As appeared in the Tennessean in today's newspaper... (Mr. Durham is on the right in photograph- Bill Monroe on left.)Hal Durham, who helped assure the Grand Ole Opry’s transition into the modern era, died this weekend at his home in Cape Coral, Florida. Mr. Durham, a McMinnville, Tenn., native who also served as a WSM announcer and executive, was 77.
“Our deepest condolences are with his family,” said Jean Shepard, a member of the Opry since 1955. “He was a great manager of the Grand Ole Opry. One of the best.”
Mr. Durham’s contributions to the Opry were substantial and necessary. He served four years as manager and began his 15-year run as general manager when he succeeded E.W. “Bud” Wendell in 1978. By that point, country had evolved well beyond its roots as an acoustic music format, and top country artists were drawing arena-level audiences that necessitated playing lucrative tour dates away from Nashville. The general manager reacted to these factors by altering both the Opry’s stage setup and its membership rules. Under Mr. Durham’s leadership, full drum sets were allowed on the Opry stage. Before, drummers had to appear with only a snare and a cymbal, and when percussion was first allowed on the Opry in the 1950s, drummers such as Buddy Harman had to actually strike a brush against a drum head that was affixed to a standup bass.
Mr. Durham also significantly relaxed membership requirements with regard to required personal appearances, clearing the way for artists with heavy touring schedules to become Opry members without having to commit to multiple Opry appearances each month. Among the notables Mr. Durham signed as Opry members were Garth Brooks, Alison Krauss, Ricky Skaggs, Alan Jackson, Riders in the Sky, The Whites and Reba McEntire.
While attending the University of Tennessee, Mr. Durham began working at Knoxville’s WROL radio. He was an announcer at Atlanta’s WSB, then moved back to McMinnville to become a program director beginning in 1960. Four years later, he moved to Nashville’s WSM and worked as an air personality and as a Grand Ole Opry announcer.
“He had a voice that harkened to an earlier era,” said WSM-AM air personality and Opry announcer Eddie Stubbs.
“Our deepest condolences are with his family,” said Jean Shepard, a member of the Opry since 1955. “He was a great manager of the Grand Ole Opry. One of the best.”
Mr. Durham’s contributions to the Opry were substantial and necessary. He served four years as manager and began his 15-year run as general manager when he succeeded E.W. “Bud” Wendell in 1978. By that point, country had evolved well beyond its roots as an acoustic music format, and top country artists were drawing arena-level audiences that necessitated playing lucrative tour dates away from Nashville. The general manager reacted to these factors by altering both the Opry’s stage setup and its membership rules. Under Mr. Durham’s leadership, full drum sets were allowed on the Opry stage. Before, drummers had to appear with only a snare and a cymbal, and when percussion was first allowed on the Opry in the 1950s, drummers such as Buddy Harman had to actually strike a brush against a drum head that was affixed to a standup bass.
Mr. Durham also significantly relaxed membership requirements with regard to required personal appearances, clearing the way for artists with heavy touring schedules to become Opry members without having to commit to multiple Opry appearances each month. Among the notables Mr. Durham signed as Opry members were Garth Brooks, Alison Krauss, Ricky Skaggs, Alan Jackson, Riders in the Sky, The Whites and Reba McEntire.
While attending the University of Tennessee, Mr. Durham began working at Knoxville’s WROL radio. He was an announcer at Atlanta’s WSB, then moved back to McMinnville to become a program director beginning in 1960. Four years later, he moved to Nashville’s WSM and worked as an air personality and as a Grand Ole Opry announcer.
“He had a voice that harkened to an earlier era,” said WSM-AM air personality and Opry announcer Eddie Stubbs.
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