New recordings by the country music legend Connie Smith, long acclaimed as one of the greatest singers in the history of the genre have been as rare as the voice and knowing singing she brings to them. Long Line of Heartaches, set for release on August 23rd, her first full album of new material since 1996 (and only her second since 1978) is an event in the making. That’s not just for the rarity, or because her legions of fans have so long awaited this news, but because in its range of undiluted traditional country moods, themes, rhythms and sound, this new Sugar Hill release is simply, unmistakably a new Connie Smith masterpiece, offering the pleasures of the very best that saw release during her remarkable run of recordings during the 1960s and‘70s.
“And that,” she says. “is exactly what I wanted to accomplish. I’ve had people ask me what this album was going to be like, since it’s been a long time since they’ve heard me on record, but my musical tastes have remained the same. I wanted this to be traditional country, and it is.”
“One of the reasons that I wanted to do this recording, and it’s a personal reason, is that I have such a deep love for traditional country music. We can talk about the music slipping away, or we can do something about it. The only way I know to do something about it is to keep singing what I’ve always loved.”
The album’s dozen new tracks, potent songs of heartache, joy, and spirit recorded at Nashville’s celebrated RCA Victor Studio B, where Connie recorded most of her chart-topping hits in her first years as a recording artist, include five new traditional country songs co-written by Connie and husband Marty Stuart, the project’s producer. Memorable songs come from long favored Smith sources such as icons Harlan Howard, Foster & Rice, Kostas, Johnny Russell and Smith’s longtime collaborator Dallas Frazier. Frazier’s song “A Heart Like You” becomes the 69th Frazier composition that Smith has recorded – breaking his 30 years of songwriting silence, an event within itself.
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