albums that struck an emotional chord and moved this listener to fall in love with their projects over and over again.

1. Cody Johnson - Leather - Blending traditional country roots with a modern twist, Johnson delivers heartfelt storytelling and robust vocals that resonate deeply. Each track showcases his unique ability to connect with the listener, making it more than just a collection of songs but an emotional journey. The instrumentation is expertly crafted, complementing Johnson's voice without overshadowing it. This album is a testament to Johnson's growth as an artist and is sure to be a hit among both new and long-time fans of country music. In "Leather," Johnson not only honors the genre's legacy but also carves his own distinct path in the country music landscape.

2. Lori McKenna - 1988 - Lori McKenna's album "1988," named after the year she married her husband Gene, is a lyrical exploration of life's intricate tapestry, echoing the profound observations of poet Mary Oliver. McKenna masterfully avoids nostalgic clichés, candidly expressing a spectrum of emotions from sorrow to joy, as she delves into the nuances of family relationships and personal growth. Her song "The Old Woman in Me" reflects on self-discovery and aspirations, while tracks like "Growing Up" and "Wonder Drug" blend emotive storytelling with vibrant, layered instrumentals. The album, featuring collaborations with talents like Hillary Lindsey, culminates in "The Tunnel," a poignant anthem that captures life's contrasting moments, encapsulating McKenna's gift for articulating life's beauty and complexity.

3. Chris Stapleton - Higher - Chris Stapleton's newest album "Higher" showcases his familiar warm, bellowing tenor over a mix of strummed acoustic guitars, bluesy riffs, and organ hits, maintaining a comfort zone of snug guitar chords and familiar lyrical themes. Producer Dave Cobb, known for working with artists like Isbell and Lori McKenna, skillfully enhances the album's acoustic elements, adding depth to tracks like "Crosswind" and the title song "Higher." While the album shines in moments where Stapleton's powerful voice and dynamic instrumentation take center stage, as in "South Dakota" and the hit single "White Horse," it occasionally feels constrained by repetitive themes and agreeable yet vague lyrics. Despite the impeccable vocal harmonies, often accompanied by his wife Morgane, "Higher" marks a point where Stapleton's reliance on well-trodden paths and truisms begins to lose its novelty, even with his exceptional vocal talent.

4. Wilder Blue - Super Natural - Zane Williams, both as a solo artist and the frontman of The Wilder Blue, consistently emphasizes skillful songwriting, evident in tracks like the chilling "Pablo and Maria." His latest album, "Super Natural," opens with the intriguing "Bless My Bones," blending stories of a touring band with darker undertones, enhanced by Andy Rogers' exceptional banjo skills. The album, produced by Brent Cobb who also lends his vocals to the title track, features an array of guest artists including Luke Combs, adding depth to the band's honky-tonk and cowboy song styles. Highlights include "True Companion," a reflective piece on finding love amidst a hectic lifestyle, "The Line," reminiscent of 70s Southern rock, and the closing ballad "Sometimes Forever," a testament to patience and resilience, all showcasing the band's profound understanding of their craft and the unpredictable journey of life.

5. Jimmy Rankin - Harvest Highway - Jimmy Rankin's eleven-track album "Harvest Highway," a sequel to his "Moving East," continues his tribute to coastal life, recorded in his native Nova Scotia with fellow local Joel Plaskett and a stellar East Coast ensemble including JP Cormier and Ronald Hynes. The album opens with its title track, a vivid narrative of life's changing seasons and landscapes, highlighting the value of companionship with lines like, “You and me we ride together, we roll through any kind of weather.” The traditional Cape Breton tune “Peggy Gordon” eloquently explores unrequited love, blending heartfelt lyrics with a classic folk refrain, illustrating the singer's deep affection and sorrow. "Harvest Highway" is a testament to Rankin's songwriting prowess, beautifully capturing a spectrum of human emotions from love and longing to resilience, all set against the backdrop of folk music's rich tapestry.

6. Marty Stuart - Altitude - In "Altitude," his first album in over five years, Stuart takes inspiration from the Byrds' late 1960s cosmic country, creating a sound that feels both nostalgically retro and refreshingly novel. The album is a mesmerizing blend of guitar reverb, tremolo, and rich harmonies, showcasing Stuart's robust tenor filled with wit and wisdom across 13 vibrant tracks. The Fabulous Superlatives, including guitarist Kenny Vaughan, drummer Harry Stinson, and bassist Chris Scruggs, complement Stuart’s guitar prowess, adding depth to songs like the instrumental "Lost Byrd Space Train (Scene 1)" and the Beatles-esque "Sitting Alone." While Stuart occasionally slows down with contemplative tracks like "Space," the album generally maintains a lively spirit, culminating in a soulful spiritual, symbolizing the redemption found in country music's blend of Saturday night energy and Sunday morning solace.

7. Dierks Bentley - Gravel and Gold - Dierks Bentley's tenth studio album, "Gravel & Gold," is a testament to his two-decade-long status as a consistent hitmaker in the country music scene. In this self-produced, fourteen-song collection, Bentley's gravelly voice takes center stage, exploring the banjo-driven, foot-stomping country sound that is quintessentially his. The album features standout tracks like "Cowboy Boots," a duet with Ashley McBryde celebrating the symbolism of the titular footwear, and introspective songs like "Sun Sets in Colorado" and "Still," where Bentley finds solace in life's simplicity. With a mix of 90s country vibes, clever lyrics in tracks like "Beer at My Funeral," and a high-spirited collaboration with Billy Strings in "High Note," "Gravel & Gold" showcases Bentley's musical evolution, marrying traditional country elements with his unique flair and introspective storytelling.

8. Larry Fleet - Earned It - Larry Fleet, raised on the influences of legends like Merle Haggard and Marvin Gaye, has woven these inspirations into his unique sound and storytelling, evident in his discography which captures life's poignant moments. His third album, 'Earned It,' continues in the vein of expansive releases like those by Morgan Wallen and Ashley Cooke, featuring 21 tracks that eschew traditional album flow for a rich tapestry of songs. Each track in 'Earned It' is essential, painting a vivid picture of working-class life, family bonds, and perseverance, much like a curated playlist of Fleet's new music for an immersive listening experience. The album, not strictly a concept piece but thematically cohesive, offers songs about hard work and redemption, like the insightful '25-8' and the heartfelt 'Layaway,' all showcasing Fleet's rich, warm vocals and his ability to craft narratives that are both relatable and deeply emotive.

9. Luke Combs - Gettin' Old - Luke Combs' latest album, "Gettin' Old," reflects a matured perspective compared to his previous work, "Growin' Up." While maintaining his focus on familiar country themes, Combs brings a fresh, reflective depth to his storytelling, influenced by his experiences of fatherhood and fame. The album, spanning 18 tracks, seamlessly blends mainstream appeal with introspective narratives about family, love, and legacy. Standout songs like "Take You With Me" and "See Me Now" highlight Combs' evolution as a songwriter, delivering emotionally rich tales from a father's viewpoint. "You Found Yours," in particular, encapsulates the album's essence, blending themes of family, memories, and the future into a powerful, heart-tugging anthem. "Gettin' Old" is a well-rounded offering, showcasing Combs' ability to appeal to fans seeking deep emotional connection as well as those looking for catchy, toe-tapping tunes, further solidifying his esteemed position in the country music scene.

10. Ashley McBryde - The Devil I Know - Ashley McBryde's latest album, "The Devil I Know," masterfully blends the hard rock edge of "Never Will" with the rootsy heartland rock of her debut "Girl Goin’ Nowhere," showcasing her consistent, high-quality songwriting and vocal prowess. The album kicks off with the energetic rock anthem 'Made for This,' capturing the exhilarating, yet challenging essence of life on the road. Tracks like 'Coldest Beer in Town' and 'Light on in the Kitchen' display McBryde's ability to balance her tough exterior with softer, introspective country tunes, the latter being a tender piece filled with sage advice. The album, featuring dynamic songs like the cathartic 'Women Ain’t Whiskey' and the introspective 'Learning to Lie,' concludes with '6th October,' a country gem that encourages embracing our scars and living rhythmically. "The Devil I Know" is a harmonious fusion of McBryde's musical styles, confirming her talent in both rock and country genres, and solidifying her status as a must-listen-to performer.

11. Tyler Childers - Rustin' In The Rain - "Rustin' in the Rain," the latest album from Childers, is a pure embodiment of country music, embracing its roots with pride and a touch of grit. The title track kicks off with a lively guitar riff that could easily fit into a 1990s Country Music Television lineup, while songs like “Percheron Mules” celebrate the raw, hardworking ethos of the genre. Childers' voice, gravelly yet tender, perfectly captures the essence of country storytelling, whether in the mournful “Phone Calls and Emails” or the bluegrass energy of “Percheron Mules” with the Travelin’ McCourys. The album also features covers that connect to Childers' musical lineage, including a soulful rendition of Kris Kristofferson’s “Help Me Make It Through the Night,” and concludes with a nostalgic reimagining of S.G. Goodman’s “Space and Time,” showcasing his ability to bridge traditional country with a modern sensibility.

12. Darrell Scott - Old Cane Back Rocker - In "Old Cane Back Rocker," Darrell Scott artfully combines the talents of seasoned vocalists, instrumentalists, and songwriters to craft an album that resonates with the warmth of home and the complexities of Southern life. The opening track "Kentucky Morning" sets the tone with its nod to roots and preference for simple living, encapsulated in the image of an old cane back rocker. The album weaves narratives like "Charlie and Ruby," imbued with Scott's rich, unpretentious vocals, and ventures into the energetic "Cumberland Plateau," balancing the pull of home with the urge to wander. Scott's skillful reinterpretations of classics like "Southern Cross" and his own "It’s a Great Day to Be Alive" are complemented by bluegrass tracks like "Banjo in the Holler," creating an album that oscillates between somber reflections and light-hearted tunes, making it a perfect companion for contemplative moments or journeys back to familiar places.

13. Jason Eady - Mississippi - Jason Eady, typically known around this site as a Guy Clark-level songwriter, takes a refreshing detour in his latest album, embracing the Mississippi blues that shaped his early musical years. This blues-influenced venture features a lively mix of jangly guitars, simmering organs, and electric grooves, all contributing to a more upbeat and playful tone. Despite this new direction, Eady's signature warmth and reflective lyricism about growing older are still present, now tinged with a wily, James McMurtry-esque edge. The album, with standout tracks like the catchy title song and the humorous "Once Upon A Time in New Orleans," is a skillful and fun homage to his blues roots, further enriched by the backing vocals of his wife, Courtney Patton, adding a touch of charm to this fusion of classic blues, gospel, and R&B influences.

Friday, September 18, 2020

Tyler Childers Drops Surprise Old-Time Fiddle Album Called Long Violent History

Artist: Tyler Childers
Album: Long Violent History
Label: Hickman Holler Records/RCA Records
Release date: 9/17/20

In a surprise album drop (in more ways than one), Tyler Childers released an old-time fiddle album yesterday titled Long Violent History that will dedicate its proceeds to The Hickman Holler Appalachian Relief Fund, established in 2020 by Senora May and Tyler Childers to bring awareness and financial support for philanthropic efforts in the Appalachian Region.

Childers' latest work features a collection of eight instrumental fiddle tunes — "Send In The Clowns," "Bonaparte's Retreat," "Camp Chase," "Midnight on the Water" and more. 

The album closes with a ninth song called "Long Violent History," a Childers original that finds the singer addressing civil unrest and systemic racism. 

He sings, "Now what would you get if you heard my opinion conjecturing on matters that I ain’t never dreamed/ In all my born days, this white boy from Hickman, based on the way that the world’s been to me/ It’s called me belligerent, it’s took me for ignorant but it ain’t never once made me scared just to be/ Could you imagine just constantly worrying, kicking and fighting begging to breathe?" 

Musician and album contributor Don Beamons had this to say about the new project, "For this epic recording session in the mountains of eastern Kentucky, Tyler Childers and his bandmate Jesse Wells meticulously curated a modern string band known as “The Pickin’ Crew”. This group of stellar Americana artists included myself, 5-string Kentucky banjo specialist John Haywood, mandolinist Andrew Marlin, guitarist Josh Oliver, upright bassist John R. Miller, fiddler Chloe Edmonstone and cellist Cecelia Wright. Although Tyler has been playing the fiddle for under a year, his style and technique as learned under the tutelage of Jesse Wells proves that Kentucky string band music is in his blood. The tunes presented in this album Long Violent History showcase the variety of fiddle styles that are profoundly represented in the American music lexicon."

He goes on, "The century old songs presented on this record represent a time capsule and a musical artifact. Tyler’s tintype photograph on the cover transcends the modern era and harkens back to the birth of American Popular music of the 1920’s when songsters and Tin Pan Alley songwriters created hits for Broadway. His presentation of Kentucky music and his debut as a fiddler are a reminder that roots music is still a thriving community. Listen to the music, meditate with it, flow along with the melodies, and let the rhythm seep into your mind. These songs are meant to last another hundred years, yet it is supposed to tell a new story about the struggles that lie within our generation. Tyler Childers, placing his fiddle on the wall chose to premiere only one original song where he sings: "Long Violent History," a final powerful and poignant statement. Backed by the Pickin’ Crew, the nine tracks invite us into Tyler’s world deep within the mountains of eastern Kentucky where the blue grass, the high weeds, and the kudzu grow. This environment created the perfect inspiration for the record, and it’s been an honor to add some extra magic to the sessions."