New Music Video From Cody Jinks and Sunny Sweeney - "Mamma Song"

New Music Video From Cody Jinks - "Lonely Man"

New Music Video From Cody Jinks - "In My Blood" (feat. Charlie Starr of Blackberry Smoke)

New Music Video From Cody Jinks - "Better Than The Bottle"

New Music Video From Cody Jinks - "Found"

Celebrating the Best in Country and Americana: That Nashville Sound’s Top Albums of 2024

In this extraordinary era of music, the ways we discover and experience country and Americana tunes are being revolutionized. The internet, YouTube, and an array of digital platforms have become vital arenas where independent artists shine, showcasing their talents to audiences far and wide. As traditional gatekeepers like country radio maintain their hold on the airwaves, a thrilling shift is underway. Creativity and sheer talent are breaking barriers, proving that exceptional artistry will always find its way to the spotlight.

These albums stand as testaments to the evolving and ever-enriching world of country music, a genre that continues to grow and touch souls globally, thanks to the boundless opportunities provided by the digital age.

A Look Back at That Nashville Sound’s Past Winners

Before diving into this year’s exceptional picks, let’s honor the legacy of groundbreaking albums that have previously topped our list. These winners are more than collections of songs; they are narratives, experiences, and emotions that have defined the past two decades of country and Americana music.

Previous Year Winners:

2005: Gary Allan - Tough All Over (tie) & Lee Ann Womack - There’s More Where That Came From
2006: Johnny Cash - American V: A Hundred Highways
2007: Alison Krauss & Robert Plant - Raising Sand
2008: Lee Ann Womack - Call Me Crazy
2009: Eric Church - Carolina
2010: Zac Brown Band - You Get What You Give
2011: Pistol Annies - Hell on Heels
2012: Marty Stuart - Nashville Volume 1: Tear The Woodpile Down
2013: Brandy Clark - 12 Stories
2014: Don Williams - Reflections
2015: Chris Stapleton - Traveler
2016: Ryan Beaver - RX
2017: Jason Eady - Jason Eady
2018: Ashley McBryde - Girl Goin' Nowhere
2019: Erin Enderlin - Faulkner County
2020: Hailey Whitters - The Dream
2021: Mike and the Moonpies - One To Grow On
2022: Lainey Wilson - Bell Bottom Country
2023: Cody Johnson - Leather

Those That Move Us Change Us

We are profoundly grateful for the artists who dedicate their lives to making music a career, pouring their hearts and souls into every note and lyric. The artistry they express daily not only entertains us but, when done at its pinnacle, touches something deep within, moving us in ways words often can't. It’s the magic of music—resonating with our souls, sparking joy, reflection, or healing, and leaving behind a small but indelible imprint of the songwriter's spirit in our own DNA. These are the artists who, this year, have done that the best.

The Winner

Three Times A Lady - Live at 3rd and Lindsley

In a year overflowing with extraordinary country and Americana music, Three Times A Lady’s Live at 3rd and Lindsley stood out as the crown jewel of 2024. A magical tapestry of harmony and emotion, this live album encapsulates the best of what country music offers: raw talent, heartfelt storytelling, and the kind of vocal chemistry that sends chills down your spine.

Three Times A Lady is the powerhouse trio of Lauren Mascitti, Kennedy Scott, and Hannah Blaylock—three singer-songwriters whose individual talents alone could anchor any stage. Lauren Mascitti, a seasoned songwriter and performer, brings a soulful, introspective voice that anchors the group’s emotional depth. Kennedy Scott, with her sharp wit and velvet-like tone, adds a contemporary flair while staying rooted in the traditions of country music. Hannah Blaylock, formerly of Eden’s Edge, rounds out the trio with her crystalline voice that cuts through the mix with heart-stopping clarity. (Following the album release, Victoria Camp has replaced Lauren in the band- and yes, they're all still friends.)

What began as a tribute to the iconic Trio albums by Dolly Parton, Linda Ronstadt, and Emmylou Harris has blossomed into something even more profound. Three Times A Lady initially joined forces out of a shared love for those legendary harmonies, crafting a setlist of inspired covers that celebrated the roots of their artistry. But as they began weaving in their original songs, it became clear they weren’t just revisiting history—they were making it. The album Live at 3rd and Lindsley captures this evolution in real time, blending reverent nods to their heroes with bold, modern takes that are distinctly their own.

Harmonies have always been a cornerstone of country music, threading through its history like a golden thread. From The Carter Family to The Judds, the blending of voices has served as both a technical marvel and an emotional anchor, creating a communal intimacy that resonates deeply with listeners. Three Times A Lady carries this tradition forward with harmonies that feel both effortless and divine. The way their voices intertwine on songs like “Those Memories Of You” and “Mary Magdalene” is a masterclass in vocal synergy. Each note, each blend, each dynamic swell seems to transcend the mechanics of music, connecting straight to the heart.

In my life, I can count on one hand the number of musical performances that have given me genuine goosebumps. One of those rare moments was witnessing Three Times A Lady perform live in Northern California. The sheer power of their harmonies left me breathless, as if time itself had paused to let their voices fill the universe. That same magic has been captured in Live at 3rd and Lindsley. It’s not just the technical brilliance of their singing but the emotion and authenticity behind every word that leaves you spellbound.

Live at 3rd and Lindsley isn’t just a great album; it’s a cultural artifact. It’s a vital reminder of why harmonies matter, why storytelling matters, and why country music has always been, at its core, about connection. The trio’s ability to take the listener on a journey—from the joy of love to the ache of loss—cements this album as one of the most important releases of the year.

The fact that Lauren Mascitti, Kennedy Scott, and Hannah Blaylock aren’t household names yet feels like a crime against artistry. Live at 3rd and Lindsley isn’t just an album; it’s an invitation to experience the power of music at its purest. These three women have delivered something that will stay with you long after the last track fades. Do yourself a favor: listen to this album. Get goosebumps for yourself. 

Best of the Rest

Blaine Bailey – ᎣᏪᏅᏒ (Home)

Blaine Bailey’s ᎣᏪᏅᏒ (Home) is a heartfelt journey that pays homage to his Cherokee heritage and personal roots. The album seamlessly blends traditional Native American melodies with modern Americana, creating a soundscape that feels both ancient and refreshingly contemporary. Tracks like "Home Again" and "Colorado Soil" transport listeners to a place of cultural pride and introspection, making this a standout release that bridges the past and present.

Willie Nelson – The Border

In The Border, Willie Nelson proves once again why he remains an icon. This reflective album explores themes of unity and division, inspired by Nelson’s observations on humanity and nature. Songs like "I Wrote This Song For You" and "Hank's Guitar" are imbued with his signature wit and wisdom, while the rich, warm instrumentation provides a comforting yet thought-provoking experience. It’s a timeless addition to his storied career.

Cody Jinks – Change the Game

Cody Jinks lives up to the promise of his album’s title with Change the Game, delivering a bold and innovative take on country music. Combining traditional outlaw country elements with modern production, the album balances grit and polish seamlessly. "Deceiver's Blues" and "Take This Bottle" showcase Jinks’ versatility, proving that he’s unafraid to push boundaries while staying true to his roots.

Maggie Rose – No One Gets Out Alive

Maggie Rose’s No One Gets Out Alive is a genre-defying triumph, blending rock, soul, and country into an electrifying package. Her powerhouse vocals command attention on every track, with songs like the title track and "Another Sad Song" radiating confidence and authenticity. The album’s unapologetic energy and raw emotion make it a standout among this year’s releases.

Will Hoge – Tenderhearted Boys

Will Hoge delivers a deeply personal and poignant album with Tenderhearted Boys. Through vivid storytelling and lush arrangements, Hoge captures moments of vulnerability and resilience. Tracks like "My Daddy's Eyes" and "End Of The World" paint a picture of rural Americana that feels nostalgic yet grounded in reality, making this album a heartfelt ode to life’s simple joys.

Stephanie Lambring – Hypocrite

Stephanie Lambring’s Hypocrite is an unflinching exploration of contradictions and complexities in human relationships. Her lyrical prowess shines on tracks like "Purity Ring" and "Hospital Parking," where she dissects societal expectations with a sharp wit. Lambring’s rich, soulful voice brings an extra layer of depth to her introspective narratives.

Johnny Cash – Songwriter

A posthumous release, Songwriter compiles rare and unreleased tracks that showcase Johnny Cash’s unparalleled ability to tell stories through song. Each track feels like a rediscovered treasure, from the tender "Hello Out There" to the rollicking "Drive On." This collection reaffirms Cash’s legacy as one of the greatest songwriters in American history. Each new track feels like it belongs in the Smithsonian.

George Strait – Cowboys and Dreamers

George Strait returns to form with Cowboys and Dreamers, a record that celebrates the timeless themes of love, loss, and the open road. Strait’s smooth, iconic voice pairs perfectly with lush arrangements on tracks like "Honky Tonk Hall of Fame" and the title track. This album feels like a warm embrace for long-time fans and a reminder of why Strait remains the King of Country.

Lainey Wilson – Whirlwind

Following up her breakout success, Lainey Wilson continues to dazzle with Whirlwind. This album builds on her signature sound, blending traditional country with modern flair and was a VERY close second to my favorite album of the year. Tracks like "Whiskey Colored Crayon" and "Good Horses" showcase her ability to craft catchy, heartfelt songs that are both fun and deeply relatable.

Petty Country: A Country Music Celebration of Tom Petty

This tribute album brings together some of country music’s finest voices to honor the legendary Tom Petty. Standout performances include Dolly Parton's haunting rendition of "Southern Accents" and The Cadillac Three’s soulful take on "Free Fallin’." Petty Country is a heartfelt homage that breathes new life into Petty’s classics while staying true to his spirit.

Hannah Blaylock – The Fall and Rise

Hannah Blaylock delivers a masterful album with The Fall and Rise, an album that is as raw as it is captivating. Her vocal performance is hauntingly emotive, weaving together tales of love, heartbreak, and redemption. The intricate instrumentation, featuring a blend of acoustic strings and ethereal harmonies, serves as the perfect backdrop to her storytelling. From the introspective "Burned The Forest" to the brilliant "Man From Memphis," Blaylock captures the beauty and pain of life in a way that resonates universally.

Connie Smith – Love, Prison, Wisdom and Heartaches

Connie Smith delivers a profound exploration of life’s trials and triumphs with Love, Prison, Wisdom and Heartaches. Her seasoned vocals lend authenticity to tracks like the reflective "World of Forgotton People" and the hopeful "The Wayward Wind." This album is a testament to Smith’s enduring legacy as a storyteller and her ability to connect deeply with her audience.

Scotty McCreery – Rise and Fall

With Rise and Fall, Scotty McCreery reaches new heights, blending heartfelt ballads and anthemic tracks. Songs like "No Country For Old Men" showcase his rich baritone, while "Porch" captures rural living without pandering. McCreery’s growth as an artist is evident, making this album a standout in his discography.

Alex Key – Outdated

Alex Key delivers a nostalgic yet fresh sound with Outdated, an album that pays homage to traditional country while addressing modern themes. Tracks like "Once Upon A Time" and "Waylon, Willie & Mama" are brimming with sincerity, and Key’s warm, earnest voice makes the album feel like a conversation with an old friend.

Mavericks – Moon and Stars

The Mavericks shine brightly on Moon and Stars, a genre-blending album that fuses country, Latin, and rock influences. Songs like "And We Dance" and "Turn Yourself Around" are vibrant, dynamic, and irresistibly fun, showcasing the band’s unmatched versatility and energy.

Red Shahan – Loose Funky Texas Junky

Red Shahan’s Loose Funky Texas Junky is a gritty, spirited record that captures the essence of Texas outlaw country. Tracks like "Evangeline" and "Big Wide Open" are unapologetically raw, filled with swagger and a touch of irreverence. It’s an album that feels like a wild, dusty ride through the Lone Star State.

Josh Turner – This Country Music Thing

Josh Turner’s unmistakable baritone anchors This Country Music Thing, an album that feels both timeless and fresh. Tracks like "Down in Georgia" and "Unsung Hero" celebrate the heart and soul of country music, with Turner’s voice effortlessly evoking nostalgia while keeping things contemporary.

Post Malone – F-1 Trillion

Undeniably pop, but with some great ear-worm songs, Post Malone ventures into country-inspired territory with F-1 Trillion, blending his signature style with twangy guitar riffs and storytelling lyrics. Songs like "Devil I've Been" and "What Don't Belong To Me" showcase a surprising versatility, making this album a fascinating and successful genre crossover.

Julie Williams – Tennessee Moon EP

Julie Williams shines on Tennessee Moon EP, a collection of songs that beautifully capture her soulful voice and lyrical charm. From the heartfelt title track to the uplifting "southern curls," Williams’ debut is a promising start to what will undoubtedly be a bright career.

Miranda Lambert – Postcards from Texas

With Postcards from Texas, Miranda Lambert offers a love letter to her home state, blending nostalgia and pride with her signature edge. Tracks like "I Hate Love Songs" and "Wildfire" are both deeply personal and universally relatable, cementing Lambert’s place as one of country’s most compelling voices.

Johnny Blue Skies – Passage Du Desir

Johnny Blue Skies creates a lush, cinematic experience with Passage Du Desir, blending atmospheric instrumentation with evocative lyrics. Songs like "Swamp of Sadness" and "One For The Road" transport listeners to dreamlike landscapes, making this album a truly immersive journey.

Dwight Yoakam – Brighter Days

Dwight Yoakam’s Brighter Days is a masterful return to form, filled with twangy guitars, honky-tonk rhythms, and heartfelt lyrics. Tracks like "Wide Open Heart" and "Brighter Days" radiate hope and optimism, making this album a refreshing addition to his storied catalog.

Shawna Thompson – Lean on Neon

Thompson Square's Shawna Thompson’s Lean on Neon is a bold and electrifying record that blends traditional country with a modern edge. Songs like the title track and "Burn It Down" showcase Thompson’s dynamic range and fearless artistry, making this a standout debut.

Lindi Ortega – From the Ether

Lindi Ortega’s From the Ether is a haunting, otherworldly album that blurs the lines between country, folk, and gothic Americana. Tracks like "The Ghost of You" and "The Door" are ethereal and enchanting, showcasing Ortega’s unique ability to craft songs that linger in the soul.

Willie Nelson – Last Leaf on the Tree

Willie Nelson reflects on life, love, and legacy with Last Leaf on the Tree, an introspective and heartfelt album. Songs like "Last Leaf" and "Broken Arrow" are poignant and tender, offering a moving glimpse into the mind of a living legend. It's another historic branch to the anchor tree of country music. 

Jamey Johnson – Midnight Gasoline

Man... it's been far too long to have new music from this music maker. And on this new album, he reminds us why. Jamey Johnson brings his signature grit and soul to Midnight Gasoline, an album packed with raw emotion and stellar storytelling. Tracks like "What You Answer To" and "Saturday Night In New Orleans" are evocative and powerful, making this record a must-listen for fans of authentic, no-frills country music.

New Music Video From Cody Jinks - "Deceiver's Blues"

New Music Video From Cody Jinks - "The Working Man"

New Music Video From Cody Jinks - "Outlaws and Mustangs"

New Music Video From Cody Jinks - "Never Alone Always Lonely"

New Music Video From Cody Jinks - "Loud and Heavy"

New Music Video From Cody Jinks - "Outlaws and Mustangs"

New Music Video From Cody Jinks - "Hurt You"

New Music Video From Cody Jinks - "Hurt You"

That Nashville Sound's Top Country & Americana Songs of 2021

2021 has been another fabulous year of country music. Traditional country, bluegrass, modern country and Americana are all represented well in this modern day and age and this list proves that out- we’ve cast a wide net over that definition of roots-oriented music.  

Later this month, we'll unveil our top albums of 2021, but today, we tackle our favorite songs. Few are radio singles. But you probably knew that already if you read this site.

Here are the rules by which this list was selected. It had to be released off an album that was released in 2021, is an independent release not on any other project, or is an already-released single off a to-be-released album. If the album came out in 2020 or before, it couldn’t be included- even if it wasn't released as a single until 2021. 

Looking back, there's some amazing songs that moved us more than all the others:

2020 - Mickey Guyton - "What Are You Gonna Tell Her?" 

2019 - Erin Enderlin - "Broken"
2018 – Ashley McBryde – “Girl Goin’ Nowhere”
2017 – Sunny Sweeney – “Bottle By My Bed”
2016 - Jack Ingram - "The Sailor and the Sea"
2015-  Chris Stapleton - "Tennessee Whiskey"
2014 - Emily West - "Made for the Radio"
2013 - Kacey Musgraves - "Follow Your Arrow"
2012 - Waylon Jennings - "I Do Believe"
2011 - Ronnie Dunn - "Cost of Livin'"
2010 - Joe Diffie - "Route 5 Box 109"
2009 - Dean Brody - "Cattleman's Gun"
2008 - Jamey Johnson - "In Color"
2007 - Miranda Lambert - "Gunpowder and Lead"
2006 – Johnny Cash – “God’s Gonna Cut You Down”

And without further ado, we count down the songs that moved us the most in 2021. 

1. Jason Eady - "French Summer Sun" - Co-written with fellow Texan (and That Nashville Sound favorite) Drew Kennedy, this song proves that the songwriting spirit of the likes of Guy Clark, John Prine and Woody Guthrie continue to live on in those they inspire. The song's heavy topic is the weight of the cost of war and all that follows the loss of a soldier. It shares dual stories of the same soldier, one who died on the beaches of Normandy and one that survived. He outlines the life (and the branches that break off from those branches of the survivor) and compares it against the story that ends and is cut down on that beach in the French summer sun. It's a cinematic masterpiece in five minutes and is pure genius. Eady is a frequent name at this site and this is just another demonstration of his lyrical brilliance. 

2. Addison Johnson - "Cumberland River '58" - This song is another great story about an up-and-comer musician who mistakenly sleeps with the wife of one of the "Fat Cats" and is cut down in his prime. The haunting pedal steel in this song accompanies the track and the analogy of today's "disposability" of artists to the major labels cannot be overstated despite the fact that this fictional story occurred sixty years ago. 

3. Elvie Shane - "My Boy" - Our first major radio hit on our list comes from a brand new artist who took a heartfelt slow-tempo song with heart through the clutter of drinking and backwoods uptempo songs all the way to number one. That alone is remarkable. It's a tribute to a stepson from a stepfather and a statement that blood alone doesn't tie family binds. It's got great heart and Shane delivers it with passionate conviction. One look to the comments on the video comments on YouTube shows just how much this song has meant to blended families of all ages. 

4. Lainey Wilson - "Things A Man Oughta Know" - The song itself is all about a woman teaching a few lessons to a man, breaking gender stereotypes in a way that is both enticing and important. “Things A Man Oughta Know” reflects this honesty and self-conviction. “I can hang a picture same as I can take it down/ And how to keep it hidden when a heart gets broke/ Yeah I know a few things a man oughta know,” she croons on the track. Written with Jonathan Singleton and Jason Nix, “Things A Man Oughta Know” had the collaborators discussing the characteristics their parents taught them to look for in themselves and others. “It’s really a song about having good character and a song about treating people the way that you want to be treated — something that we all should know,” she explains. “It’s about standing up for what’s right. I would like for people to hear that through my music too.”

5. Megan Conner - "Me, 10 Years Ago" - I heard Megan (songwriter on tracks cut by Rascal Flatts, Chris Young, Danny Gokey and more) perform this track for the first time at my Golf & Guitars Music Festival and it floored me. Part retrospective, part sentimental, it tells the story of a woman who has had some successes and some challenges penning a message to herself ten years prior and giving herself advice on what's important and what's not. Conner's "Bonnie Tyler" powerhouse vocals deliver it with emotional feeling and the highly personal lyrics are introspective and in some cases, revealing. She's hopeful of releasing it as a single early in 2022 so keep an eye out for this brilliantly written song. 

6. Marc Broussard - "Sad Songs" - This Louisiana-native usually borrows from zydeco and soulful themes and productions in his song, but this one slows things down with the blues- with an assist from a little guitar and keys. Broussard's voice is the greatest instrument here and his delivery on this (and nearly every other song he sings) delivers a room-capturing attention that only voices like the Chris Stapleton and Jamey Johnson's can do. 

7. Cody Jinks - "I Don't Trust My Memories Any More" - This is incredible classic country along the lines of the best of Waylon, Haggard, Randy Travis and others. Damn this sing cuts deep. "No I Don’t Trust My Memories Anymore/They ain’t the friends I thought they were before/They used to be so fond /Now my faith in them is gone/No I Don’t Trust My Memories Anymore." The pedal steel in the background is just haunting and it's a great reminder that we've got a champion like Jinks to carry the traditional country torch going forward in a major way. 

8. Morgan Wallen - "Sand In My Boots" - Much has been made of Wallen's discretions this year and the reaction of the media and country music. But if you peel back the controversy, what you get is a (mostly) terrific mainstream country album filled with some strong radio-friendly songs on his Dangerous album. The standout on that project is this longing song about a Tennessee boy who lost his heart to a girl at a beach and now's back home longing for her. It's a simple hook but delivered with a lush production and heartfelt delivery with great lyrics. 

9. Marty Stuart - "I've Been Around" - More than a decade after his passing, Johnny Cash's voice was heard again as Stuart took lyrics that Cash had written and released them to this incredible tribute in song. Stuart nails Cash's lyrics with a country thump, with Stuart imitating Cash’s signature vocal. It's classic Cash at his Man In Black best. Stuart says that he created the song’s melody in the style he figured Cash would have used and he nailed it perfectly. This track deserves to be on this list for it's historic relevancy alone. 

10. Mae Estes - "Hell You Raised" - Estes channels the best of Miranda Lambert's fire and brimstone style and delivers this bad girl anthem with a great groove and spirit. She channels Wynonna and Dixie Chicks attitude and sings the gritty uptempo lyrics with conviction. She makes it damn-near impossible not to move along. Co-written with TNS favorite writer Chris Roberts and Brandon James. 

New Music Video From Cody Jinks - "Hippies and Cowboys" (Live at Red Rocks)

The Art Of Storytelling In Faulkner County - An Exclusive Interview With Erin Enderlin

Known for a remarkable aptitude at crafting music with character-driven storylines, singer/songwriter Erin Enderlin will unveil her first new full-length album since 2017 with the release of Faulkner County this Friday, Nov. 1.  

Produced by Jim “Moose” Brown, Jamey Johnson and Alex Kline, Faulkner County will cement 2019 as a red-letter year for Enderlin.

The 14-track LP is a masterful ramble through lonely barroom corners and bedrooms, story after story delivered by Enderlin’s impeccable golden-era warble. A stellar supporting cast including Vince Gill, Alison Krauss, Terri Clark, Cody Jinks, Dillon Carmichael and others poured harmonies and soul into the vivid collection, sounding like kindred spirits and close friends making music together for the sheer joy of it.

Enderlin’s fall has been defined by exciting career firsts and incredible momentum. After sold-out shows in her first-ever UK tour, she returned to Nashville to showcase at AMERICANAFEST. She’ll close out 2019 having played more than 100 shows. In June, she took home three trophies at the Arkansas Country Music Awards, including Female Vocalist of the Year and Songwriter of the Year. All the while, Enderlin’s success as a songwriter persisted as musical heroes turned to her for songs. Reba McEntire, Terri Clark, Rodney Crowell, Rhonda Vincent and more all recorded Enderlin-penned gems in 2019.

Enderlin took a minute out of her busy travel schedule to talk with That Nashville Sound about the new project.

Ken Morton, Jr: So, project #3 for you. Give me a little background kind of on a starting place and kind of, you know, how you went around building the album this time around.

Erin Enderlin: You know, I think sometimes maybe it takes a little longer to get my head around something exactly how I wanna do it or maybe if I have the time to put in motion all the things that I want to do— And I just love all these stories and songs. And you know, I went back in with Moose and added some parts and saying everything. And I think it’s a really cool kind of evolution from Whiskeytown Crier. I do feel like there's a strong connection between the 2 albums.

KMJ: I know you are drawn to the story songs and, you know, the kind of plight of the individual in there. Is there some background to your upbringing or your personal likes that kind of have led you to down that path?

EE: You know, I think part of it was the music I grew up on. Have you heard the new Dolly Parton podcast yet?

KMJ: I have not, although I have it downloaded.

EE: The first one is sad-ass songs. And she is talking about her first 4 records and how she influenced by all those storytelling songs. She was like “Oh, I mean, that’s just, you know, what I grew up listening to.” And it kind of, you know, sunk in and start looking at those characters and maybe other sides, other characters that are in the songs, but maybe weren't the main characters in the songs and what their experience was.

KMJ: Do you find there in Nashville, you know, certainly that type of songwriting and those type of songs is swimming a little bit uphill against the stream? Do you find it easier because there's more space or harder because there's so little of that being put out now?

EE: I really feel fortunate to still be making music after being here for 19 years and maybe even more so than ever before, making music that I absolutely love. So, maybe I'm just a little bit too narcissistic to know that. You know? Like I’m happy for everybody to do whatever they wanna do. And this is what I wanna do. So, I think there’s space for everybody. And you know, honestly, I haven't really been in Nashville nearly as much the last couple years. I’ve been on the road so much. I just played my 100th show of the year this year and the crowd that I've been playing for just been all so awesome and receptive, but it seems like there's a real hunger for that sort of thing.

KMJ: Sure. And it seems like you have surrounded yourself with, you know, artists that recognize the specialness and the character storytelling too with— and maybe kind of some more mature artists that are cutting your stuff that, you know, grew up singing that type of music as well.

EE: For sure. And I think everything goes in cycles. And I feel like I'm tapped into something. Listening to that Dolly episode too, it’s like it’s a really old tradition I think. And obviously, I have my own thing that I do, but I think I’m kept into something that’s been around for a long time. So, I don’t think it’s going anywhere. You know, I’ve been so excited to see the Ken Burns special and see what that’s doing. You know, I’ve been talking to the Ernest Tubb Record Shop and they’re just like “Man, ever since they started airing the Ken Burns, they’ve just—” You know, they have a pretty good traffic down there anyway, but it's just been multiplied.

KMJ: That’s fantastic.

EE: And I think it’s gonna bring a different set of eyes to it to a different set of country music fans. And I think I'm really excited about that because I think also guarantee you there's gonna be kids, you know, 13, 14, 15 really getting into their own of like finding their passion for music. They’re gonna watch that and they’re gonna fall in love with the Carter family, you know? They’re gonna fall in love with Johnny Cash. And they're gonna start putting their own spin on that type of music. So, I think we're gonna see that influence grow. And there’s a ton of artists that are coming out right now that have more of those  same influences too that are starting to have a little impact on folks listening.

KMJ: Yeah. There’s no doubt about that. I love some of the more classical, you know, neo traditional influences that are coming back into country radio a little bit. But I think they’re opening the door for artists like yourself to really bring back some of the more traditional themes of music as well.

EE: It’s been an exciting couple of years I think in country music. There's been so much. Just music that gets me excited, you know, like I love Randy Houser’s new record he put out this year.  

KMJ: Yup. I agree. Specific to your album, the way you went about releasing it was a little different this year with the multiple EPs. Can you maybe walk me through that a little bit and then maybe kind of what you learned through that process versus releasing it all collectively at once?

EE: I’m willing to try something a little different. You know, one thing as an artist, you put out an album and you work that album for a long time. And I thought it would be cool to kind of be able to take it a little bit differently because, you know, sometimes you put out an album and I feel like sometimes you lose some of the songs on that. They maybe get lost in the shuffle a little bit. And I felt like being able to put out a couple of songs at a time it gave me more of a chance to really, you know, be excited and give that little back to the song, their own spotlight. And also, going out to play shows and everything like that, it was fun to have new music constantly, to have something new to share with the crowd.

People are listening to music differently too. And I wanted to tap into that new genre. So, I’ve been really lucky that the label’s been really supportive of what I’m doing and they had suggested trying— you know, just mix it up. Trying some different things that you’re not necessarily boxed in to, okay, you have to release music just like this anymore. You know what I mean?

KMJ: Totally. Blake Shelton just said, you know, he’s not positive he’s going to release any more albums. Doing like you’ve done these 3- to 4-song releases will allow him to release them as frequently as he wants and really he's finding it kind of freeing a little bit.

EE: I think it's cool. It's an experimental time. And I think it's always interesting. There's definitely been some different parts of technology that have been challenging for musicians and artists the last couple of years because it’s all changing so fast and being able to acclimate to that, but I think it's also starting to open up a different kind of creativity and different ways to express yourself that I'm excited about. I'm excited about the thought that I could find a song that I just really, really love and I want to do it and I don't have to wait, you know, 2 years to be able to go in and record it and share it with my band.

KMJ: Whiskeytown Crier was such a cohesive collection of songs. Does the thought of doing it in piecemeal or doing it as you have done it little pieces at a time make it any more or less difficult, you know? Because I know how passionate you are about albums as they are. Does it make it that harder to do?

EE: I mean, it’s different. But I think it also maybe you get to experiment more. This is to say, you know, for my next album I can go in and cut 3 songs, really live in those songs, start playing them out, being out there and have that kind of— inspire more of the album.

So, maybe you kind of get to live in both worlds, have your cake and eat it too where you get to release songs more frequently in different ways.  But then also to create these arts, more of like complete cohesive piece that you put out.

KMJ: The more frequency of new music is exciting and I know for me these 3 songs at a time that you’ve been releasing have always left me wanting more and anticipating the next release of three more.

EE: Good.

KMJ: Specific to songs, is there any that have been early favorites of yours or ones that resonated more with you? I know they're all your babies, but any more that you feel that hold some iconic nature to you as you’re playing them out on the road?

EE: Yeah. You know, “Tonight I Don’t Give a Damn” has been really cool for several reasons. That song is up to 600,000 streams now on Spotify, which is cool because I’ll go out and play in a new market where I don’t know people and people I can hear them singing along with that song. And that's been really cool.

KMJ: Any other songs come to mind that you love?

EE: I’m really interested about “The Queen of Marina Del Rey.”  I feel like that is like a full length Hollywood movie. And so, there’s so much happening. So, I think it will be cool to see what happens with that one.

KMJ: Talk to me about your work with Alex Kline.

EE: Yes. So, Alex produced two of the tracks on the album, which was cool. And you know, we’re friends- but it’s fun to work together because we both know we're going for the same goal. You know, we’re like sisters almost because we can be very direct about like “This isn’t working like what do we do here?” And it’s just like we’re both aware of what’s happening in the moment. She’s so talented and I really think she’s starting to get her spot in the spotlight.

KMJ: I’m excited. We need more female voices at that level and I agree with you. She’s got it. She comes from a really unique space and how she approaches that and everything that she touches.

EE: Yeah. And she’s such a great musician too. It’s interesting because we come from different worlds in terms of our biggest influences and things. So, I think sometimes she challenges me in ways or have ideas about stuff that I definitely wouldn't have thought about, which is cool.

KMJ: I would guess from the outside looking in, you approach it from the standpoint of a lyricist and storytelling and Alex probably approaches it more from the music and melody side. Would that be accurate?

EE: Yeah. She’s very, very good at being able to plug in to an artist to kind of, you know, see how she can that what she does and amplify where the artist is at.

That’s, you know, something that I'm not always necessarily super great at and sometimes intimidating to me- especially going in to write with an artist. I tend to be more excited about an idea. I try to write the best song in the room, but I don't know that I’m necessarily as good about, you know, from the outside kind of getting that structure, having that idea of where it needs to go to sit with that particular artist if that makes sense.

But Alex can kind of like put her different artist hat on.

KMJ: I know you have a number of special guests that are certainly worth mentioning on this project as well.

EE: Well, you know, I guess it's funny. I grew up listening to country music, listening to it almost exclusively. And it felt like it was a family. It felt like, you know, a front porch.  There was this sense where everybody works with each other and there’s stuff like sharing, collaboration, and different styles coming together. And I really enjoy that. I really enjoy getting to work with different musicians, and singers, and artists. I love what they do too and kinda have that collaborative spirit. Whatever gets you through the night. I put on Dillon Carmichael and I think he is just one of the best new artists out there right now. I love what he’s doing.

KMJ: I wholeheartedly concur with you. That collaboration is awesome.

EE: And Melonie Cannon sing on a bunch of stuff and I love her. I call her a country music alien because I don't know how she does what she does with her harmony. It’s what she does and I love it, but it definitely can be from a different planet. It’s so great. And you know, having Alison Krauss and Vince Gill on a song was incredible. I got to go to the studio when Vince was singing and it was really cool to get to see that. And then of course, Terri Clark sings on one of the songs. I mean, I put it in the kind of thank you section to this record, but Terri has done a big part of me even putting out Whiskeytown Crier and then coming to this album. I think I was in an interesting place and really questioning kind of what I was doing, and if I was on the right track, and if there was a space for me in music around the time I started writing with Terri. We’re writing together, started doing demos of it and talking about putting it on a record. And it kind of gave me the confidence to be like “You know what? Yeah. Like somebody that I bought all their records growing up like we’re writing together and putting on a record like I wanna take another shot with this. I wanna try and figure out how to make this work and put it all together.” And that was really the impetus for me starting to try to figure out how to do a budget for Whiskeytown Crier, how to find a team to help me put that out and start touring more and figure out that whole thing, which obviously led to Faulkner County. So, it was really, really cool to have her come in and sing on one of the songs for this album too. I have 7 Terri Clark cuts now.

KMJ: That's amazing. As we're talking about influences, we’d be remiss in not talking about the influences that Jamey Johnson and Moose Brown have had as well.

EE: Jim is like probably the most talented person I’ve ever met in this role. He has so many facets to his talent from playing to writing to producing. And he really took so much care and so much time with these records to make sure they were right.

And Jamey, he is everything that I love about a country music artist. He wants to feel it. He wants the music to kick him in the chest and make him feel some pain. And at the end of the day, that’s what he cares about. So, I think it was really cool to have him in the studio also be a part of the process ‘cause I feel like he was always this barometer also of making sure that you stay at that home plate. You’re not thinking too much about the next steps- like what would be in the radio, what would make a good video, what would be good to play in shows or whatever. So, it’s just really focused on feeling something with every song.

KMJ: What is country music to Erin Enderlin?

EE: To me, I think, you know, country music is something that real people can plug into about real things going on in their life.  Whether it’s falling in love, or losing somebody you care about, or a drinking problem, or just needing to escape your job. They are real world things that make you feel something.

News On New Albums From Ronnie Dunn, Hailey Whitters, Maddie & Tae and Cody Jinks

Four high-profile projects were unveiled in the last couple days- here's the scoop on what we know on projects from the likes of Ronnie Dunn, Hailey Whitters, Maddie & Tae and Cody Jinks. 

Artist: Ronnie Dunn
Album: Re-Dunn
Label: Label: Little Will-E Records
Release date: January 10, 2020

This 24-song project will feature covers of country and rock songs that have influenced Dunn’s own music, such as Tom Petty and the Heartbreakers’ “I Won’t Back Down,” and Bob Seger and The Silver Bullet Band’s “Against The Wind.”

In anticipation of the album, Dunn is releasing his versions of George Strait’s “Amarillo By Morning” and the rock classic “Long Cool Woman (In A Black Dress),” originally recorded by British rock group The Hollies and covered by artists including Clint Black and T.G. Sheppard. Every four weeks, Dunn will release two new tracks from the album—one country and one rock.

“This is a passion project for me. If you put together a group of songs that define the soundtrack of my life, this is what it would look like,” Dunn says. 

The album was produced by Dunn. He says he’s not demanding as a producer and had fun with the project. “I just pick guys I know who can really do it. You get in there and get the right combination of players and know where their heads are. I’ve been around long enough to know these guys really well. It’s like a group of buddies in the studio. They hit it right off the bat,” he shares.

Artist: Hailey Whitters
Album: The Days
Label: Independent
Release date: September 10, 2019

Hailey Whitters will release The Days, the first half of her highly anticipated full-length album The Dream that will be released next year. The six song collection will feature three previously released tracks, including "The Days" and "Ten Year Town," and three new songs. Starting tomorrow, Whitters will hit the road supporting Maren Morris on her GIRL: THE WORLD TOUR which will make stops in New York, Los Angeles, Nashville and more. Find a full list of tour dates below, including a run with Brent Cobb.

"This is where the record begins for me," explains Hailey Whitters about The Days. "I realized I had been so tunnel vision on attaining 'the dream' the last twelve years, that I was forgetting to appreciate and notice the days that were getting me there."

"We get so consumed with the next achievement and accomplishment that sometimes you forget that you're living right now. And that's what I want listeners to take away from this album and its two parts." Hailey says. "Be happy where you are in the present moment — because your dreams have to be worth it."

Artist: Maddie & Tae
Album: Everywhere I'm Goin'
Label: Mercury Nashville
Release date: October 18, 2019

Maddie & Tae will release Part Two of their album on October 18th titled Everywhere I’m Goin’. The new music produced by Jimmy Robbins and Derek Wells is anchored by the swaggering stomper “Bathroom Floor. Written Maddie Marlow and Taylor Dye along with Josh Kerr (Tae’s fiancé), the fiery new track is a resilient response to the award-winning duo’s current single “Die From A Broken Heart.”

“We are so excited to keep telling our story through this next collection of songs,” shared Marlow. “We are so proud to have co-written all of these songs as well. This project as a whole is super personal, but these five songs in particular take you on an even deeper dive into our lives.”

“We were absolutely blown away by the reaction to the first part of the album,” added Dye. “Hearing our fans relate to our stories is something that will never get old. We can’t wait to continue to show more of our hearts and journey through this next chapter of music.”

Everywhere I’m Goin' Tracklist
1) "Everywhere I’m Goin’” Maddie Marlow/Taylor Dye/Josh Thompson/Jimmy Robbins
2) "Trying On Rings” Maddie Marlow/Taylor Dye/Laura Veltz/Jimmy Robbins
3) “Lay Here With Me” (feat. Dierks Bentley) Maddie Marlow/Taylor Dye/Josh Kerr/Dave Barnes
4) “Ain’t There Yet” Maddie Marlow/Taylor Dye/Dave Barnes/Ben West
5) “Bathroom Floor” Maddie Marlow/Taylor Dye/ Josh Kerr

Artist: Cody Jinks
Album: The Wanting
Label: Independent
Release date: October 18, 2019

By all indications, it appears that Cody Jinks is going to be releasing not one, but TWO different albums in October. We reported earlier about his album release on 10/11, After The Fire. But details are emerging about a whole second project that is being floated on the internet with an entirely new track listing called The Wanting.

There's been no official announcement on this project, but the album IS available for preorder on several music websites.

The wolves on the cover of The Wanting also match the wolf eyes on Cody’s Twitter header right now and the cover of the new song. “Same Kind Of Crazy As Me” is currently available on Spotify. It’s all very mysterious, but either way, we'll always be excited about more Cody Jinks music.

That Nashville Sound Saturday Newsbytes: Tanya Tucker, Kelly Willis, Chris Stapleton, Cody Jinks & More

- Country music royalty Tanya Tucker had herself a VERY big week this week- and all of it is richly deserved. First of all, it was announced that her first album in a decade will be titled While I'm Livin' and will be out on August 23. The project is produced by Shooter Jennings and Brandi Carlile.

“Brandi is truly out of this world. She’s talented, smart, funny, never ever slows down and has a heart of gold,” says Tucker of the collaboration. “I just love her. She was like my shadow when we were in the studio. Every time I turned around, she was there. And Shooter, I’ve known him since he was a baby. He’s the one who brought us all together. So I’m ready to get this music out there because it’s different than anything I’ve ever done.”

While I’m Livin’ is largely comprised of songs written by Carlile, the twins Tim and Phil Hanseroth and Tucker. “It’s a musical biography of sorts,” said Carlile, “about Tanya’s real life and the places she’s seen, and it’s narrated by the greatest country and western singer this side of Johnny Cash.”

Tucker followed up the album announcement by stealing the show at this week's CMT Awards with a collaboration on her 1972 classic “Delta Dawn.” Bringing out Carlile, Trisha Yearwood, Lauren Alaina, Deana Carter, RaeLynn, Carly Pearce and Martina McBride for backing vocals was more than enough to guarantee that.

- Bruce Robison and Kelly Willis released a new music video for "Astrodome," off their new record Beautiful Lie, out June 21, 2019. 

- Carrie Underwood released a new music video for her latest single, "Southbound."

- 80's pop and country superstar Juice Newton is rerecording some of her biggest hits for an EP called Fresh Takes out July 19.

- Chris Stapleton has new music out- he sings a new track called "The Ballad of the Lonesome Cowboy" on the upcoming Disney/Pixar film, Toy Story 4.

- Last, but certainly not least, Cody Jinks has announced that he will independently release a new album titled After the Fire on October 4 of this year. The project is being recorded at Sonic Ranch where he has recorded his previous three project. 

A Master List of Country & Americana Albums Scheduled For Release In 2018

As we gaze into the proverbial crystal ball, we can see lots of albums on the horizon in the second half of 2018- with another large batch most likely finished in the studio and awaiting a release date. Here's what we know today:

July 20
Lori McKenna/The Tree/CN Records-Thirty Tigers
Sarah Ross/Nervous Breakdown/Average Joes
Mason Ramsey/Famous [EP]/Big Loud Records-Atlantic Records

July 27
Kenny Chesney/Songs for the Saints/Blue Chair-Warner Bros. Nashville
Catherine McGrath – This Town
Cody Jinks – Lifers - Rounder
Various/The Music Of Nashville, Season 6, Vol. 2/Big Machine Records-Lionsgate Television Inc.-ABC Studios

August 3
Amanda Shires/To the Sunset/Silver Knife-Thirty Tigers
Lucero – Among The Ghosts
Jim Lauderdale – Time Flies + Jim Lauderdale and Roland White
Jim Lauderdale/Jim Lauderdale And Roland White/Yep Roc Records
Riley Clemmons/Riley Clemmons/Capitol CMG
Phil Wickham/Living Hope/Fair Trade Services
Dustin Collins/It’s Been Awhile/Average Joes Entertainment-DCDL Entertainment

August 10
Jason Eady/I Travel On/Old Guitar Records
Rhett Walker Band/Rhett Walker Band [EP]/Essential Records-Sony Music
Shooter Jennings – Shooter
Rhett Walker Band/Rhett Walker Band [EP]/Essential Records-Sony Music
The War and Treaty/Healing Tide/Strong World-Thirty Tigers
Liz Cooper & The Stampede/Window Flowers/Sleepyhead Records-Thirty Tigers
William Shatner & Jeff Cook/Why Not Me/Heartland Records Nashville
Various/Elvis Presley – Where No One Stands Alone/RCA-Legacy Recordings

August 17
Dillon Carmichael/Hell On An Angel/Riser House
Cole Swindell/All Of It/Warner Bros. Records
Buck Owens/Country Singer’s Prayer/Omnivore Recordings-Buck Owens Estate
Lydia Luce/Azalea
Joe Ely/The Lubbock Tapes: Full Circle/Rack'Em Records

August 24
Lucie Silvas/E.G.O.
Aaron Watson/Aaron Watson Live at the World’s Biggest Rodeo Show/Big Label Records
Devil Makes Three/Chains Are Broken/New West

August 31
Aaron Lee Tasjan/Karma for Cheap/New West

September 7
Ruston Kelly/Dying Star/Rounder Records
Mike Farris/Silver & Stone/Compass Records
Lauren Daigle/Look Up Child/Centricity Music
Kathy Mattea/Pretty Bird/Captain Potato
Larry Stewart/Shifting Gears/Independent

September 14
Asleep at the Wheel/New Routes/Thirty Tigers
Carrie Underwood/Cry Pretty
David Nail & The Well Ravens/Only This And Nothing More/One Five Sound
The Jaydees/Dandelions/WM

September 21
Amy Helm/This Too Shall Light/Yep Roc

September 28
Mandy Barnett/Strange Conversation/

October 5
Eric Church/Desperate Man/EMI Nashville
Will Hoge/My American Dream
For King & Country/Burn the Ships
Ward Thomas/Restless Minds/Sony

October 26
Rosanne Cash/She Remembers Everything/Blue Note

November 9
Kane Brown/TBD

Albums with "to be announced" release dates but presumed to be 2018:
Loretta Lynn - Wouldn't It Be Great (Sony Legacy)
Marc Cohn - TBD
Pistol Annies - TBD
Ronnie Milsap Duets Project
Crystal Bowersox - "Promises" EP [Pledge Music]
Damn Davidsons- TBD (GoFundMe)
Sam Hunt - TBA (MCA Nashville)
Julie Roberts- I Think You Know
Jack Ingram - An Album & Two EPs- Thirty Tigers
Jamie Lin Wilson - TBD
Aaron Watson - A Watson Family Christmas
Chris Roberts (Formerly of One Flew South) - EP
Terri Clark
Justin Moore
Sarah Buxton
Maren Morris
Garth Brooks - Live Album & New Album
Jake Owen
Deana Carter

Other Projects Rumored To Be In The Works:
Ashley Gearing - TBD
Blue Sky Riders - TBD
Breaking Grass - TBD (Mountain Fever)
Brooke Eden - TBD (Red Bow Records)
Candi Carpenter - TBD
Carolina Chocolate Drops - TBD
Catherine Britt - TBD (Universal/Lost Highway)
Chase Bryant - TBD (Red Bow Records)
Clare Dunn - TBA (MCA Nashville)
Clay Walker - TBA
Craig Campbell - TBA (Red Bow Records)
David Fanning - TBA
Del McCoury - Woody Guthrie tribute album
Drew Baldridge - TBA (Cold River Records)
Ego Brothers (Corb Lund, Hayes Carll, and John Evans) - TBA
Eric Paslay - TBA (EMI Nashville)
Gary Allan - TBA (MCA Nashville)
Haley Georgia - TBA (EMI Nashville)
Hayes Carll - TBA
Holly Williams - TBA
Jackie Lee - TBA (Broken Bow Records)
Jake Owen - TBA
James Otto - TBA
John King - TBA (Black River Entertainment)
Jordan Rager - TBA (Broken Bow Records)
Junior Sisk and Ramblers Choice - TBA
Kellie Pickler - TBA
Love and Theft - TBA (Curb)
Lucas Hoge - TBA
Maren Morris - TBA
Mark Collie - TBA (101 Ranch Records)
Martina McBride- Christmas Project
Mickey Guyton - TBA (Capitol Nashville)
Morgane Stapleton - TBA
Noel McKay - TBA
Oak Ridge Boys - Dave Cobb Produced Album
Pam Tillis- TBA
Randy Houser - TBA (Stoney Creek Records)
Rick Trevino - TBA
Rita Wilson - TBA
Robbie Fulks - TBA
Rodney Atkins - TBA (Curb Records)
Roland White - TBA
Ryan Kinder - TBA (Warner Bros. Records/Warner Music Nashville)
Scotty McCreery - TBA (Label TBA)
Secret Sisters - TBA
Shooter Jennings - TBA
Steve Wariner - TBA (project with Duane Eddy)
Tanya Tucker - TBA
The Railers - TBA (Warner Bros. Records/Warner Music Nashville)
Thompson Square - TBA
Trace Adkins - TBA (Wheelhouse Records)
Travis Tritt and Marty Stuart - TBA
Trick Pony - TBA
Wesley Dennis - TBA
Whitey Morgan - TBA
Willie Nelson, Kris Kristofferson, and Merle Haggard - TBA